Here are 100 books that The End of the Hunt fans have personally recommended if you like
The End of the Hunt.
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Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
I picked this because it showed me – and still does – that the most foreign journey is within, and that when the body stops travelling, the spirit takes over the trek.
Brennan is a fabulous writer – at her best, among the best – and in her head (she wore a beehive that according to a colleague at The New Yorkerwas taller than she was) she is travelling all the time.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a writer based in Ireland. When I was fifteen, I read about the Battle of Verdun, and the horror and ineptitude of it led me into an obsession with World War I. Visiting the Imperial War Museum, I learned about the white feather of cowardice, bestowed by girls upon men out of uniform. Such a transformation of a symbol of peace to an instrument of stigma and shame made me think of Irish society as well as British. When White Feathers was published, its refusal to follow a sentimental “Tommy in the trenches” line angered some revisionist critics. But in the end, it is a passionate and intense love story with resistance.
Set in the period 1914-1916, it follows the life of Kate Crilly, a young girl whose brother Liam has just been killed in the Great War. This loss binds Kate to Liam’s comrade in arms, Hubie Wilson. Meanwhile, the tensions of the Rising are at boiling point and Dublin is turning into a battleground as Kate doubles back and across the River Liffey checking on her family, her friends and her desperately ill sister. Mills excels at describing the nature of grief and how one lives with it, rather than dwelling on the immediate impact of the loss per se. Beautiful, limpid prose and imagery, really enjoyed.
Fallen by Lia Mills - a remarkable love story amidst the ruins of the First World War and the Easter Rising SELECTED AS THE 2016 'ONE CITY ONE BOOK' TITLE FOR BOTH DUBLIN AND BELFAST
Spring, 1915. Katie Crilly gets the news she dreaded: her beloved twin brother, Liam, has been killed on the Western Front.
A year later, when her home city of Dublin is suddenly engulfed by the violence of the Easter Rising, Katie finds herself torn by conflicting emotions and loyalties. Taking refuge in the home of a friend, she meets Hubie Wilson, a friend of Liam's…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a closeted fiction writer–fascinated by ‘the fantastic’ in art or in life. And Christmas seems to me the perfect example of a time that unites realism and the strange–the time of ghost stories and nativities. I wrote a book on It’s a Wonderful Life (2023) because it triumphantly succeeds at bridging the connection between ordinary life and the marvelous. I have also edited anthologies of Victorian and Edwardian ghost stories, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (Penguin, 2010), and Victorian Fairy Tales (Oxford World’s Classics, 2015), both of which include many seasonal classics.
Christmas brings memories of other Christmases and can, therefore, be as much a melancholy time as a wonderful one.
The last story in James Joyce’s Dubliners ends with this burden of memory, and within a marriage, strikes a note of separation at the time of festivity. Before then, he brings to life for us Christmas parties, Edwardian Dublin in late December, conviviality, and the pain and delight of music.
It’s as good a story as anyone ever wrote and as Christmassy in its sadness as Dickens is in its joy.
A shocking confession from his wife prompts Gabriel to reconsider what he knows and understands of his wife and their shared past, whether it is better to die young, and what will be remembered of him when he is gone.
Critically acclaimed author James Joyce’s Dubliners is a collection of short stories depicting middle class life in Dublin in the early twentieth century. First published in 1914, the stories draw on themes relevant to the time such as nationalism and Ireland’s national identity, and cement Joyce’s reputation for brutally honest and revealing depictions of everyday Irish life. At the heart…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I grew up in a family of readers who valued humor above all else. I’ve always sought out novels that weren’t full of themselves or too serious. For example, I don’t actually like literature for the most part (sacrilege?) As a result, I’ve veered toward upmarket genre books that amuse me. My list reflects what I discovered as I explored this realm. It also led me to write mysteries and thrillers that are infused with my version of humor, which I must admit will never match the authors on my list. These guys are amazing.
I laughed out loud a bunch, and I don’t do that very often (I ought to.) I also learned a lot about lower-class Dublin life. I cared about McDonnell’s characters even as they become tangled up in absurd situations as they try to solve several crimes.
I know how hard it is to mix truly funny humor and a suspenseful plot. This author is a maestro. Perhaps it’s because he’s a well-known comedian in Ireland. McDonnell also has a keen ear for dialogue, which always sounds real and true to his characters—a very colorful array of quirky police, truant children, and creepy villains.
It's the year 2000 in Dublin and, following some traumatic events, Detective Bunny McGarry is taking a well-earned break from the force. However, just because you're not looking for trouble doesn't mean trouble isn't looking for you.
Bunny's former partner died in the line of duty under dubious circumstances but his murky background has suddenly resurfaced, threatening Bunny's reputation as well. As if that isn't enough, a young boy is in danger and a woman from the big fella's past is trapped in a loveless marriage to a monster. They…
I am a woman and so like all of us who have lived long enough, I have been pushed to the edge. I’m fascinated with what society tells us we are and are not meant to feel or express. In part this is because I teach emotional intelligence and empathy, also because I am the mother of four and the more emotional literacy I have, the richer my life is. I’m not interested in having any emotions disavowed for anyone of any gender. I teach wholehearted leadership with my company Pilot Light and also speak to school students and other groups about feminism, gratitude, courage, pornography, creativity, overwhelm, and vulnerability.
This Stella prize-winning novel is so mysterious, the ominous atmosphere shudders off the page.
It’s a modern-day parable about ten women who are abducted and held prisoner in the Australian desert. Gradually they realised the common thread between them is they’ve all been involved in a sex scandal with a powerful man.
Wood ingeniously takes to the patriarchy with a blow torch. It’s breathtakingly powerful. Reading the final line, I shut my eyes and my heart hurt. In a good way.
"Would it be said they were abandoned or taken, the way people said a girl was attacked, a woman was raped, this femaleness always at the centre, as if womanhood itself were the cause of these things? As if the girls somehow, through the natural way of things, did it to themselves."
Winner of the Stella Prize Winner of the Prime Minister's Literary Award for Fiction Shortlisted for the Miles Franklin Literary Award Shortlisted Christina Stead Prize for Fiction Shortlisted for International Dublin Literary Award Observer Books of the Year 2016
'Beautiful and savage - think Atwood in the outback.' Paula Hawkins, Observer
She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'
I was able to read before I went to school and have never been without a book since; frequenly having several novels on the go at one time. I started with adventures and classics, moved on to fantasy and later discovered crime fiction. Having been educated at an all-girls school where we assumed we could do everything, it was a shock to enter the world of science and engineering in the 1970s and find that women were not considered as strong and powerful as men, and certainly not as good. Even though times have changed somewhat, I still love finding books (especially series) where crime solving and sisterhood go hand-in-hand.
This book has so much I love about it: it’s set in Dublin, the home of my father and therefore part of my heritage.
It features a group of feisty women, the youngest of whom is in her fifties (way younger than me), while the rest are old enough to know better. It’s packed full of humour—who wouldn’t laugh at the idea of the older generation behaving worse than the teenagers. And there’s a huge dollop of old Irish magic to add to the mix.
Despite the fact that this wonderful group of women seem to attract dead bodies like magnets, this is definitely in the cosy sub-genre. And I loved every word of this book and the rest of the series.
Artist Eve Caulton is 50, divorced and ready for a new life. She can't believe her luck when she manages to buy Kimberly Cottage, one of a perfect little crescent of cottages on Bramble Lane. She can look forward to peace and quiet, in one of Dublin's most exclusive suburbs. But before she has even unpacked, there is a dead body in her living room and she's a chief suspect! To complicate matters, her mother Niamh calls on her gang of feisty older ladies, who bring wisdom, experience, and very special skills to the case. They might be known as…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This is one of several excellent books that explores how nonhuman animals shaped cities (see also Andrew Robichaud’s Animal City, Frederick L. Brown’s The City is More Than Human, Dawn Day Biehler’s Pests in the City, and Hannah Velten’s Beastly London, for example). Cities are multispecies spaces and they have always been so, even as the history of a given city shifts and changes. When we walk through a city like Dublin today we may not immediately think about the many, many nonhuman animals who used to roam the same streets and pathways we walk on today. And yet, as Juliana Adelman explores in this book, there are hints and traces of this animal history if we know where to look.
Civilised by beasts tells the story of nineteenth-century Dublin through human-animal relationships. It offers a unique perspective on ordinary life in the Irish metropolis during a century of significant change and reform. At its heart is the argument that the exploitation of animals formed a key component of urban change, from municipal reform to class formation to the expansion of public health and policing. It uses a social history approach but draws on a range of new and underused sources, including archives of the humane society and the zoological society, popular songs, visual ephemera and diaries. The book moves chronologically…
I am an historian of urban crime and policing. I specialise in metropolitan forces, for example the Dublin Metropolitan Police, London Police, and their colonial counterparts. I am particularly interested in the transnational exchange of concepts and personnel. The latter decades of the nineteenth century saw a lively and consistent movement of police across countries and continents, cross-pollinating ideas and experiences, shaping the future of organised policing. I have traced Australian policing roots to the streets of Dublin and London, which are explored in To Preserve and Protect: Policing Colonial Brisbane (2020) through personal life stories of policemen and criminals alike.
In Dublin Hanged, Henry paints an evocative picture of the turn-of-the-eighteenth-century Irish capital collapsing under rising property crime, food shortages due to series of particularly inclement winters, and political unrest. He also vividly captures the events that led to the organisation of the first metropolitan uniformed police in the British Isles, which came to be widely unpopular. Henry shows, the organisation of the force was costly and in order to fund the new police, the household tax ‘skyrocketed’ virtually overnight. Henry’s analysis reveals there was a marked decline in the frequency of rape and violent assaults in the years following the introduction of the police in October 1786, indicating a degree of effectiveness of the new police despite the lack of its popularity.
So why have I chosen noir? I’m glad you asked. Ever since I picked up my first Raymond Chandler book—The Lady in the Lake—I have been a fan of the genre, so much so that I write in it almost exclusively.I watch all the old movies on Noir Alley every Saturday night—or whenever I can find one on TV. And while I tend to gravitate to the works of Raymond Chandler, Dashiell Hammet, and Erle Stanley Gardner, I'm always on the hunt for new authors. I also very much enjoy when someone takes the genre in a new direction, which is why I created this list.
When most people think of noir, they think of a cynical fedora-wearing, trenchcoated detective wisecracking his way through a mystery, and while that is part of the genre, it isn’t the whole of it. Noir can be funny, but that humor needs to be dark, and cynicism is a definite component. All of that is included in this book and it’s delivered with an Irish twist. Bruton’s hitman, Patrick Callen, who rides a bike through the streets of Dublin, is a man who likes lists: To-Do List: Kill Henry O’Neil, Meet the Bronze Man, Buy Food, Sleep with Olivia, Bike Shop, Visit Ma. But when he finds a baby on the job, it interrupts both his list and his life. A hitman and a baby—if that doesn’t make you want to read the book, nothing will.
The Lemon Man is Patrick Callen, a bicycle-riding hitman with mild O.C.D. in Dublin, Ireland whose carefully ordered life is totally upended when he becomes the accidental caretaker of a baby boy. Now he’s got to balance his daily to-do list of errands and murders-for-hire with his unexpected domesticity, which impacts him and his work in ways he never expected…and that could get him killed.
Praise for THE LEMON MAN:
A Deadly Pleasures Magazine Top 10 Paperback of 2022: "If you are a fan of quirky characters, you will…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
At a time when our news feeds are dominated by war and disease and brain-dead politicians I find my escape in the genre known as ‘uplit’ or ‘uplifing literature.’ These are feel-good stories that have a simple goal, to introduce us to characters like ourselves – human, fallible, unreasonable, and flawed – and take us on a journey with them through thick and thin. Not every story ends in the happiest of endings but the reader is always left with a sigh of satisfaction and a feeling of hope. And couldn’t we all do with a bit more of that?
Here I am recommending three books in one, because I think they should be read one after the other in a single holiday week where the rain is pouring down outside and you can lock yourself away and completely disappear into Doyle’s working-class Dublin universe. If you do not fall in love with the Rabbite family in all their imperfections, then uplit is not for you. I guarantee that no bad vibes will penetrate your mind while you are reading the Barrytown trilogy.
A one-volume edition of the celebrated trio of novels about the Rabbitte family, from the Booker Prize-winning author of Paddy Clarke Ha Ha Ha
Look for Roddy Doyle’s new novel, Smile, coming in October of 2017
The Barrytown Trilogy gathers Roddy’s Doyle’s first three novels into one volume: The Commitments, one of the funniest rock’n’roll novels ever written, about a group of aspiring musicians on a mission to bring soul to Dublin; The Snapper, about the progression of twenty-year-old Sharon Rabbitte’s pregnancy on her family; and The Van, a finalist for the Booker Prize, a tender and hilarious tale of…