Books like The Edge of the Sword — picked by fans

A kick in the pants of a book!

Each time I read it, I am reminded that the creation of art is a sacred ritual; that the beautiful process is what creates the beautiful product; that the showing up matters most; and that when we choose art-making as a vital part of our lives, we will do a brave thing each day we go to greet our project.

Ralph Waldo Emerson is recalled as one of the great essayists and speakers of the nineteenth century.

In a time of extraordinary change, Emerson helped forge a universal voice through the prism of the emerging American experience. Emerson ultimately conjured a unique, unmistakable American narrative.

This renders his work timeless. His essays—such as “Self-Reliance”—have been rediscovered by new audiences in the early 21st century.

In another moment of tumult and evolution, Emerson continues to offer actionable inspiration, encouraging everyone to cultivate the courage to experience life and work as a great adventure.

I recently saw a clip of Rick Rubin talking about art and AI. To paraphrase, he explains that he’s interested in artists because of their point of view. AI has no point of view. I watched him speak so eloquently (and so simply) about something I have tried to put words to for months. 

Creativity is akin to magic. It’s what sparks joy. It’s what makes you remember the details you do. What makes creativity powerful isn’t polish, but presence. Part of that story is the ability to notice, to feel, to pay attention to what most people rush past and capture it, if only for a moment. 

In The Creative Act, Rick Rubin distills that instinct into a way of being. He reminds us that creativity is a birthright. A way of moving through the world with sensitivity and curiosity. Rubin’s words are art in and of themselves.… show more.

“This book was written in good faith, reader.” It’s hard not to love a book that begins with a lie. Written in the late 16th century, during the Wars of Religion, Montaigne’s Essays purport to be the occasional, delightful jottings of a distracted nobleman.

In fact, his large ambition was to ease his readers into a revolutionary new way of thinking about themselves that would temper their passions. He wanted to persuade us that we are always changing our feelings and, tastes and ideas; the only thing constant seems to be our inconstancy. And “that’s ok,” purrs Montaigne, because I’m the same way. Forget sin, you can’t be fully responsible for yourself. Forget heaven, learn to live happy on earth. Saint Augustine fumes….

In 1812 Britain ruled the waves and Napoleon ruled everything else. We in the twenty-first century don’t realise how difficult and dangerous those times really were, how much of an analogy can be drawn with the dark days of World War II, when Britain stood alone against the forces in Europe. While the main plot line appears to be a simple romance, in fact Bennetts has gathered together strand after strand of conflict into a rich, absorbing tapestry. There's code-breaking, social mores, how to partake of snuff, politics, the assassination of the British PM. The story is utterly absorbing and very, very real.

A funny and moving account of life in occupied Paris by two young sisters, one sensible and studious, the other fun-loving. Written in diary form by each sister in turn, hence the ‘four hands’. Some signs of touching up with hindsight before publication in 1962. There is an English translation, ‘Diary in duo’ (1965) but currently out of print.

Alright, this is not technically a book about WWII letters, but it’s very close, and my favorite historical accounts’ book ever. Just like with wartime correspondence, Ernie Pyle wrote from the battlefield about the daily routine of the regular GI while experiencing it himself. Just like in a personal military letter, you get to know a tired civilian in uniform rather than a multi-medal bearing superhero with a thirst for action. With his exceptional writing, Pyle painted touching and realistic portraits, not of the Generals we've already read all about, but of the simple soldier who simply did his job and won the war with his sweat and blood.

The main thing I loved about this book is that it was written in 1943 while the war was still raging in Europe. The publication of this book was an act of resistance in itself. It is a raw telling of the rebellion that became the French Resistance. 

I read this book over a year ago, but the opening scene is still a vivid memory. I never saw the 1969 movie based on the book, but the entire narrative created a movie in my mind.

April in Paris presents a perspective not often seen in World War II fiction: the first-person account of a German soldier.

Fluent in French, Corporal Roth is assigned to interpret prisoner interrogations in Nazi-occupied Paris. Disturbed by the torture he witnesses, Roth escapes his repugnant duties by posing as a Frenchman when off-duty, attempting to shed his identity as “occupier” by blending in with the populace.

He encounters the beautiful Chantal and ardently pursues her, unaware that she is part of the Resistance. Love ripens between Roth and Chantal, but the outcome spins out of their control, as both are hurled toward the perilous consequences of their affair.

Wallner’s fast-paced novel is more thriller than romance, as human emotion collides with the brutality of war. 

Written with crystal clarity and a flair for the telling anecdote, this book unfolds the multi-dimensional chess game that culminated in the liberation of Paris after four long years of Nazi occupation. Neiberg shows how diverse actors—leftist resistance fighters bent on liberating the city from within, Allied officials fearing just such a “red” takeover, a willful Charles de Gaulle determined to dominate the victory, anxious collaborationists, and German officers—fueled a volatile crisis that changed from moment to moment in the city’s streets.