100 Books Like A Mad Desire to Dance

Have you ever read a book that grabbed you with a character challenged by circumstances you’d never considered? Imagine being blind and trying to survive WWII! I was intrigued by this essentially two-person novel set during World War II, which had a ‘cast’ of millions.

Again, the characters! Marie-Laure LaBlanc is a young blind French woman hiding in her great-uncle’s house in Saint-Malo after the Nazis invade Paris. I found Doerr’s lyrical sensory descriptions of Marie-Laure’s efforts to make her way around town as she’s pulled into the French resistance thrilling. I loved the depth of characterization when I met the second main character, Werner Pfennig, a radio repair savant, and his journey from a Nazi soldier tracking down illicit resistance radio operators to a young man repulsed by the Nazi brutalization of civilians.

The characters and intrigue pulled me through this book; mixed in with the eventual connection of… show more.

I loved this beautifully written novel which embraces and honours the Ukrainian spirit. It is 1942 and the Germans have arrived in a small town in Western Ukraine. When the schoolmaster and his wife are rounded up and murdered along with all the other Jews, Yaisa, a local peasant girl, instinctively hides their two young sons away. The massacre is witnessed with horror both by a Ukrainian Auxiliary, now remorseful at having joined the German police, and by a German engineer who is building roads with forced Ukrainian labour. Now the hunt is on for the Jewish boys – and for Yaisa too. An incredibly moving read that both hones in on one small town and pans out across the vast and varied landscape of Ukraine. 

This middle grade book takes place during WWII. The story takes the reader from Berlin to Poland, told through the eyes of a young German boy who encounters a Jewish boy on the other side of a tall fence. I loved this book because we who know about the depravity and horror of Auschwitz can see the bleak reality from a perspective of an innocent child: a boy who thinks his thin Jewish friend is dressed in pajamas.

Solingen, Germany, 1940: Here begins the story of 7-year old Lilly and 12-year old Günter whose lives spiral out of control as the war escalates, bombs begin to rain and people die. A sweeping family saga of love, betrayal, and PTSD similar to the one I witnessed as well.

This dual timeline novel is expertly researched and woven into a tapestry. In 1940, a German archaeologist is forced to marry an SS officer—and to catalog art stolen from the Jews. In modern times, a young woman with a traumatic past in the neo-Nazi movement works with the Holocaust Museum to fight hate crimes. Their entwining stories show the courage needed to stand up against racism—and the necessity of doing so, no matter the cost.

There is a common assumption among a younger generation brought up on the horrors of the Holocaust or Shoah that the Allies waged war to save the Jews. As Aronson shows in this candid and carefully researched volume, nothing could be further from the truth. The war waged by Hitler against the Jews was well-known, but the Allies did very little to try to end or modify the outcome. For anyone interested in the war, understanding the fate of the Jews in both German and Allied terms is bound up with wider issues of strategy and politics. Aronson tells a slice of the wartime narrative that many might want to forget. It is also a reminder that the war and the Holocaust were bound together, not separate histories. This perspective has not won general acceptance, but it should. 

I appreciated the author’s meticulously researched account of her parents' remarkable survival in Poland.

Her writing is very emotional yet beautiful and fact-based. The details capture the complexity of survival during these dark days. Moreover, she is able to convey the randomness of individual outcomes, and the unfathomable resilience of the ones who managed to stay alive and tell their tale.

Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.

He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.

Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.

When I read this, I was astonished and sickened by this fact: American Jewish POWs removed from their Stalag and taken to secret slave labor death camps were abandoned by their own government. The nonfiction book shook me to the core.

I was given the privilege from this book to read the actual accountings from the survivors themselves; the faith and courage it took to survive a death camp only subsequently be forced to sign an oath of secrecy to cover up the U.S. government’s non-response was both tragic and beyond heroic.

I can’t imagine holding on to the horrors of abuse and death for half a century. I was terribly relieved and heartened to learn some of the men who survived the death camp eventually let their stories be told. 

Berta Geissmar was the Jewish secretary and confidante to legendary German conductor Wilhelm Furtwangler beginning in 1921.

In her memoir, published in 1944, Geissmar describes how the Nazi hierarchy interfered in the world of classical music, purging orchestras of Jewish musicians and banning works by Jewish composers. Although Furtwangler at first refused to do the bidding of the Nazis, he was eventually sidelined. And Geissmar soon became a Nazi target.

They blamed her for the bad publicity that the regime was getting in the classical music world, and seized her passport. Geissmar was eventually allowed to leave the country, and, ended up in London as the secretary of another legendary conductor—Sir Thomas Beecham.