Here are 78 books that The Dirty Girls Social Club fans have personally recommended if you like
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I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
I also write about this book in my work. I again have problems with it, but it gives a kind of slice-of-life snapshot of Cuban life at that moment (around 2005), and especially about jineteras, or “jockeys,” women who supplement their income by going out with wealthy foreigners. Doing research on that book gave me a look at Cuba that was invaluable. And it is sometimes funny. It serves as a kind of coda to my book in that it reproduces many of the rhetorical moves of other chica lit but in a completely different setting.
Based on the wildly popular, semi-autobiographical "Havana Honey" series published by Salon.com, Dirty Blonde and Half-Cuban is a gritty portrait of one woman's determination to infiltrate modern Cuba and find the father she has never known.
While on her search, privileged American Alysia Briggs ends up broke and alone in Havana. She's then forced to adopt the life of the jineteras -- educated Cuban women who supplement a desperate income by accommodating sex tourists.
With an eye for detail and a razor wit, Lisa Wixon relates Alysia's journey and creates a love song to Cuba, a heartfelt tribute to a…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
As her title indicates, this book delves into the ways Latino/as are described, shaped, and marketed both to the United States and to themselves. Dávila, a social anthropologist, brilliantly exposes not just the workings of the neoliberal state on this process, but how marketing and demographic research by corporate interests shape the ways Latinas/os are commercialized not just with things like food but even with cities interested in “cleaning up” Latinx neighborhoods. My book looks at the way Latinx fiction does something of the same thing, including shaping the way Latinx poverty is seen as “inevitable” by these different players.
Both Hollywood and corporate America are taking note of the marketing power of the growing Latino population in the United States. And as salsa takes over both the dance floor and the condiment shelf, the influence of Latin culture is gaining momentum in American society as a whole. Yet the increasing visibility of Latinos in mainstream culture has not been accompanied by a similar level of economic parity or political enfranchisement. In this important, original, and entertaining book, Arlene Davila provides a critical examination of the Hispanic marketing industry and of its role in the making and marketing of U.S.…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a university professor, I often teach popular women’s writing, and I realized that I needed to teach Latinx popular fiction as well. Women’s popular writing in the United States reflects but also shapes the way women see themselves in a global neoliberal world. After I had written an article on class and Chicanx and Latinx fiction, I also realized that class and race are key to thinking about how Latinas/Chicanas both create and follow market trends in an effort to “better” themselves in addition to showing how various Latinas/Chicanas see each other in terms of race, ethnicity, and gender.
Vallejo painstakingly lays out the way some Mexican Americans, usually the poorest of the minorities, struggle to make it into a specifically American middle class. She details how these Latinas/Latinos carefully shape themselves, and in turn are shaped by corporate and state interests, into an ethnicity that is for the most part deracinated and stripped of their more obvious “ethnic” attributes (as a small example, most drop the accent marks in their names). For my book, a look at the middle-class Latinx is a look at the desires and strivings of Latina writers and characters of Chica Lit.
Too frequently, the media and politicians cast Mexican immigrants as a threat to American society. Given America's increasing ethnic diversity and the large size of the Mexican-origin population, an investigation of how Mexican immigrants and their descendants achieve upward mobility and enter the middle class is long overdue. Barrios to Burbs offers a new understanding of the Mexican American experience.
Vallejo explores the challenges that accompany rapid social mobility and examines a new indicator of incorporation, a familial obligation to "give back" in social and financial support. She investigates the salience of middle-class Mexican Americans' ethnic identification and details how…
I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.
Boston’s Museum of Fine Arts has the best Nubian collection in the United States and one of the very best in the world. This publication of Nubian jewelry held by the MFA is exceptional in its breadth: ceramics, stelae, figurines, faience and ivory inlays, and jewels of gold, silver, precious stones, and beadwork. The artifacts span 3000 years of Nubian history produced during the three Kushite kingdoms: Kerma (2650-1550 BCE), Napata (750-332 BCE), and Meroe (332 BCE - 300 CE).
Ancient Nubia was home to a series of civilizations between the sixth millennium BCE and 350 CE that produced towering monuments, including more pyramids than in neighboring Egypt, and artifacts of enduring beauty and significance. Nubia's trade network reached across the Mediterranean and far into Africa. At the time that Nubian kings conquered Egypt, in the middle of the eighth century BCE, they controlled one of the largest empires of the ancient world.
The Museum of Fine Arts, Boston, has the most extensive and important collection of ancient Nubian art outside of Khartoum, mostly gathered during the pioneering Harvard University–Boston…
I’ve long been fascinated by tales of the paranormal. Legends of ghosts, ogres, and demons stretch back to prehistory, and as H.P. Lovecraft wrote, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” Advances in science and technology are often seen as a remedy against fearing things that go bump in the night. But in the realm of speculative fiction, what if such technology becomes the opposite: a means for the supernatural to make its presence known? This fearful juxtaposition is skillfully depicted in the five books I describe below. I hope you enjoy them.
I’m a history buff, and I’ve long been interested in the purported “spirit photographs” that began proliferating almost as soon as photography became widespread in the 19th century and which were a key element of the spiritualist movement.
The author ties this trend into a beautifully written work of historical fiction, depicting spirit photography in the context of the social and political conditions of post-Civil War America.
Boston, 1870. Photographer Edward Moody runs a booming business capturing the images of the spirits of the departed in his portraits. He lures grieving widows and mourning mothers into his studio with promises of catching the ghosts of their deceased loved ones with his camera. Despite the whispers around town that Moody is a fraud of the basest kind, no one has been able to expose him, and word of his gift has spread, earning him money, fame, and a growing list of illustrious clients.
One day, while developing the negative from a sitting to capture the spirit of the…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
We think we know the American founders, who have offered subject matter for countless biographies. But those piles of books on the same circle of founders tend to flatten them out with a tiresome formula. Aren't there other ways to approach the lives of figures at the heart of the nation's earliest, formative years? As a U.S. historian, I prefer exploring that important time and place through less-traveled byways. I got pulled into that world by attempting to spin Robert Morris’s dramatic rags-to-riches-to-rags story in Robert Morris’s Folly. The other characters on this list have further widened those horizons for me.
Jill Lepore is a Swiss-Army-Knife historian, capable of tackling any topic in American history with verve. Here she offers a biography of Jane Franklin Mecom, best known as Benjamin Franklin's younger sister. Jane's life gives us a wonderful foil for "Benny," who arose from obscurity in Boston to the center of the American stage. Lepore keeps the dual narratives moving briskly along while also opening a window on how biographies are assembled.
Along the way, the reader finds recipes for making soap, an assortment of maxims from Poor Richard and Silence Dogood, family gossip and tragedies, Jane's reactions to rising Revolutionary violence, her fear of dementia in old age, and the idiosyncrasies of Benjamin Franklin's earliest biographers. The chatter between the siblings, on matters large and small, is captivating. Lepore has to fill in many gaps in the source material to complete the life of Jane Mecom, but the pleasure…
ONE OF THE BEST BOOKS OF THE YEAR NPR • Time Magazine • The Washington Post • Entertainment Weekly • The Boston Globe
A NEW YORK TIMES NOTABLE BOOK
From one of our most accomplished and widely admired historians—a revelatory portrait of Benjamin Franklin's youngest sister, Jane, whose obscurity and poverty were matched only by her brother’s fame and wealth but who, like him, was a passionate reader, a gifted writer, and an astonishingly shrewd political commentator.
Making use of an astonishing cache of little-studied material, including documents, objects, and portraits only just discovered, Jill Lepore…
I found my first arrowhead at age seven and have been hooked on history ever since. My Bone Rattler series—Freedom’s Ghost is the seventh installment—builds on many years of research and field trips, supplemented by intense investigation of specific aspects leading up to and during the writing of each novel. The volatile 18th century was one of the most important periods in all of history, and I immerse myself in it when writing these books—by, among other things, reading newspapers of the day, which are often stacked on my desk.
I deeply enjoyed Archer’s book for its intimate depiction of Boston’s life under British occupation from 1768 until mid-1770.
It was a city under siege in many respects, with four thousand troops in a community of only sixteen thousand souls. The city’s streets –mostly paved with oyster shell—come to life with details on tavern fare, street life, troop encampment, epidemics, the violent celebrations of the annual Pope’s Day, popular song parodies, and the three hundred women who initiated a boycott of foreign tea.
Here too you can meet early patriot leaders like James Otis, who was rendered “insane” by a blow to the skull by a furious tax collector and wandered, raving, for years, until he was struck down by a lightning bolt. Archer’s book pulls you into the torment and the glory of life in a powder keg destined to explode.
In the dramatic few years when colonial Americans were galvanized to resist British rule, perhaps nothing did more to foment anti-British sentiment than the armed occupation of Boston. As If an Enemy's Country is Richard Archer's gripping narrative of those critical months between October 1, 1768 and the winter of 1770 when Boston was an occupied town. Bringing colonial Boston to life, Archer deftly moves between the governor's mansion and cobblestoned back-alleys as he traces the origins of the colonists' conflict with Britain. He reveals the maneuvering of colonial political leaders such as Governor Francis Bernard, Lieutenant Governor Thomas Hutchinson,…
I know a lot about “ripped from the headlines” news stories because I’ve been around a lot of news stories and headlines most of my life. I’m a longtime New York City journalist who has worked as a top editor at both the NY Post and the NY Daily News. Believe me, I’ve seen a lot of wild headlines in these places (e.g., Headless Body in Topless Bar!). So you can understand why I now like ripping from news headlines for fiction books as an author.
I love Hank Phillippi Ryan’s books, and I love big court trials, so it makes perfect sense that I loved this book.
Ryan–who is an award-winning TV journalist as well as a best-selling thriller author–started covering the murder trial of Casey Anthony, the mother who made headlines for allegedly killing her two-year-old daughter Caylee and hiding the body for months, with the idea of doing a non-fiction book about the case.
But, when Anthony was found not guilty by the jury, Ryan switched gears and came up with the idea of doing a mesmerizing fictional novel inspired by a case such as Casey Anthony. The result is a must-read!
Trust Me is the chilling novel of psychological suspense and manipulation that award-winning author and renowned investigative reporter Hank Phillippi Ryan was born to write. "Ryan dazzles―a must read."―Mary Kubica "Mesmerizing!" ―Lisa Gardner
**Now an AGATHA AWARD nominee** Best Contemporary Novel
"A knockout."―Booklist (starred review)Now a Criminal Element Best Book of 2018! Now an >>AMAZON Editors' Pick BEST MYSTERY/THRILLER OF THE MONTH!BOOKLIST Starred review! "A knockout." Now a Criminal Element Best of 2018! Now a REAL SIMPLE Magazine Top Thriller of 2018!Now a Book Bub Top Summer Thriller of 2018!Now a POPSUGAR Top Summer Thriller!Now a CrimeReads Most Anticipated Thriller…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
I’m an economist, now in my fiftieth year as a professor at Harvard. While much of my work has focused on economic policy – questions like the effects of government budget deficits, guidelines for the conduct of U.S. monetary policy, and what actions to take in response to a banking or more general financial crisis – in recent years I’ve also addressed broader issues surrounding the connections between economics and society. Several years ago, in The Moral Consequences of Economic Growth, I examined the implications of our economy’s growth, or stagnation, for the social, political, and ultimately moral character of our society. My most recent book explores the connections between economic thinking and religious thinking.
Everyone knows that the Puritans settled in Boston and the Quakers settled in Philadelphia. What I found surprising is Baltzell’s argument that the two cities’ founding religions shaped their respective character for hundreds of years afterward. And, he says, the difference between Puritanism and Quakerism explains why Boston and Philadelphia played such different roles in American history.
Based on the biographies of some three hundred people in each city, this book shows how such distinguished Boston families as the Adamses, Cabots, Lowells, and Peabodys have produced many generations of men and women who have made major contributions to the intellectual, educational, and political life of their state and nation. At the same time, comparable Philadelphia families such as the Biddles, Cadwaladers, Ingersolls, and Drexels have contributed far fewer leaders to their state and nation. From the days of Benjamin Franklin and Stephen Girard down to the present, what leadership there has been in Philadelphia has largely been…
