100 Books Like Such a Long Journey

What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.

She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.

I was blown away by the genius of telling a story ostensibly about the end of an era and an empire while the real story, a love story, runs just below the surface. I confess that I am not otherwise much of an Ishiguro fan, but this book is perfection.

I am old enough to have known members of a generation who valued loyalty and propriety above personal desires, and this novel made me both nostalgic for a time when self-sacrifice and self-control were so respected and sad about the happiness forfeited because of these social standards.

While I was a graduate student of writing, I devoured every novel and story by Nadine Gordimer, whose body of work is astounding in how it combines artistic sensibility with a moral vision. Most important, Gordimer, with her unflinching and unrelenting gaze at the horror of apartheid in South Africa, taught me the value of passion in writing. Gordimer is known mostly for her novels, but her short stories are equally sharp and biting in their critique, and she uses the form’s precision to devastating effect. What is striking in Jump and Other Stories is the diversity of her characters and situations, thereby illuminating every corner of the racial injustices in her country.  

Ha Jin is a writer close to my heart. I find his spare prose and his trenchant images extremely effective in portraying the oppression of the Chinese regime. In The Bridegroom, Ha Jin uses twelve stories to show a China in transition from a society that’s just emerged from the cultural revolution to a more modern land where Western-style chicken restaurants, with their capitalist modes of operation, disrupt the accepted order of things. The Bridegroom has everything a good story collection is supposed to have: memorable characters, interesting situations, good doses of humor, and resonant images. It’s a book I have learned much from and one repeatedly taught in my classes. 

Bombay Monsoon, first book in the new Emergency Series, delivers Ziskin’s talent for blending literary techniques and believable characters while taking the reader on an intense ride.

Journalist Danny Jacobs, young and anxious to make his mark, hasn’t been in Bombay long when he is caught up into intrigue, romance, and danger. Set in India during 1975 when India was shaken with political unrest after Prime Minister Indira Gandhi declared a state of emergence, Zisken weaves cultural adjustment along with crime and romance.

The book written by Zisken is an impressive page-turner, thanks to his meticulous attention to detail and insightful knowledge of India.

Although I contributed to this volume, I am recommending it not because of that but because it has a couple of excellent chapters on Gandhi. Best known is Shahid Amin’s, "Gandhi as Mahatma: Gorakhpur District, Eastern UP, 1921-2". In this, he examines Gandhi’s fleeting visit in February 1921 to Gorakhpur District, a largely rural area close to the border with Nepal – showing how this visit was understood by the local peasantry. Many tales circulated, many of which involved the idea that Gandhi had the power of rewarding those who accepted his message and punishing those who did not in supernatural ways. The chapter provides a superb analysis of the ways in which his message was filtered and changed in ways that Gandhi himself not only had no part in, but which he – when brought to his notice – repudiated. The chapter by Partha Chatterjee, "Gandhi and the Critique… show more.

This award-winning study combines accessible translations with local and global studies of the goddess Svasthani and her domestic devotees. A goddess little known outside of Nepal, Svasthani is embodied in the text itself and celebrated by families in the cold month of January.

Her only recent depiction as an icon in her own temple is a testament to the ever-changing forms of religion and culture in a corner of the world where living goddesses have long held significant power. 

If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.

India is an enigma to many people – a developing country beset with a number of problems yet a resounding democracy; a nuclear and space power yet grappling with poverty, malnutrition, and illiteracy; a source of great talent for global corporations and a nation of innovators yet experiencing violence and acrimony based on caste and religion. India After Gandhi is a comprehensive guide to understand these apparent contradictions and make sense of modern India. It is history told in an accessible, evidence-based fashion, and free from biases.

A deep dive into culture, internal conflict, and the struggle to overcome external challenges. The characters in this book were deep and interesting. Their struggle was heartbreaking, and there was nothing you could do to fix the system they were in. They never gave up, even when all hope was lost.