Here are 100 books that The Devil You Don't Know fans have personally recommended if you like
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War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
I have recommended this novel as it is one of the few to come out of the Iraq war written by an Iraqi writer, telling its story from the point of view of the local Iraqis.
Hadi, an old junk dealer, dismayed by the hasty burials of incomplete bodies after the daily bombings, puts together a body from the parts he finds. This composite body, he calls “Whatsitsname,” becomes possessed with the soul of a bombing victim and sets about killing those responsible for turning Baghdad into a slaughterhouse.
Blending its style between war fiction, horror, and fantasy, this darkly effective satire of the fatal logic of sectarianism follows Whatsitsname as he expands his scope, claiming: “There are no innocents who are completely innocent, and no criminals who are completely criminal.”
"Gripping, darkly humorous . . . profound." -Phil Klay, bestselling author and National Book Award winner for Redeployment
"Extraordinary . . . A devastating but essential read." -Kevin Powers, bestselling author and National Book Award finalist for The Yellow Birds
From the rubble-strewn streets of U.S.-occupied Baghdad, Hadi-a scavenger and an oddball fixture at a local cafe-collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial.…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I served in Iraq as Governorate Co-ordinator of Kirkuk for the Coalition Provisional Authority, 2003-2004; and as advisor to the Commanding General of US Forces in Iraq from 2007-2010. I retain a deep love of the country and am a regular visitor. I teach about the Middle East and Global Affairs at Yale University.
In To Start a War, Robert Draper investigates how it was that the US came to invade Iraq in 2003. A gifted writer, he reveals the paranoia and fear that led to the collecting of ‘intelligence’ that confirmed the biases of senior US officials – but which was often fabricated and false.
"Essential . . . one for the ages . . . a must read for all who care about presidential power." -The Washington Post
"Authoritative . . . The most comprehensive account yet of that smoldering wreck of foreign policy, one that haunts us today." -LA Times
One of BookPage's Best Books of 2020
To Start a War paints a vivid and indelible picture of a decision-making process that was fatally compromised by a combination of post-9/11 fear and paranoia, rank naivete, craven groupthink, and a set of actors with idees fixes who gamed the process relentlessly. Everything was believed;…
I began studying Arabic language in middle school in Utah. While I was in university, I read history and politics to understand what was happening in Israel and Palestine, and widened my interest to the entire Middle East. The major question that compelled my interest was how things have changed in the region and why.
I was fortunate to live in Iran, Tunisia, Morocco, and Egypt and to travel through much of the Middle East. During my time in these countries, I saw warning signs of political trouble, the involvement of the US, and the Arab Awakening of 2011. Change in the region has brought much that is good, but it has come in many areas at a high cost.
Over the past forty-plus years, the Middle East has seen more than its due of wars and chaos. Kim Ghattas, a Lebanese journalist who currently writes for The Atlantic, writes in Black Wave of the impact throughout the Middle East of three heavy-duty events—the fall of the Shah of Iran and his replacement by Ayatollah Khomeini’s Islamic Republic, the attack on the Grand Mosque of Mecca by a Saudi Arabian fundamentalist, and the Soviet invasion of Afghanistan, and gives a sense of the why and the how behind the events she documents.
Ghattas tracks the impact of these events throughout Iran and Afghanistan but also in Pakistan, Lebanon, Iraq, and Egypt. She handles the sheer volume of material by focusing on the repression of regimes and the ideologies they represent as seen through the voices of novelists, journalists, intellectuals, and religious figures. Her account emphasizes issues often seen as…
'Blistering' Sunday Times 'Indispensable' Observer 'Fascinating' The Times 'Brilliant' Peter Frankopan 'Revelatory' Lindsey Hilsum
A timely and unprecedented examination of how the modern Middle East unravelled, and why it started with the pivotal year of 1979. Shortlisted for the Cundhill History Prize 2020
'What happened to us?'
For decades, the question has haunted the Arab and Muslim world, heard across Iran and Syria, Saudi Arabia and Pakistan, and in the author's home country of Lebanon. Was it always so? When did the extremism, intolerance and bloodletting of today displace the region's cultural promise and diversity?
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I served in Iraq as Governorate Co-ordinator of Kirkuk for the Coalition Provisional Authority, 2003-2004; and as advisor to the Commanding General of US Forces in Iraq from 2007-2010. I retain a deep love of the country and am a regular visitor. I teach about the Middle East and Global Affairs at Yale University.
Kanan is an Iraqi exile who was very supportive of the US invasion of Iraq. In The Rope, he provides a fictional account of what happened in the country, placing responsibility for the rise of sectarianism and the descent into civil war at the feet of Iraqi Shia leaders. It’s a brave and honest book.
From the best-selling author of Republic of Fear, here is a gritty and unflinching novel about Iraqi failure in the wake of the 2003 American invasion, as seen through the eyes of a Shi‘ite militiaman whose participation in the execution of Saddam Hussein changes his life in ways he could never have anticipated.
When the nameless narrator stumbles upon a corpse on April 10, 2003, the day of the fall of Saddam Hussein, he finds himself swept up in the tumultuous politics of the American occupation and is taken on a journey that concludes with the discovery of what happened…
I thought I was going to be a farmer, but some serious practical experience after I finished school put paid to that idea. I then focused my attention on conservation, before turning to travel writing. All of which led, eventually, to a growing interest in development issues and how people can make a living from the land. The result is over a dozen books, some of which are narrative-driven travelogues – many based on my experiences in Africa and elsewhere; and some of which focus on the nitty-gritty of agriculture, agroforestry, and related issues. My most recent book, Land of Plenty, provided a state of the nation account of British farming during the tumultuous year (for farmers, at least) when the UK voted to leave the EU.
Describing a series of journeys on horseback and by foot through south-east England and the Midlands during the 1820s, Rural Rides is one of the great travelogues. Cobbett was a man of many parts – journalist, soldier, farmer, politician, and social reformer. In Rural Rides he blends lyrical description with fist-shaking fury about the injustices he encountered. He writes so well that you feel that you are travelling through the countryside with him.
Just your friendly neighborhood thriller novelist. When people find out I write books, they inevitably enquire, “Really? Have I read anything of yours?” Well, funny you should ask! I’ve been cranking out stories since I was sixteen but took a couple of decades to finally land a publishing deal for my debut novel Hammerjackand its sequel Prodigal(Bantam Spectra). A lifelong Star Trekfan, I’ve also published the novella “Revenant” in the collection Seven Deadly Sins (Gallery Books). My latest is the high-tech thriller Candidate Z, available on Amazon.
I can’t remember the last time I had this much funreading a novel, but if you take this one for a spin you’ll find out what I mean. Aguilar is a screenwriter and a former reporter, and it shows here in the visual flair with which he constructs his scenes and his eye for detail as he follows the adventures of young wannabe journalists trying to make their bones in the cutthroat offices of The Washington Post.The characters are witty, winsome, and waybetter looking than anyone I ever knew during my own short stint as a local TV guy—but who cares? This is an absolute romp, which will have you rooting for a happy ending and for love to conquer all.
Two ambitious new interns at the Washington Post—a cowboy conservative and a patrician feminist beauty—match wits and sparks while vying for a reporter slot. But can chemistry trump ideology in the mad age of Donald Trump?
They came to the Washington Post from opposite sides—Nick Jarrett, the conservative son of a Wyoming rancher, and Laura London, an Ivy League feminist firebrand. They are young, bright, and attractive. Sure, they’re just copy aides, glorified gophers, relegated to delivering parcels and answering phones on different news desks. But someday, they'll be Post reporters who will save America—either from the Left or the…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Looking for an adventure in the mid-90s I found myself in East Africa helping wind up a failed African bank, locked out of a t-shirt manufacturing plant, chasing down missing bulldozers (which turned up creating Rwandan refugee camps), taking over a toilet paper manufacturer which couldn’t manage to perforate the paper, and running a match factory on the slopes of Kilimanjaro before selling it to a Nigerian chief who turned up in his private jet. Meanwhile feeling like an alien who really didn’t understand what was really going on around me, and uncomfortable with much of the hard-drinking and arrogant expat culture, drove me to start to write as a way of making sense of what I was seeing and feeling.
A revealing portrait of 80s/90s Africa from a journalist who had covered many of the continent’s trouble spots for major British newspapers. Through his journeys you get to meet a wide range of players from fighters in the bush to aid executives and politicians in executive suites. A fascinating mix of travel writing and political analysis (and yes with some fishing thrown in).
For ten years Andrew Buckoke wrote articles about Africa for many of the major newspapers including "The Guardian", "The Times" and "The Observer". He brings his experience and knowledge of the African continent to bear in a book which attempts to open up this often romanticized and little understood land to the general reader. "Fishing in Africa" concentrates interest on the people of the continent rather than the animals, while looking at the ways in which these peoples are governed. The author follows the antics of governments, rebels, aid agencies and fellow journalists and while persuing his interest in fishing,…
Jerry
Stahl is an American novelist and screenwriter. His latest release, Nein,
Nein, Nein! One Man’s Tale of Depression, Psychis Torment, and a Bus Tour of
the Holocaust relieves Stahl’s group tour to concentration camps in Poland and
Germany. He has written a number of novels including Perv:
A Love Story, Plainclothes Naked, I, Fatty,
Pain Killers, Bad Sex on Speed, and Happy Mutant
Baby Pills: A Novel. Stahl
got this start publishing short fiction, winning a Pushcart Prize in 1976 for a
story in the Transatlantic Review. His 1995
memoir Permanent Midnight was adapted into a film starring Ben
Stiller as well as the screenplay for Bad Boys II, starring Will
Smith and Martin Lawrence.
Technically the reportage of a Rolling Stone writer embedded with Marines 2002, Evan Wright’s first-person account of young men at war is, in some ways, as much a story of the author’s experience of W’s nation building as it the story of the soldiers themselves. Wright earned the respect of the men he rolled with by riding on point, or in the lead vehicle, where he was sure to take enemy fire. It’s his description of what drove him to face such danger that makes the writer at once relatable and brave: “Partly it was about not losing face. I reverted to like, a twelve-year-old on the playground. I wouldn’t back down. And there were times when I knew we’d be shot at, and I’d fantasize about getting taken out of being embedded. But then I’d make it through and not be injured, and I’d be flooded with this deep…
Based on Evan Wright's National Magazine Award-winning story in Rolling Stone, this is the raw, firsthand account of the 2003 Iraq invasion that inspired the HBO (R) original mini-series.
Within hours of 9/11, America's war on terrorism fell to those like the twenty-three Marines of the First Recon Battalion, the first generation dispatched into open-ended combat since Vietnam. They were a new pop-culture breed of American warrior unrecognizable to their forebears-soldiers raised on hip hop, video games and The Real World. Cocky, brave, headstrong, wary and mostly unprepared for the physical, emotional and moral horrors ahead, the "First Suicide Battalion"…
I’ve worked in and around journalism long enough to know that not all journalists are heroes. Few even aspire to be. But there is something quietly heroic about the daily task of holding the powerful to account, even in democracies where the risk of imprisonment or assassination is less than in more authoritarian states. Here is my selection of books to remind all of us about some of these more heroic aspects of the journalism trade. I hope you find reading them enjoyable and maybe even inspiring.
If fictional journalists are your thing, then this book will almost certainly introduce you to some you’ve never heard of as well as those you (really should) have. Lonsdale insightfully identifies and dissects themes that crop up time after time in creative writing about journalists, from swashbuckling rogues to unethical scumbags. In the process, she has plenty to say about the craft of journalism itself and its enduring value to society. There is humour too, as when she quotes the immortal line of Stella Gibbons (author of Cold Comfort Farm): "The life of the journalist is poor, nasty, brutish and short. So is his style." Lovely.
Why did Edwardian novelists portray journalists as swashbuckling, truth-seeking super-heroes whereas post-WW2 depictions present the journalist as alienated outsider? Why are contemporary fictional journalists often deranged, murderous or intensely vulnerable? As newspaper journalism faces the double crisis of a lack of trust post-Leveson, and a lack of influence in the fragmented internet age, how do cultural producers view journalists and their role in society today?
In The Journalist in British Fiction and Film Sarah Lonsdale traces the ways in which journalists and newspapers have been depicted in fiction, theatre and film from the dawn of the mass popular press to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve spent a lifetime in search of the coziest ski village, the most spectacular mountaintop view, and the ultimate powder descent, and for the past 35 years, I’ve been writing about and photographing my experiences for ski and travel magazines. I am one of the world’s most published ski journalists, with more than 600 feature articles with photos having appeared in 20 countries. I’ve skied about 4700 days in my life, and have managed to ski in 650 ski resorts, in 75 countries, and on all seven continents. I have also written an unusual multi-media novel with photos and music called Coming of Age.
Arnie Wilson is a man with as long a history as a ski journalist as anybody alive. He is a passionate skier who skied his way into the Guinness Book of Records by circumscribing the globe while skiing 365 consecutive days back in 1994, and he also spent 15 years as the ski correspondent for the Financial Times and twelve years more as the editor of the British magazine, Ski and Board. This book is a coffee-table book that is divided into chapters on Arnie’s choice of the 40 best ski resorts in the world.
From Chamonix and St. Moritz in the European Alps to Aspen, Colorado, and Lake Louise, Canada, this beautifully illustrated volume features 40 of the most celebrated, fashionable, and diverse skiing destinations in the world. Each resort is treated individually, with the author's vivid and lively description, handsome color photos, and an information panel that tells readers how to get there, the site's altitude, number of lifts, types of pistes or ski runs, the resort's special advantages, and its drawbacks. Each description also features a small map showing nearby cities and approaches by highway. The resorts and sites described encompass the…
