Here are 100 books that The Crying Child fans have personally recommended if you like
The Crying Child.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I have read this book more times than I have read any other book, and on my seventh read, I think I finally figured it out. I love a book that keeps you guessing, that keeps you wondering what’s real and what’s an illusion, and in this short novel, Henry James achieves just that. Are the ghosts real? Is the governess going insane?
James makes both possibilities equally likely—and equally frightening. My favorite ghost stories and horror novels are those that are ”about” something beyond the surface-level plot, and James creates a subtle queer sub-theme that is another reason why I keep reading this book again and again…
'A most wonderful, lurid, poisonous little tale' Oscar Wilde
The Turn of the Screw, James's great masterpiece of haunting atmosphere and unbearable tension, tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something, or someone, malevolent is stalking the children in her care. Is the threat to her young charges really a malign and ghostly presence, or a manifestation of something else entirely?
Edited and with an Introduction and Notes by David Bromwich Series…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
This book had the greatest influence on my desire to write my own ghost story.
I liked the stalwart Brit characters, Roderick and Pamela, even though they were a bit slow putting together the clues. I figured out the secret before they did, which only added to the fun. The writing style is old-fashioned enough to add to the atmosphere, and the story is beautifully told.
A gothic, bone-chilling Irish ghost story first published in 1941 and now brought back into print. The title benefits from an introduction by well-known academic Professor Luke Gibbons and Martin Scorsese and various critics, including William K. Everson and Leonard Maltin, regard The Uninvited as one of the best ghost stories ever filmed.
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
Maybe because I grew up in San Diego, a city that boasts what ghost hunter Hans Holzer called the most haunted house in America, I’ve always loved ghost stories. I never encountered a ghost when I visited the Whaley House Museum, as Regis Philbin did when he spent the night, but I once took a photograph there that had an unexplained light streak on it. Although I conceived a passion for the printed word with my first Dick and Jane reader and wrote my first story at the age of six, it took me a few decades to fulfill my long-held desire to write a ghost story of my own.
This was a favorite of mine when I was about twelve, and probably should be considered a YA book. It’s a sweet and romantic tale with ghosts that are very real and fascinating historical details of the American Revolution.
I didn’t mind that each ghost told his or her story as if writing a novel—it worked. Charming rogue Peaceable Sherwood was a favorite character of mine as a child and was still very appealing to me when I reread it as an adult.
Newly orphaned Peggy Grahame is caught off-guard when she first arrives at her family’s ancestral estate. Her eccentric uncle Enos drives away her only new acquaintance, Pat, a handsome British scholar, then leaves Peggy to fend for herself. But she is not alone. The house is full of mysteries—and ghosts. Soon Peggy becomes involved with the spirits of her own Colonial ancestors and witnesses the unfolding of a centuries-old romance against a backdrop of spies and intrigue and of battles plotted and foiled. History has never been so exciting—especially because the ghosts are leading Peggy to a romance of her…
I’ve been a fan of horror books since I was old enough to read, and one of my favorite subgenres has always been the haunted/evil house. Ghosts, demons, unnamed forces – I love it. One of the first books I ever wrote was about a demonic carnival, and I’ve returned to the theme of the haunted/evil house or place many times in both my long and short fiction. Even in real life, I have a fascination for visiting so-called haunted places: abandoned asylums, murder houses, etc. So it’s no surprise that I’d create a list of my favorite evil house books. I hope you enjoy them as much as I did.
Although this book is only a few years old, it should be considered a classic in the genre of evil houses. A young woman inherits her mother’s childhood home and decides to convert it into a hotel. Only the place comes with some surprises: ghosts, demons, and an ancient evil that has been locked away in the dark basement. Now that evil is loose again, and the bloodshed and death are just beginning. Author Chantal Noordeloos doesn’t hold back with the frights or the blood, as person after person suffers a horrible death while poor Freya discovers her true destiny is not what she planned, and that the place they call Lucifer Falls might never let her go.
A beautiful house – with a dark and deadly secret.
When Freya inherits her mother's childhood home, she sees it as an opportunity. A chance for a new life with her best friends, as they convert the crumbling mansion into an exclusive hotel.
Instead, they'll be lucky to escape with their lives.
As the first hammers tear through the bricked up entrances, a dark, terrible and ancient evil stirs beneath the house. An evil that has already laid claim to Freya and her companions' souls.
I grew up watching the old Universal horror movies, which led me to read Frankenstein, Dracula, and other horror classics. It wasn’t until I read Stephen King’s Danse Macabre that I started asking myself what it is that I find truly frightening. Not so much monsters but rather what is unsettling – A recognizable world that suddenly turns askew. Dead Hungry grew out of that: What if there were people who simply had to eat the dead?
Another haunted house story, with a similar emphasis on atmosphere. A sister and brother visit a friend whose house is infected with competing ghostly forces. A constant sense of dread permeates the atmosphere. Blackwood keeps the reader on edge, waiting for the shoe to drop. And that’s it. It may pale by today’s standards of horror, but the novel excels at how ghostly presences vie for dominance.
How is this book unique?
Font adjustments & biography included
Unabridged (100% Original content)
Illustrated
About The Damned by Algernon Blackwood The Damned by Algernon Blackwood is a great haunted house story along the lines of Turn of the Screw and the Haunting of Hill House. A brother and sister spend some time with a recently widowed friend. Her deceased husband was a strict fire and brimstone preacher who damned everyone who didn't believe like him to hell. His less strong-willed wife fell under his spell, but now the house seems to be haunted by...a shadow? Goblins? Ghostly pagans? Or…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
While there are haunted house-like novels before James’s 1898 classic, this in many ways is a granddaddy of modern haunted tales. An isolated country estate? Check. A creepy housekeeper? Check. Two even creepier children, possibly possessed? Check, check! When the unnamed narrator is hired as the new governess in a remote country home in England, she arrives to find that her two young wards are already nearly corrupted by the ghosts of the former governess and groundskeeper. As she works to save them, the narrator herself is threatened, both by the ghosts and by the children she’s meant to save. The psychological possibilities of this book, however, linger at the edges of the text, threatening to undermine the whole notion of what this haunting really is.
A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncle at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead.
Like the other tales collected here - `Sir Edmund Orme', `Owen Wingrave', and `The Friends of the Friends' - `The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they…
I think of reading horror stories as perfect armchair adrenalin-thrill-seeking. I prefer horror on the quiet side, dark and thematic, with any depiction of blood and gore in measured quantities. My favorite is historical horror with a moral edge, or underlying theme that explores who we are—good, bad, or in-between—as human beings, and how societal norms have changed from one era to another. The monsters of our imaginations are scary, but for true terror, there's nothing more frightening than the things we've done to each other throughout history. Dress society’s ills or expectations in monster clothes and write a story about them, and I’ll want to read it.
I can never get enough ghost and haunted house stories that have social commentary themes. This is one of the books that helped inspire my own book. Trevor Riddell’s parents are separated, and Trevor and his father move to his lumber-robber-baron grandfather’s mansion in the woods of the northwest, where Trevor’s father and aunt hope to talk their ailing father into a big-money real estate deal involving the house and land.
This book has everything I love: ghosts, intrigue, mystery, history, emotionally-complex antagonists, and epistolary story-telling through letters and journals. Woven into all that, Stein manages to insert a moral about conservation and trees (and other things I’ll let you discover on your own). Ghost stories have a history of being morality tales, and this is a modern version—true to the tradition—that I really enjoyed.
From the author of the million-copy bestselling The Art of Racing in the Raincomes the breathtaking and long-awaited new novel.
This novel centres on four generations of a once terribly wealthy and influential timber family who have fallen from grace; a mysterious yet majestic mansion, crumbling slowy into the bluff overlooking Puget Sound in Seattle; a love affair so powerful it reaches across the planes of existence; and a young man who simply wants his parents to once again experience the moment they fell in love, hoping that if can feel that emotion again, maybe they won't get divorced after…
I've been a paranormal investigator (a paranormal reporter, actually) for over a decade. One of the very best parts of my job is that I get to gorge myself on books of true accounts of the paranormal. It's exciting to see what else is out there, and what other people have experienced – both historically, and personally. I'm so grateful for the chance to add to this body of work; there are many renowned investigators and writers out there, and I'm thrilled to be counted among them. And someday, someone will read about my experiences and be terrified and intrigued and inspired by them.
I will read absolutely anything that Richard Estep writes. He has written books about the Villisca Ax Murders, Malvern Manor, and other crazy-haunted places. This one, about a site in his native England, is utterly terrifying. Estep writes with a very straightforward, matter-of-fact style (his writing reminds me much of my own style), and the evidence he presents for this haunted site is deeply chilling -- especially since his team is one of the groups that has investigated the Cage.
When single mother Vanessa Mitchell moved into a historic cottage in Essex, she had no idea that a paranormal nightmare was about to unfold. The cottage, known as the Cage, used to imprison those accused of witchcraft back in the 1500s. From her first day living there, Vanessa saw apparitions walk through her room, heard ghostly growls, and was even slapped and pushed by invisible hands. Unable to handle the dark phenomena after three years, Vanessa moved out and paranormal investigator Richard Estep moved in. Spirits of the Cage chronicles the years that Vanessa and Richard spent in the Cage,…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
Edward Gorey is a forever favorite of mine, a pen and ink artist popular for the dozens of strange and macabre little books he created. The West Wing is unique in that it has no words at all, and the story is told entirely through his meticulous pen and ink images. Without a plot, or even any characters, there is only mood and vibes, and they are spooky and mysterious. Each page shows a different part of The West Wing and its seemingly endless rooms with their hints of ghosts and the feeling that someone has just left, or that something horrible has just happened. It’s my favorite haunted house story of all time.
Edward Gorey's The West Wing is an invitation to the imagination. On each page, a room beckons, inviting the reader to wonder why three shoes lie here abandoned, what is retreating in that mirror's reflection, or why there is an imprint of a body on the wallpaper, faded and floating four feet above the floor. A wordless mystery, it is one of Gorey's finest works.
