Books like The Dragonbards Trilogy

Like many people of my generation, I first discovered fantasy worlds through morning cartoons. Then came comics, but The Lord of the Rings changed everything for me, followed by Dragonlance, Forgotten Realms, and many more. I was an introverted child, often bored with ordinary life, and these worlds gave me somewhere to escape. Most importantly, I loved journeys that transformed characters, because they gave me hope that people could change too. I created fantasy realms in my head for years, but it took reaching my 40s to finally start putting them on paper. Today, I write and publish my own stories, including Chronicles of Ankhara, through AltWorld Comics.

My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.

I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!

I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!

I’ve been a Pratchett fan since I first read The Colour of Magic in 1986. I was nine and suddenly obsessed. When he died, I cried; when I found out he left me – us – one last gift, I cried again. The best satire doesn’t just make you laugh through the tears and cry with laughter; it makes you think. Over the decades, Pratchett perfected this art. Nobody can replace him, although many authors, including myself, try to follow. Searching for them between the rock and the trying-too-hard place, sometimes I find diamonds. May they shine as brightly in your eyes as they do in mine.

I’ve been working professionally as a writer for twenty-five years. I’m nothing close to a household name, but a number of my articles have gone viral throughout the years. I’ve had educators reach out to mention they’ve taught my work at both the high school and college levels. Writing is an occupation of passion, and the authors I’ve mentioned are all talented and passionate about their craft. It’s rare to find people who speak the truth anywhere in our society. These writers don’t just speak the truth, they make it sing.

I’m E.S. Luck, author of The Wastelander, a post-apocalyptic romance that blends the grittiness of post-apocalyptic fiction with steamy romance. I’ve always had a deep interest in the idea of living after the apocalypse. Fundamentally, apocalypse narratives are about human resilience, a concept that’s rich with storytelling opportunities. I’m also an avid romance reader. I love the tension, buildup, and deep exploration of love's many forms. Post-apocalyptic romance ratchets that tension up to eleven and introduces the possibility of love that transcends even the end of the world…and if that’s not compelling and deeply desirable on a basic human level, I don’t know what is.

My favorite books all show me that reality is much, much richer and stranger than it seems. And that is exactly what makes me write myself. Already as a child, I wanted the world to be different. I longed for the other, richer realities that were, I felt, just around the corner. So I started to travel, to Senegal and beyond, and learn about other people’s life experiences. When I became a researcher of world literature, it truly came home to me how one-sided my view of the world was. Ouch. Fortunately, there is a wealth of stories out there to tell us about everything we have been blind to. 

Starting with Tolkien’s novels as a child, I’ve devoured countless SF&F stories. My love of the genre, particularly high fantasy, combined with the irritatingly fashionable trend of so many fantasy authors to stop writing their stories partway through and leave we readers high and dry, motivated me to start writing, to see if I could create something that I was missing as I hunted for new material to read. As an intense hater of winter, spring always signified to me a time of hope, of new growth, of opportunity, of the ending of difficulty, and the start of a time when all things were possible. 

Picture books are so important. They’re for everyone, not just young children, and often the readers are adult. Writing one is similar to writing a poem while watching the story in my imagination like a film. Usually I know the illustrator and can write to their strengths. Sophy Williams has drawn The Winter Dragon as an awesome creature who's also kind and protective. When I was seven, my teacher sent my stories to Enid Blyton who replied I must not be spoiled (shame!) and wouldn’t write once I was an adult. After making Dragons with children, I watched them bring their creature alive in their play. The Winter Dragon enlarges Rory’s imaginative world.