Here are 100 books that The Essential fans have personally recommended if you like
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I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Miller’s work in village India – a world away from most of our experiences – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve lived in small towns and capital cities and gone to school on four continents, so I love books in which the location is practically a character in the story. When moving, I struggle to put down roots and feel legitimate in my new home. Writing about old homes helps. While living in New England, I wrote my Jana Bibi trilogy, set in India. Now in New York state, I’m setting a new novel in my native New Hampshire. I’ve been a Jill of all Trades: teaching, software, editing, fact-checking, social science research, and, most happily, fiction-writing. I’m also an amateur musician and an avid foreign language buff.
I love Rumer Godden’s novels, but I’m even fonder of her memoirs, especially this one. Writing with her sister, Jon, she describes life in Naryangang (then in British India, now in Bangla Desh) during and shortly after World War 1. The large household, the bazaar, the diversity of people, the bright sun and the monsoon rains, the wealth and the poverty, the danger of rabid dogs, the holidays in hill stations…I grew up in India forty years after Jon and Rumer Godden, but in many ways, their experiences bring back my own childhood.
A banker by day and a cynical cartoonist-cum-blogger by night, I have traveled the world, have met many interesting people with compelling backgrounds, and have experienced many peculiar and beautiful things.
I love getting inspiration from my experiences and spinning stories out of that. As an author, I always look out for the unconventional ending fueled by my fervid imagination.
I prefer the medium of the short story as it keeps the author honest and sharp—no meandering into unrelated tangents.
Ruskin Bond is known more for his simple stories about everyday people in the Himalayan foothills (like a North Indian R.K. Narayan). He does throw in the odd story, which seems like a folktale with a surprising ending like A Face in the Night and The Eyes Have It. This livens up the collection more, as you don’t know when you will get one of the unexpected plot twists.
His books ooze with his love for his adopted country, and he writes with such tenderness about young characters that they are wholesome and fulfilling to read.
What I love most about him is that he is one of the most approachable and friendly authors. He spends hours sitting in his hometown’s main bookshop talking with readers and autographing their purchases.
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
If God was a Banker is Ravi Subramanian’s debut book and my personal favorite among all his works. The story centers around a multinational bank in India and an array of exciting characters that make up its management cadre. A heady mix of aspirations, passions, jealousy, and alliances result in the characters pushing boundaries of convention and sometimes even legality. The twists and turns that consequently emerge make the book a gripping page-turner.
In If God Was A Banker, the story revolves around two management graduates in the rat race for success. Sundeep is ambitious and selfish, which leads him to achieve his goals through unscrupulous means. Swami is the exact opposite as he sticks to his morals and ethics to ensure success in his career. Swami's ideal and ethics keeps him behind Sundeep in terms of performance at the New York International Bank where they both work. Sundeep's rapid rise up the corporate ladder and his popularity with colleagues disguises his real motives and cunning mind. The story also has a main…
I grew up in Zambia, a small, landlocked country where travel was prohibitively expensive, but through books, I could travel to any place and across time without ever leaving my bedroom. Now, I’m fortunate that I get to travel for work and leisure and have been to over thirty countries and counting. Before I go to a new country, I try to read historical fiction as a fun way to educate myself and better understand that country’s history, culture, food, and family life. I hope you also enjoy traveling worldwide and across time through this selection.
I loved this story set in India soon after partition. It’s a long book with requires upfront commitment but Seth is a masterful storyteller who had me hooked from the first page.
So much so that I lost many nights of sleep and couldn’t put the book down until the very end. While I was immersed in this story and rooting for the protagonist, Lata, I was learning about Indian history, culture, food, and family life.
“Surrender to this strange, beguiling world and be swept away on the wings of story. . . . It is difficult to imagine that many contemporary writers could give us a novel that provides so much deep satisfaction.” —Jonathan Yardley, Washington Post Book World
A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy tells the story of ordinary people caught up in a web of love, ambition, humor, sadness, prejudice, reconciliation, the most delicate social etiquette, and the most appalling violence.
Vikram Seth’s novel is, at its core, a love story: the tale of Lata’s—and…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I’m interested in the various children’s tales from other countries, and I thought that this classic Indian collection of stories about an imaginary city to be just charming. It captures the richness of everyday life, of daily interactions across all sorts of people.
With such a wide cast of characters, from an astrologer to a postman to a snake charmer, there’s something for everyone to either relate to or marvel at. My favorite stories are the kinds that find meaning in the smallest pockets of life, and this collection is all about that.
Introducing this collection of stories, R. K. Narayan describes how in India 'the writer has only to look out of the window to pick up a character and thereby a story'. Malgudi Days is the marvellous result. Here Narayan portrays an astrologer, a snake-charmer, a postman, a vendor of pies and chappatis - all kinds of people, drawn in full colour and endearing domestic detail. And under his magician's touch the whole imaginary city of Malgudi springs to life, revealing the essence of India and of human experience.
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.
What I like about Prakash's book is that it is a very analytical text, very technical in a sense: it is simply trying to see if there are influences in Indian mythological stories from other cultures.
And with the same simplicity, he shows that there are, and in particular, Greek ones. He does it in such a way that you don't have to know much about Indian myths to understand it, and with a lot of (sometimes too much?) prudence.
Dr. Arora's present book is indeed a most welcome addition to the growing field of comparative mythological studies. The work is a very thorough investigation into some of the major themes and motifs in Indian mythology in a much wider and comparative perspective. He has carefully selected them from Indian, Greek, West-Asian, and other sources. The result obtained by him provides an amazing story of interaction between various cultural traditions through space and time. This is a painstaking work of research and a substantial contribution not only to the History of Indian Civilization but also to that of the ancient…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I have not come across many books about Indian women in power, but this book is an amazing exploration of how feminine strength can hold up against a deeply patriarchal society and time period.
The story sucked me in as the main character, a young princess coming of age, gets caught up in romance and subterfuge; by the end, the story takes a sad and heartbreaking turn as India’s rich history of its many kingdoms falls to the British Raj.
Born to the Royal House of Balmer, Jaya Singh experiences the influences of Western culture as a selfless wife, strong leader, and courageous individual in a national struggle.
Jaya Singh is the intelligent, beautiful, and compassionate daughter of the Maharajah and Maharani of Balmer. Raised in the thousand-year-old tradition of purdah, a strict regime of seclusion, silence, and submission, Jaya is ill-prepared to assume the role of Regent Maharani of Sirpur upon the death of her decadent, Westernized husband. But Jaya bravely fulfills her duty and soon finds herself thrust into the center of a roiling political battle in which…
I have been writing and publishing memoirs since I was in my twenties and working at The New York Times, where I learned the power of sharing what it is we know after what we’ve been through. What I now know is that memoir is the single greatest portal to self-discovery. I do not know how I feel about anything until I write it down. Teaching memoir for thirty years has allowed me to witness people reoccupy themselves after they take back the power of their stories from oppressors, abusers, medical trauma, and the other deep influences of life. Getting one’s story in one’s hands is the road to change. Memoir allows for that change, both for the reader and the writer.
Madhur Jaffrey’s talent as a cook and cookbook author is world-renowned; her acting talents have been on display for half a century in everything form Merchant-Ivory films to music videos, but it in this wondrous book about her childhood that I was allowed to witness how an artist is formed.
'I was born in a sprawling house by the Yamuna River in Delhi. When I was a few minutes old, Grandmother welcomed me into the world by writing 'Om', which means 'I am' in Sanskrit, on my tongue with a little finger dipped in honey. When the family priest arrived to draw up my horoscope, he scribbled astrological symbols on a long scroll and set down a name for me, Indrani, or 'queen of the heavens'. My father ignored him completely and proclaimed my name was to be Madhur ('sweet as honey').' So begins Madhur Jaffrey's enchanting memoir of her…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
Suspense thrillers were staple “reading food” in my college and young adult days, and my love for them continues. I always craved thrillers that are based on WWII, the Cold War, and secret scientific advances and that offered fresh historical perspectives and dared to challenge popular narratives while delighting the readers with dexterously woven fictional tales. And then, most importantly, it is the feeling the author has conducted genuine, painstaking research bringing out captivating, reasoned nuggets of history that I find most satisfying.
Can a memoir be a thriller? I say this one is. It is truly an amazing and inspiring account of an immigrant’s tenacious, fearless journey to success, from humble beginnings in a small town in India to earning a PhD in the US and becoming a multimillionaire entrepreneur.
While not exactly a historical thriller, The Blue Suitcase took me on a roller coaster ride full of fascinating cultural insights and nuances and the serendipities that shaped Thanedar’s journey.