Here are 100 books that The Ecstasy of Cornelia Day fans have personally recommended if you like
The Ecstasy of Cornelia Day.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Monsters intrigue me. I’ve always enjoyed the weird and obscure – the creatures who are recognizably not human. Being a queer, autistic person, I’ve often felt as if I didn’t understand the world…or the world didn’t understand me. Reading and writing about monsters sheds a new light on the parts of myself that I was taught are undesirable. By conventional standards, the monsters in these stories are horrifying, yet they find people who love them and their monstrosity. Monsters get their happy endings – and I can get mine, too.
We all know the story: someone messes around with magic and ends up indebted to a demon. In this short, however, our main character is a queer Black man, and the devil that finds him won’t take no for an answer. For fans of Omegaverse, dubcon, and monsters that look like monsters, definitely check this out!
The last thing Silas Cromwell expected was for a book to change his life. When a rare first edition book from a famous 19th-century Occultist ends up in Silas's lap at an auction, life as he knows it suddenly changes. Pressured into performing one of the rituals from the book by a friend, Silas gets a tease of regret. Now Silas can’t sleep, is having nightmares that end with him waking up terrified. Something obscene, dark and deadly wants Silas and he isn’t human. Bazaduil lusts for Silas and won’t take no for an answer, even if it means tricking…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Monsters intrigue me. I’ve always enjoyed the weird and obscure – the creatures who are recognizably not human. Being a queer, autistic person, I’ve often felt as if I didn’t understand the world…or the world didn’t understand me. Reading and writing about monsters sheds a new light on the parts of myself that I was taught are undesirable. By conventional standards, the monsters in these stories are horrifying, yet they find people who love them and their monstrosity. Monsters get their happy endings – and I can get mine, too.
What I wouldn’t give for my sleep hallucinations to fuck me instead of terrifying me. Even in this novella-sized package, Sing Me to Sleep has tons of world building to kick off the upcoming series in this universe. If you struggle with nightmares or just want to read about an Indian American woman overcoming trauma and falling for her monstrous sleep paralysis demon, do yourself a favor! (There’s tail action.)
Her father, her sense of security, her ability — and willingness— to sleep. Her family is most concerned about the latter at the moment, and when her sister Jenna leaves her alone in their shared home for the first time since The Incident, Penelope finally accepts some help. The only problem? There are side effects. Well, one: sleep paralysis.
And the demon who came for her fear.
Fear is the only thing that matters to the demons of the Somni Dae, and as long as they deliver it back to Hell, they…
Monsters intrigue me. I’ve always enjoyed the weird and obscure – the creatures who are recognizably not human. Being a queer, autistic person, I’ve often felt as if I didn’t understand the world…or the world didn’t understand me. Reading and writing about monsters sheds a new light on the parts of myself that I was taught are undesirable. By conventional standards, the monsters in these stories are horrifying, yet they find people who love them and their monstrosity. Monsters get their happy endings – and I can get mine, too.
What would happen if Little Red Riding Hood ran into the woods – and came across a cottage inhabited by wolf-men (fur and all)? I love stories where a couple adds another partner to their relationship, andThe Witch’s Wolves gives us a sweet glimpse of that. If you understand the sex appeal of Stanley Tucci, you will get why this cozy queer story delivers heat.
Little Red Riding Hood is all grown up- and she’s queer. Manon has been caught in one scandalous situation too many, now she’s on the run. When she finally sees a lone cottage in the woods she thinks she’s found her salvation, only to find that she’s stumbled into a den of wolves. But she soon finds that these wolf-men are much more interested in pleasure than they are in pain.
This is a 18,000~ word soft and very steamy MMF romance novella with a guaranteed HEA.
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
Monsters intrigue me. I’ve always enjoyed the weird and obscure – the creatures who are recognizably not human. Being a queer, autistic person, I’ve often felt as if I didn’t understand the world…or the world didn’t understand me. Reading and writing about monsters sheds a new light on the parts of myself that I was taught are undesirable. By conventional standards, the monsters in these stories are horrifying, yet they find people who love them and their monstrosity. Monsters get their happy endings – and I can get mine, too.
There's nothing like the pairing of a prickly woman and a gender-nebulous forest god.
Rien Gray always hooks me with their intriguing characters, but combine that with this story’s spiritual atmosphere and Norse mythos? It felt less like I was reading a book and more like I was wandering into the seductive dark of the woods myself.
Although this story is short enough to read in one sitting, its gorgeous prose and immaculate intimacy still pack a major punch.
Katla Elínsdóttir has always believed in the old ways. She grew up in a rural village worshipping Heimr, an ever-changing and seductive god of the hunt. Offering blood to make the crops grow is second nature, but part of Katla fears a darker side of her nature that longs for prey.
Abandoning her worship for a normal life in the city seems to tame that thirst, until Heimr appears in Katla's dreams and calls her back to the wild. They offer her everything she desires, but at a price her body and soul might not survive.
Thomas Perry is a 74 year old writer who is working on his 30th novel. His books have won a number of honors and awards, including the Edgar from the Mystery Writers of America for The Butcher's Boy, the Gumshoe for Pursuit, the Barry for The Informant, and again for Eddie'sBoy. Metzger's Dog was voted by NPR's listeners one of "100 Killer Thrillers--Best Thrillers Ever." He has always believed that a writer's most important job is learning to be a better writer.
This is only Patrick Hoffman’s second book, but it is a wonderful model of how to write a complex and controlled work without leaving loose ends, lingering too long in one phase, or letting the reader lose interest. The novel presents us with a drug cartel that stretches around the world like a giant organism. A single disturbance in one location causes violent and self-protective reactions in each of the other locations, like reflexes of the giant organism’s body. The novel is a brilliant study of cause and effect. Hoffman portrays a world that is dangerous and dark, but every bit of it makes sense.
Patrick Hoffman burst onto the crime fiction scene with The White Van, a captivating thriller set in the back streets of San Francisco, which was named a Wall Street Journal best mystery of the year and was shortlisted for the CWA Ian Fleming Steel Dagger Award. Hoffman returns with Every Man a Menace, the inside story of an increasingly ruthless ecstasy-smuggling ring.
San Francisco is about to receive the biggest delivery of MDMA to hit the West Coast in years. Raymond Gaspar, just out of prison, is sent to the city by his boss - still locked up on the…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
In the words of Joni Mitchell, you “don’t know what you got till it’s gone.” Only a person who has gone deaf partway through life knows what it means to live with and without sound. And music.
In this evocative book, British journalist Bella Bathurst chronicles her profound loss of hearing starting at age 27—and twelve years later, its dramatic return. The health reporter in me gave a thumbs-up to her skillful exploration of the lesser-known science of hearing.
She introduces expert lip readers, soldiers who accept deafness as an occupational hazard, and the copper “ear trumpets” used by Beethoven as his greatest joy ebbed. When Bathurst regains her hearing, I was awed by her description of hearing music anew: “It was a thousand volts of birdsong.”
In 1997, Bella Bathurst began to go deaf. Within a few months, she had lost half her hearing, and the rest was slipping away. She wasn't just missing punchlines, she was missing most of the conversation - and all of the jokes. For the next twelve years deafness shaped her life, until, in 2009, everything changed again.
Sound draws on this extraordinary experience, exploring what it is like to lose your hearing and - as Bella eventually did - to get it back, and what that teaches you about listening and silence, music and noise. She investigates the science behind…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
UK-born CY Croc started her career in the health industry, but later changed professions after obtaining a postgraduate degree in teaching. It was while teaching she discovered her dream profession. An author was invited to the school to showcase her latest book. Inspired, CY wrote over 30 books in the next 3 years in contemporary, sci-fi, and paranormal romance. She loves to include positive subliminal messages in her stories about body image, prejudice, and love from a higher realm and always practices inclusion in her writing. Her main characters practice autonomy and come from all races. CY believes everyone should experience love, and that's why some of her protagonists are not of this world.
Who said vampires can’t dish out love and sex simultaneously? Clarity Townsend does a superb job getting the reader to fall in love with the ultimate cold-blooded killer—a vampire. This story displays deep character development in addition to fabulous world building with great substance. It also leaves you wanting to find out more about secondary characters, too.
Gaia spends her nights lost in ecstasy, within a world she doesn't believe exists, alongside her gorgeous vampire master, Sebastian. But reality comes crashing down around her when Sebastian reveals the truth; their months together have been anything but faded dreams.
Faced with the revelation of a lifetime, Gaia wonders if she can trust in Sebastian’s declaration of love, and the love she feels in her traitorous heart. Meanwhile, with the growing need to keep Gaia safe from the horrors threatening his kind, Sebastian attempts to deny his heart's desires before it's too late.
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
This book enticed me with the audacity of its premise: a quasi-mystical connection between classical music and the feral nature of wolves.
Renowned pianist Hélène Grimaud grew up a rambunctious child in southern France who found meaning in the melodies of long-dead composers. Years later, on a dark Florida night, she has a chance encounter with a wolf. Lupine mythologies permeate her story, and psyche.
No longer content to admire wolves from a distance, she later founds a wolf conservation centre in upstate New York. While this book may not be a literary tour-de-force, I was enthralled by the theme of “rewilding” music.
An acclaimed French pianist describes her life-changing first encounter with a wolf hybrid in 1991, her efforts to protect the threatened wolf species, and her foundation of a wolf preserve on the grounds of her New York State home. Reprint. 20,000 first printing.
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
Baroque in prose and unabashedly erudite, this scholarly memoir by a Pulitzer Prize-winning arts critic may not be for everyone.
But I adored his uncanny descriptions of musical interpretation (such as Glenn Gould’s “flinty” recording of Bach) along with Kennicott’s prickly asides—“I hate the word ‘healing.’” Following the death of his beloved yet cantankerous mother, Kennicott channels his grief into learning to play Bach’s masterwork, the Goldberg Variations.
For a lapsed pianist in midlife, it’s a Herculean task. Unanswerable questions absorb him along the way: What does it mean to know a piece of music? What does it mean to know another human being? Throughout his musings and often comical childhood memories, Kennicott’s devotion to his Baroque master shines clear: “If Bach’s Goldberg Variations are not great, then nothing is.”
As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn't seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach's music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m not an expert in gardening, forestry, or herbal medicine. But like everyone else, I have a growing awareness that our planet Earth is entirely dependent on thriving forests and insects and even weeds. We owe it to our children and future generations to learn about and protect our precious resources. Although I live in the big city of Chicago and have a tiny backyard, last year I turned my little grass lawn into prairie! I have creeping charlie, dandelions, creeping phlox, sedge grass, wild violets, white clover, and who knows what else. (Luckily, my neighbors are on board.) I’ve already seen honeybees and hummingbirds. It’s not much, but it’s something I can do.
This joyful book about the life cycle of a dandelion will have you on the edge of your seat!
I’m not kidding – suspense and humor pervade the tale, which takes our dandelion from an unlikely sprouting in a city sidewalk to adventures and tragedy in the countryside (being trampled by a moose!), to the ecstasy and triumph of a final scattering of its millions of little seeds.
What child hasn’t blown on the fluffy ball of dandelion seeds? Understanding where the seeds come from and where they’re going is a life lesson worth learning about this special indigenous plant too often dismissed as a “weed.”
Barbara Chotiner’s chaotic and evocative illustrations will bear up under many repeated readings.
Words tumble, leap, and fly in this clever shape poem about a resilient dandelion.
The inspiring story of a dandelion that survives against all odds, ingeniously told through shape poems (also called "concrete poems") full of visual surprises. When it rains, letters fall from the sky; and when seeds scatter, words FLY!
Each playful page will have readers looking twice. The back of the book includes more information about the life cycle of the humble, incredible dandelion.
NSTA-CBC's 2023 Outstanding Science Trade Books List
2023 Notable Children’s Books in the Language Arts List by the CLA (Children’s Literature Assembly)
