75 Books Like The Dybbuk

I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.

I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Tale draws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust. 

I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Tale draws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust. 

I come from a rather strange background: southern Italian and Eastern European Jewish. As a child, I heard both Italian (Neapolitan dialect) and Yiddish. I later learned that my maternal grandmother’s brother was the well-known Yiddish poet and playwright, Jacob Adler, creator of Yente (who wrote under the name B. Kovner to avoid confusion with the great actor by that name). I have been involved with what some call the “occult,” “paranormal,” or “supernatural” for many years, and these appear in much of my recent writing. Moreover, The Ibbur’s Tale draws on various elements drawn from the history of my mother’s family, including the fate of some during the Holocaust. 

Heinz Kohler was born in Berlin, Germany, where he grew up before and during World War II. By the war's end, he found himself in rural East Germany and spent years watching the Nazi tyranny give way to a Communist one. Since 1961, he taught economics at Amherst College, while also logging thousands of flight hours as a commercial pilot. These numerous experiences come to life in a powerful tale of war and its aftermath. As David R. Mayhew, Yale University Sterling Professor of Political Science, put it “In novelistic form, this is a riveting child’s-eye account of growing up in Germany under the Nazis and then the Russians. Laced with extraordinary photos and posters from these times, it combines memory with testimony.”

I’ve been fascinated with high fantasy since the moment my grandmother first presented me with Eragon by Christopher Paolini. Then, add in a Nora Roberts book when I turned sixteen, and voila, my love for all things fantasy romance was born. I crave tension, romance, sizzle, and some epic fight-to-love scenes that make my blood run hot. When I started writing, I knew the exact genre I wanted to focus on–romance. All. Things. Romance. Fantasy, paranormal, contemporary–I enjoy writing them all but in every single one of my stories there lies a thread of fight–of sizzle–because what’s a happily ever after if you don’t have to work for it?

I am Kurt D. Springs. If you read my back of the book bio, you’ll find I have advanced degrees in anthropology and archaeology and a focus on European prehistory. However, I’ve always been fascinated by military history. I’ve recently studied how modern warfare has changed many old paradigms. I’ve also studied modern and ancient religions, and many of the fiction works I enjoy have ESP or magic elements, especially Andre Norton’s works. I am also a fan of the HALO game universe. I like to tell people my stories are the children of Andre Norton’s Forerunner series and HALO.

I love to read (and write) books about badass heroines who do the saving. They’re not passive. They’re not dragged along by the alpha a-hole, swooning over his muscles and domineering personality. They take charge. They wield the sword, or the gun, or their fists and rescue the dude in distress, who may act the monster but is really just a secret cinnamon roll who wants to be loved. These heroines are the real role models, the women I want to be like. Their stories are the ones I get lost in and remember long after I’ve put the book down. 

As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.

I’ve been a fan of creature features movies and the old classic horror stories since childhood. Once I discovered urban fantasy it became my new genre of choice as far as reading. I love each author’s storytelling, worldbuilding, character development, etc. I find it helps me to read the negative reviews. Readers know when a writer is being authentic in their work vs when they are phoning it in. Listening to readers and understanding what puts them off, helps me craft a better story by avoiding the pitfalls that become cliché or annoying.