100 Books Like A Floating Life

I’ve known Liz since she was a graduate student and have been delighted to see her rise to become one of the leading authorities on the inside workings of the Chinese state. 

After years as the Council on Foreign Relations’ China expert, she left for the Hoover Institute for a quieter atmosphere for her research and writing, but she was drafted to serve as China adviser to Gina Raimondo, Biden’s secretary of commerce. There’s no better book on Xi’s China today.

Both the monk and the martial artist in me have long found Sun Tzu’s treatise on how to conduct military campaigns to be fully as seminal as Carl von Clausewitz’s “On War.” Both books are studied at the United States Military Academy at West Point. I find Sun Tzu’s wisdom to be applicable to both combat and life’s more pleasant endeavors, such as relationships and work. Sun Tzu’s is purported to be the student of the great Daoist Sage Lao Tzu, author of the Tao Te Ching, a seminal work that many folks find impenetrable. Perhaps that’s why Sun Tzu can be a bit oblique sometimes, too. This interpretation of his lessons, replete with wonderful illustrations, lends insight into the text and makes it easier to understand. 

There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.

Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.

The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf. It was a time of unsurpassed literary creativity. Lewis captures a dynamic era in which the empire reached its greatest geographical extent. And, he shows that under Chinese rule, painting, and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets (Wang Wei, Li Bo (Li Bai), and Du Fu). 

This book is a useful companion volume to my book, which is about the founding and the rise of the Tang dynasty.

Daoism is China’s only indigenous religion and is essential to understanding the soul of China. I devoured this easy-to-read book because it is both comprehensive and deeply authentic. I found the format easy to navigate, with handy overviews of each chapter, subheadings, and highlighted areas of interest. 

With so many misunderstandings and common myths about Daoism circulating, it was great to find an accurate accounting of this ancient religion. Komjathy’s credentials are both academic and experiential: He is a professor of Theology and Religious Studies and an ordained Daoist.

The handy, detailed map at the beginning allowed me to pinpoint the areas where the various schools, lineages, foundational views, and practices of Daoism had developed, and the comprehensive notes provide depth and context.

Eva Wong manages to make her tales so captivating that I couldn’t put this book down. I learnt about “the dynamic spiritual tradition” of Taoism/Daoism through hermits, revolutionaries, scholars, and mystics in her beautifully told account. 

Reading this book, I felt like I was travelling with Eva from the East China sea to the heights of Mt Tai, from north of the Yangtze to the fields of Sichuan, meeting immortals, Daoist cultivators, writers and alchemists as the author made obscure theories and ancient scriptures eminently understandable through her story-telling style.

She brings the soul of China to life through its legends and tales, all firmly placed in their historic context. Famous Daoist figures and semi-mythical emperors all come to life as she crisscrosses China, spatially and temporally.

Enriched by more than 200 pictures, mostly in color, as well as maps and line drawings, it is an illuminating and succinct account of Chines civilization from prehistoric times through the rise of the “Three Teachings” (Confucianism, Taoism, and Buddhism) to the modern communist state. As someone who taught a popular undergraduate college course on Chinese civilization for many years, I can testify that the overall length (384 pages) of the book and its structure of 12 chapters plus an epilogue make it a perfect choice of required texts.

One of the most popular books in the history of East Asia, this classic sixteenth century novel is a combination of adventure fiction and folk epic that mixes satire, allegory, and history into a rollicking tale. The epic journey is the one undertaken by the monk Xuanzang under the escort of the roguish Monkey, who has many encounters along the way with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies.

The monk Xuanzang was active during the reign of Tang Taizong, the protagonist of my book. Monk and emperor have many interactions in that novel.

I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time. 

Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.