Here are 89 books that The Doors of Perception fans have personally recommended if you like
The Doors of Perception.
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I am no great pioneer, climber, or even hiker, but I like a good walk in the woods, especially one with a path and little achievable goals set out along the way. Books are signposts, too, guides, records, shouts, and whispers. But they are also objects, appropriate to certain times and spaces. Here I'm nominating five, not just for the wisdom they contain, but for the role they serve as discrete companions on such a walk. Light. Brief. Happy to be dipped in and out of without regard to the prior page—or the next.
Before Zen and the Art of Motorcycle Maintenance, there was this, which is considerably shorter and more to the point.
Published in 1958, Herrigel’s book was a threshold moment in the westward spread of Eastern ideas. I read it in high school, and what still sticks with me is the kyudo Master’s instruction on how to draw the bowstring: “to let only your two hands do the work, while your arm and shoulder muscles remain relaxed, as though they looked on impassively. Only when you can do this will you have fulfilled one of the conditions that make the drawing and the shooting ‘spiritual’.”
A classic work on Eastern philosophy, and a charming, deeply illuminating story of one man’s experience with Zen.
Eugen Herrigel, a German professor of Philosophy in Tokyo, took up the study of archery as a step toward an understanding of Zen Buddhism. This book is the account of the six years he spent as a student of one of Japan’s great kyudo (archery) masters, and of how he gradually overcame his initial inhibitions and began to feel his way toward new truths and ways of seeing.
Harris Maloub, a killer with an erased official past, now in his fifties, is visited by someone who could not be alive and given an assignment. In Aarhus, Denmark, Jens Erik, police officer on pre-retirement leave, somehow cannot forget the body of a Black man recovered from the sea some…
I am no great pioneer, climber, or even hiker, but I like a good walk in the woods, especially one with a path and little achievable goals set out along the way. Books are signposts, too, guides, records, shouts, and whispers. But they are also objects, appropriate to certain times and spaces. Here I'm nominating five, not just for the wisdom they contain, but for the role they serve as discrete companions on such a walk. Light. Brief. Happy to be dipped in and out of without regard to the prior page—or the next.
I love translation. Oftentimes, the style to which I aspire could be called “as translated.”
I especially enjoy translations of sacred texts. The Tao Te Ching stands out in that regard first because it admits in its first line that “the Tao that can be named is not the Tao.” Second, the entire text is so short you can compare translations while standing in the aisle of the bookstore.
I recommend this one because Stephen Mitchell is kind of the Goldilocks of all translators, and because this version is also among the smallest and most portable. I also enjoy that, when I voice-typed this description, the computer translated my pronunciation of the title as “the dowdy chain.”
The bestselling, widely acclaimed translation from Stephen Mitchell
"Mitchell's rendition of the Tao Te Ching comes as close to being definitive for our time as any I can imagine. It embodies the virtues its translator credits to the Chinese original: a gemlike lucidity that is radiant with humor, grace, largeheartedness, and deep wisdom." — Huston Smith, author of The Religions of Man
In eighty-one brief chapters, Lao-tzu's Tao Te Ching, or Book of the Way, provides advice that imparts balance and perspective, a serene and generous spirit, and teaches us how to work for the good with the effortless skill…
I am no great pioneer, climber, or even hiker, but I like a good walk in the woods, especially one with a path and little achievable goals set out along the way. Books are signposts, too, guides, records, shouts, and whispers. But they are also objects, appropriate to certain times and spaces. Here I'm nominating five, not just for the wisdom they contain, but for the role they serve as discrete companions on such a walk. Light. Brief. Happy to be dipped in and out of without regard to the prior page—or the next.
This abridged edition of the much longer Gospel is still lengthy for this list, but such a perfect size and shape—a little golden brick, perfect for the lower pocket of a cargo pant, and well worth the weight.
An account of Gupta’s meeting and brief apprenticeship with the last consensus divine incarnation in the Vedantic tradition, the Paramahamasa Sri Ramakrishna (who fell ill and died during its composition), this volume need not be read sequentially.
Every page contains its own lesson, is happy to be opened and closed, or left alone to rub against the side of your left knee. The perfect pebble for your shoe.
The Gospel of Sri Ramakrishna is published by The Ramakrishna-Vivekananda Center of New York which bases it teachings on the principles of Vedanta, or Hinduism. Hinduism teaches that every soul is potentially divine, and that its divinity may be manifested through worship, contemplation, unselfish work, and philosophical discrimination. According to Hinduism, Truth is universal and all humankind and all existence are one. It preaches the unity of the Godhead, or ultimate Reality, and accepts every faith as a valid means for its own followers to realize the Truth. For more information about the Ramakrishna-Vivekananda Center of New York.
The end of life is still a forbidden topic. Today, Baby Boomers, the largest population group in American history, are facing death. And nobody wants to talk about it!
Join Brad Stuart, M.D. as he shows how he learned the truth about dying over…
I am no great pioneer, climber, or even hiker, but I like a good walk in the woods, especially one with a path and little achievable goals set out along the way. Books are signposts, too, guides, records, shouts, and whispers. But they are also objects, appropriate to certain times and spaces. Here I'm nominating five, not just for the wisdom they contain, but for the role they serve as discrete companions on such a walk. Light. Brief. Happy to be dipped in and out of without regard to the prior page—or the next.
Last summer, we buried our parents’ ashes in a cemetery near the family home.
At about 3 AM the night before, lying in my boyhood bed, I was thinking about what I should read for the ceremony. I hit upon the idea of the "hazelnut" passage from Julian’s revelations, which remains just about my favorite page in all English literature. But I wasn’t able, in those wee hours, to find the right version online. Nor was there a printer in the house.
The next morning, I was going through a bunch of my old boxes in the basement—they’d been damaged in a flood the prior spring. I had to chuck almost all the books because of mold. Magically, one of the survivors was this edition of the Norwich—which I had purchased back in college, and which fittingly fits in the palm of your hand. I read directly from it at…
I’m a science fiction and fantasy author with an obsession with outer space and dragons. I grew up on those genres and managed to convince my college professors to let me write about dystopian science fiction for my senior thesis. I’ve always loved sci-fi and fantasy because of their unique ability to take imagined worlds that seem so distant and show how, actually, those worlds can be within reach. I’ll leave it up to you to decide if that’s for better or for worse.
I toyed with recommending a different book by Adrian Tchaikovsky for this but ultimately went with this one because it is one of the most wildly imaginative books I’ve ever read. Tchaikovsky could have settled for speculating on one or two different evolutionary alternate histories of Earth, but nah. He went for ten.
I was so drawn into the way he developed societies around which species had become the surviving dominant in each timeline, from the trilobites to the rodents and everything in between. This book takes the question “What if?” and chucks it out the window with the strength of an Olympic shot put athlete without sacrificing raw character, emotion, and connections. I loved every page.
Lee and Mal went looking for monsters on Bodmin Moor four years ago, and only Lee came back. She thought she'd lost Mal forever, now miraculously returned. But what happened that day on the moors? And where has Mal been all this time? Mal's reappearance hasn't gone unnoticed by MI5 either, and their officers have questions.
Julian Sabreur is investigating an attack on top physicist Kay Amal Khan. This leads Julian to clash with agents of an unknown power - and they may or may not be human. His only clue is…
I’ve been reading fantasy novels since around 1989, when I was twelve. I actually – stupidly! – thought it would be much easier to write a fantasy novel than a historical fiction one. Well, after writing about eighteen historical novels, I turned my hand to fantasy with Singers of the Sword Song and finally discovered just how hard it is to create a compelling new world completely from scratch. The books in this list are the ones that have inspired me for decades and continue to do so as I work on my second fantasy novel with a newfound appreciation, and love, for this magical genre.
I listened to the audiobook edition of this story and was completely blown away.
The narration is superb, with the reader performing songs and really making the story come alive, but the prose was just wonderful. Seriously, I would hear lines and think, “Oh my God, I wish I could write like that!”
I haven’t read much fantasy that was written in the past 20 years, but I can see why this is regarded as a modern classic. I loved it and wish he would finally complete the trilogy!
The lyrical fantasy masterpiece about stories, legends and how they change the world. The Name of the Wind is an absolute must-read for any fan of fantasy fiction.
'This is a magnificent book' Anne McCaffrey
'I was reminded of Ursula K. Le Guin, George R. R. Martin, and J. R. R. Tolkein, but never felt that Rothfuss was imitating anyone' THE TIMES
'I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University…
I’m an Australian author, staring down the barrel of middle age. I’ve been writing about music for the past 30 years. I’ve written 25 books; my subjects have included Keith Urban, the Bee Gees, Angus and Malcolm Young, Daniel Johns of Silverchair, among others. During my career, I’ve also had interesting encounters with such legends as Aretha Franklin, Patti Smith, Bob Dylan and Helen Reddy. I live (currently in lockdown, yet again) with my very tolerant wife, my two children, and a house full of animals. (Real animals, that is, not the kids.)
This was the book that inspired me to start writing. It’s a page-turning bio of the short life and very fast times of Jim Morrison from The Doors, and it made me realise you could write about music without resembling some giddy fanboy — Morrison comes off as a rock and roll poet and a drunken bozo. It rates with the best biographies I’ve read, regardless of topic or genre.
A portrait of Jim Morrison is based on seven years of research and tells the story behind his musical genius, worship of darkness, rejection of all forms of authority, and tragic death when his life spun out of control. Reissue.
I am an archaeologist dealing with prehistoric societies for the last 30 years. For many hundreds of thousands of years, our ancestors worldwide practiced shamanism and altered states of consciousness. I think this is what makes us human and what allows the persistence and success of our genus. The more I learn about these two subjects, the more I understand their importance and relevance to us today. There is a lesson sent to us by past societies: Pay respect to the world. Respectful behavior is assisted by shamanism and altered states of consciousness. We can be better, feel better, and do better, and the books I recommended are the beginning of this wonderful way.
It just blows my mind any time I read it, the same way it did the first time. Huxley was way ahead of his time when he wrote this influential book, and he was one of the first prophets of the New Age and the Age of Consciousness.
I was deeply touched by his intimate descriptions of his own experiences with LSD and Mescaline and the way it opened his mind to understanding the complexities of our consciousness beyond our regular and daily way of perceiving the world.
One of my favorite rock bands, The Doors, is named after this book, and it gives me ultimate pleasure to listen to Jim Morrison while reading it. What an experience!
Discover this profound account of Huxley's famous experimentation with mescalin that has influenced writers and artists for decades.
'Concise, evocative, wise and, above all, humane, The Doors of Perception is a masterpiece' Sunday Times
In 1953, in the presence of an investigator, Aldous Huxley took four-tenths of a gram of mescalin, sat down and waited to see what would happen. When he opened his eyes everything, from the flowers in a vase to the creases in his trousers, was transformed. Huxley described his experience with breathtaking immediacy in The Doors of Perception.
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
A brilliant blend of narrative and non-fiction, Optic Nerve follows the narrator, an art critic, as she frequents art galleries in Buenos Aires and reflects on the artworks, which act as prisms that refract her own memories and experiences.
This is a book that moves forward by dint of impressions and ekphrastic encounters, eschewing a conventional plot. It explores the interconnections between image and text by incorporating art criticism into the fictional space.
'A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain' Johanna Thomas-Corr, Observer
A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . .
'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett
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They do that because when I apply the practical steps the workbook teaches, I end up with a lot of stories that start with, “This is what God’s been showing me...”
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