100 Books Like The Daoist Tradition

Eva Wong manages to make her tales so captivating that I couldn’t put this book down. I learnt about “the dynamic spiritual tradition” of Taoism/Daoism through hermits, revolutionaries, scholars, and mystics in her beautifully told account. 

Reading this book, I felt like I was travelling with Eva from the East China sea to the heights of Mt Tai, from north of the Yangtze to the fields of Sichuan, meeting immortals, Daoist cultivators, writers and alchemists as the author made obscure theories and ancient scriptures eminently understandable through her story-telling style.

She brings the soul of China to life through its legends and tales, all firmly placed in their historic context. Famous Daoist figures and semi-mythical emperors all come to life as she crisscrosses China, spatially and temporally.

I love this translation of a long boat trip up the Yangtze River. Phillip Watson’s interpretation makes the journey seem alive, as if you had just finished sailing upriver with Lu You.

Photographs of modern-day places where the Song dynasty poet travelled bring his adventures to life, as he stops at temples and meets Daoist abbots and Buddhist monks. The river itself hasn’t changed much, making the book a reliable travel companion and guide.

I smiled, and sometimes laughed at loud, at the comments Lu You made about people and small shrines he encountered! And the photographs! Did I mention them? They make a translated journal from a thousand years ago seem like they happened just yesterday, capturing the essence of China in poetry and lyrical description.

How does someone capture such a complex and ancient civilization in such a short book? Linda Jaivin makes it seem easy!

Her book traverses millennia, yet manages to highlight all of the key elements, events, and important characters in an entertaining style. As Jaivin is a prolific writer of all things China, in both fiction and non-fiction, I trusted her to get to the heart of the country in her minimalized, yet very thorough account.

I was particularly thrilled to see Jaivin highlight women in Chinese history, as she travelled through time to find the key markers of this ancient civilization. From ancient wall-builders to Boxers and Wolf Warriors, Laozi and Confucius to the Monkey King and Lu Xun, this book’s journey covers vast expanses of China’s heartlands in a highly entertaining fashion.

I was so thrilled to discover this new, 2024 translation of Xu Xiake’s Travels.

Xu Xiake was a Ming dynasty traveller who walked across China with the goal of visiting the five sacred mountains. So happy to finally have an English translation of this richly described travel journey, wherein Xu climbed sacred mountains and engaged in discussions with Daoists, locals, officials, and other writers along the way.

Xu Xiake’s Travels is more than just a geographical account; it “is a window into the soul of a nation,” according to the book’s blurb. I concur. It’s a fascinating account made all the richer to me as I discovered this translation after my travels were over, and found, by chance, I had echoed his footsteps into the mountains.

This comprehensive, beautiful “rendition” (in Le Guin’s words) of Lao Tzu’s ancient wisdom packs an elegant spiritual punch, especially for the Western mind. I love that Le Guin was a teenager when she began studying her father’s 1898 version of the Tao. She worked for decades to create a version that would break the work’s enduring gaze toward the male-oriented “sage.” As she writes in the introduction: “I wanted a Book of the Way accessible to a present-day, unwise, unpowerful, and perhaps unmale reader, not seeking esoteric secrets, but listening for a voice that speaks to the soul.” Her commentary is illuminating, as though a strong gust of rain-washed air blew off the old dust, allowing sharper, fresher meanings to emerge. Check out Number 53. It’s good for a chuckle!

This novelized biography of a poet some consider China’s greatest pleases me over and over again. Rendering Li Po (sometimes Li Bai) as a libertine living on a barge, drinking too much and partaking with gusto in the pleasures of the flesh at the red-candle district near which he moors, really helps bring alive the great man’s life and work. There’s also a bit about his relationship with Du Fu, more of a straight arrow. Those two, along with Wang Wei really offer a picture of the Daoist life I so adore and the feeling of watching the world spin out of control in war but also the peace and solitude of a mountain retreat.

Enriched by more than 200 pictures, mostly in color, as well as maps and line drawings, it is an illuminating and succinct account of Chines civilization from prehistoric times through the rise of the “Three Teachings” (Confucianism, Taoism, and Buddhism) to the modern communist state. As someone who taught a popular undergraduate college course on Chinese civilization for many years, I can testify that the overall length (384 pages) of the book and its structure of 12 chapters plus an epilogue make it a perfect choice of required texts.

One of the most popular books in the history of East Asia, this classic sixteenth century novel is a combination of adventure fiction and folk epic that mixes satire, allegory, and history into a rollicking tale. The epic journey is the one undertaken by the monk Xuanzang under the escort of the roguish Monkey, who has many encounters along the way with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies.

The monk Xuanzang was active during the reign of Tang Taizong, the protagonist of my book. Monk and emperor have many interactions in that novel.

I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time. 

Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.

The late and renowned sinologist Wm. Theodore de Bary first published his groundbreaking, two-volume Sources of Chinese Tradition in 1960, to such favorable reception that it prompted a second edition, updated to incorporate additional sources that reflect late twentieth-century considerations, including gender and sexuality.

Volume I offers invaluable sources on Early Classical Chinese philosophy. The select writings of Confucius, Mencius, Lao Tze, for example, are excellent source material for educators looking for primary source documents and readers of Chinese antiquity (to 1644) wishing to engage in independent reading and research.

This book was one of several in “Asia through Fiction,” an undergraduate course I took which changed the course of my life in more ways than one. Not only did I meet my future husband our last year of university, but we also lived in Taiwan and backpacked around Mainland China the following year. This text helped deepen our appreciation… show more.