100 Books Like Journal à quatre mains

I am a historian of the Nazi occupation of France during the Second World War and the author of two books about the period. My book about the Oradour-sur-Glane massacre (Silent Village) was published in French this year, and as a result, I was interviewed live on French television. I am fascinated by history from the ground up, and I love revealing the stories of ordinary people whose contributions have been under-represented. My current PhD research focuses on the Resistance in rural French villages, interpreted through a series of micro-histories. I also adore historical fiction. I have a master's degree from Cardiff University and a BA joint Hons from the University of Exeter. 

As a child in New York, I was interested in history to the point where by third grade I had memorized the list of U.S. presidents beginning with George Washington. The world was more Eurocentric than now, and I was taken by what I saw as the richness of European history. Surrounded later by Leftist academics, I became interested in the Right. Why were so many, especially among the lower middle classes, drawn to the Right and fascism during the first half of the twentieth century? This led to my interviewing and studying World War II pro-Nazi French collaborators. Later I branched into food history and the history of tourism.

A francophile and a researcher. I ran the research department of The Guardian newspaper for many years. I decided to write my book after it became apparent that there were no English language guidebooks devoted to the Lot alone (and not many in French either). I have been travelling all over France since I was a child in the 50s and discovered the Lot, en route to Spain, in about 1956. I have visited every year since. Pretty well all my interests in life are centred around my passion for this area, but extend beyond it -- history, ecclesiastical architecture, vernacular architecture of Quercy, gastronomy, cave art, the Resistance.

Born in Budapest, Hungary, Susan Rubin Suleiman emigrated to the U.S. as a child with her parents. She has had a distinguished career as a professor of French and comparative literature at Harvard, publishing more than a dozen books and over 100 scholarly articles. Her acclaimed memoir about returning to Budapest, Budapest Diary: In Search of the Motherbook, appeared in 1996; in 2023, she published Daughter of History: Traces of an Immigrant Girlhood, a memoir of immigration which was a finalist for a 2024 National Jewish Book Award. She has been awarded many honors, including the Radcliffe Medal for Distinguished Achievement in 1990 and France’s highest honor, the Légion d’Honneur, in 2018. 

I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress. 

In 2017, my family was invited to France to retrace my father’s footsteps after his plane was shot down over occupied France in May 1944. During that visit, I realized how many ordinary citizens aided in his evasion. I thought their stories deserved to be preserved. I spent the next five years researching and writing, The Duty of Memory. During four trips to France to visit the actual sites, I interviewed eyewitnesses and became friends with family members of those depicted and learned their stories. I also studied documents from the US National Archives and the French Military Archives, as well as personal documents provided by the families.

I am a historian, curator, and writer born and raised in New York City, a place whose history intrigued me from an early age. With a mother who moved from small-town New Jersey to Greenwich Village in the 1950s, and a father who had childhood memories of World War I in the Bronx, I think my interest was sort of preordained. I remain fascinated by cities as engines of change, as flashpoints for conflict, and as places that are simultaneously powerful and vulnerable. 

Twenty years ago I nearly married a French woman and emigrated. I prepared vigorously to become an honorary Frenchman, cramming French history, language, and culture. Ultimately, I neither married nor emigrated, but the passion for that cultural acquisition project never left me, meaning many years of trips, reading, and language study. For the last decade, I've supplemented that interest by looking for historically significant French texts to translate (primarily contemporaneous texts about the World Wars and the interwar period). I have degrees in history and international affairs, plus professional experience in military affairs (including the Office of Secretary of Defense) and editing magazines (for Time, Inc.).

I’m endlessly fascinated by the stories of young women from the WW2 era, who came of age at the moment the world was torn apart. As an author of wartime historical fiction with strong female characters, it’s vital for me to understand the experience of ordinary women who grew up in such extraordinary times, so I’m always on the hunt for real voices from the era. I’d love to think that in similar circumstances I’d face my challenges with the same humour, resourcefulness, bravery, and humanity as my favourite five female memoirists selected for you here.

I’ve long been enthralled by tales, real and fictional, that transcend the obvious and clichéd. My interest in World War II was piqued years ago while studying in Italy, when our professor regaled us with accounts of the Italian Resistance. Depictions of the “enemy” in fiction are often brutalized, and he is portrayed as less than human, compared with those on the righteous side of the battle. As a romance writer, crafting characters as living, breathing human beings, amidst the abyss of war, became my passion. Conflict is essential to a captivating plot, and what could be more intriguing than pitting heroine against hero in mortal struggle.