100 Books Like The Ecological Eye

This is an oldie but a goldie. Written in 1962, it helped me understand why we are in the corrupt, red-hot mess we are in in terms of the food and climate crisis. It gave me a historical lens on why we are getting sicker, why the land is struggling, and why so many creatures are becoming extinct.

Rachel was slammed for this book at the time, and I feel we need to resurrect her and give her a platform and time in the sunshine to change our modern-day madness. At first, I had to listen in ‘grabs’ because the content was so utterly disturbing. We didn’t listen then! She cites so many actions by government agencies that sanctioned deadly chemicals sprayed over everything and everyone… and it’s happening today with increasing vigor because corporations wield so much power! After listening to the audio, I read the hard copy—it gives… show more.

This book presents a fascinating theory that life created an atmosphere favorable to life. The sun is much hotter than when life began. Life kept the temperature beneficial to life by removing greenhouse gasses from the air. Organisms created an atmosphere high in oxygen.

The book is exciting and educates the reader on the interaction of life and the geophysical environment. This book is relevant to and influenced my theory that all species increase biodiversity, the theory about which I wrote the two books I am featuring here.

I feel the same about this book as Barry Lopez—who wrote a most wonderful introduction—when he notes that throughout his reading of the text, he often had to take a break to walk outside; the writing was just so stimulating.

Appealing to me as a poet, this is a slim book—about 90 pages—really a meditative essay that I return to again and again. I am fascinated by the originality of the author’s thought process, his supple prose, and his discussion of the polarities that exist between cultivated nature and wildness.

One singular sentence in this book (“The wood waits…”) has such resonance for me that I chose it as an epigraph for a book of my own.

This book has given me more delight than just about any other book dealing with the woodlands. It is not a herbarium or any other dry enumeration of plants. The Oxford Don takes us by the hand and shows us enchanted spinneys, lovely copses, ancient savannas, woodland pastures, and so much more that were once enchanting. In the everyday environment, the inspiration of poets, the meeting place of lovers, and the haunt of human beings seeking solitude. 

"A state-of-the-art survey of Britain’s woods by the acknowledged expert in the field… He seems to know woods like old friends, each with its unique past, its cranky or capricious personality, and its hoard of secrets. And he writes like an angel.” - The Times 

Art Is Everything is a book about obsession, about love, about artistry, about the limits of aesthetics within an industry in which the marketplace is an unspoken but all-powerful factor. When I began reading it, I was amazed and exhilarated by how clearly it is in conversation with the preoccupations of my own novel, although from a different standpoint. Also: this book is hilarious. The humor is sharp, wry, sometimes skewering, but never inhumane. I laughed so hard reading it – and this was in 2020, so I wasn’t doing much laughing otherwise. I would walk up and down the floors of my apartment and read entire sections out loud to my partner. I do believe in the bold declaration of its title, and by the time I finished reading, I felt sure the author did too. 

Where Thompson concentrates on the economic aspects of the art market, Thornton takes a sociological perspective.

She is like an anthropologist exploring a strange culture, and in the best participative tradition, takes pains to understand it non-judgementally, on its own terms.

The seven days refer to seven distinct events that make up the ecosystem of the contemporary art world: the auction house where pieces are sold, the university where artists learn their craft, the fair where collectors find new talent, the prize that spotlights tomorrow’s stars, the magazine that critiques and identifies the latest trends, the studio where the artist works, and the exhibition where the triumphant art is displayed and celebrated.

If Thompson’s book is about the finance of art, this is about people.

This book is an amazing combination of the philosophy of art, the philosophy of art history, and art criticism. The late Arthur Danto was not only a distinguished philosopher but also an award-winning art critic. In this book, Danto tracks the decline and fall of Modernism (which he describes as “the end of art”) and the advent of our present artistic moment which can be critically characterized as an era of post-historical pluralism. Danto, following GFW Hegel, proposes a partial definition of the artwork as an embodied meaning – thereby addressing the challenge to say what art is -- as it was posed by Clive Bell.

This book explores McLuhan’s relationship with avant-garde art. While McLuhan’s engagement with artistic endeavours, has received some attention, Kitnick examines in detail not only how McLuhan’s work on art developed over an extended period, but how his views on artistic practice came to inform the work of others. He builds on McLuhan’s contention that art was not primarily a means of self-expression, but rather the basis for cultural exploration and environmental change. Drawing inspiration from figures such as James Joyce, T.S. Eliot, and Wyndham Lewis. McLuhan, according to Kitnick, saw members of the avant-garde as artists who work within conventional structures in order to disrupt them, thereby throwing them into relief. 

I love I Love Dick! This is a hilarious, shocking, keenly intelligent interrogative adventure into the art world and ideas about stalking a muse and being female. The book was published in 1997 but I didn’t discover it until a decade later, so I was late to the game. In her forward, Eileen Myles describes Chris Kraus as “marching boldly into self-abasement and self-advertisement,” which is a perfect way of putting it. Shredding the veil between reality and fiction, in her relentless pursuit of Dick (a real person), Chris Kraus embraces the world, no holds barred. If you’re curious about being female, being an artist, being a failure (whatever that means), chasing your desires, and fighting your way out of limitations both within and without, this riveting, lacerating, revealing, surprising book is for you.

No book has influenced my study of intellectual history more than Hauser’s work. His Social History is an enormous undertaking and is divided into four volumes. It covers the period from cave art to early movies.

Dip into it to read about Shakespeare, Rembrandt, or Tolstoy. What I find so impressive is the nuanced and convincing way Hauser relates changes in society to artistic creation.