Books like The Conversations of Cow — picked by fans

This is another two-for-one book! It is a historical fiction about the life of Alexander the Great, told by his male lover, Bagoas. But it was written in 1972, only five years after the decriminalization of homosexuality in the UK. Bagoas is a nuanced character; he is frank about the nature of his love for Alexander the Great, and there are even a few sex scenes! As I read it, I couldn’t help reflecting on how groundbreaking this must have seemed in the context of the 1970s. 

Mary Renault is a very interesting figure in her own right. She was undoubtedly queer and lived with her partner for over 50 years. There are relatively few women in her novels, and many of them are unflatteringly depicted. Renault eschewed the label of ‘lesbian,’ was uncomfortable with the early gay pride movement, and is said to have told people that she wished… show more.

I love this novel because of its ravishingly beautiful prose and deep insights into sexual selfhood. Set one day in June 1923, this book takes us into the mind of its middle-aged heroine, Clarissa Dalloway, as she prepares to host a party and reminisces about her life three decades ago.

As a teenager, she loved a daring, aristocratic woman (Sally), a passionate but troubled man (Peter), and a comparatively boring but dependable man (Richard, to whom she has long been married). What did love mean to her thirty years ago, and what does it mean now? Did she make the right romantic choice, given the constraints of her society? Virginia Woolf leaves her readers space to ponder these questions for themselves.

This intricately plotted semi-comic, semi-tragic novel, riffing off Much Ado about Nothing and A Midsummer Night’s Dream, keeps the reader guessing to the end.

Simon and Axel are the best gay male couple in fiction, for my money, quirky; adorable; absolutely believable characters whose relationship the villain tries to destroy as he does several other relationships.

I love the story of how they first met, their erotic banter, their clothes, their food and wine, and the way they move towards being more open about their relationship.

This was only published way after Forster’s death–and I can quite see why: it would have whipped up a storm of unimaginable controversy with its story of homosexual love between two Cambridge students and then (steady yourself!) one of those students in later life and a rough-and-ready groundsman.

Forster wrote this in 1913/14, revised it in the 1930s and again in the 1950s, died in 1970, and Maurice finally appeared in 1971. So the book, which concerns hiding, was deeply hidden for over half a century. Forster is sentimental in terms of love and brutal in terms of fate.

Love bucks polite society’s norms in the face of the danger of arrest, public scandal, and disgrace. But such love is so delicate and dangerous that any affront to it has to be met with the most decisive action to protect everyone involved–even if the price is loneliness and a life-long… show more.

Gay American History was an epiphany for me and thousands of other gay men and women who were eager to learn about our history because books about it were few. I can’t describe the wonder I felt as I opened the book to thousands of rare documents (letters, diary entries, newspaper articles, book excerpts, medical and legal reports, etc.) that connected me to LGBT individuals who lived centuries earlier. Puritans, indigenous people, cross-dressing (“passing”) women, military personnel, artists of every ilk, government officials—their struggles, their defeats, and their victories, I learned, were no different in essence from those of the LGBT individual of the 21st Century. Gay American History is, in short, a treasure trove of information.

The Well of Loneliness, written in 1928 was banned upon publication because of its lesbian theme. I think the banning of this book brought it enough publicity to make it a must read. It is the story of Stephen Gordon, an Englishwoman who struggles to be who she knows she is in her upper-class society. Stephen’s strength and compassion, and her courage kept me reading while I was in the early stages of my own discovery.

I found this to be an interesting read about how people are drawn to each other regardless of gender. It also discusses the special attractions between women who have been attracted to other women from an early age and those who once considered themselves heterosexual as I did.

Groundbreaking at the time, simply because it featured a happy ending between two women…what a concept! Seems like this should not have been a tall order, yet, in 1952, it was a revolutionary idea that a lesbian love story would not end with tragedy which was the recipe of the day if a writer dared to write about forbidden love. 

If you are addicted to push/pull in romance stories where the stakes are high but the characters are willing to jump higher, you may fall in love with this book. 

The novel was mesmerizing and lovingly translated into film. Hollywood learned that if you want a straight audience to easily imagine how a woman who had been living a straight life previously (though not authentically) could fall for another woman, simply cast Cate Blanchett in the film and, boom, everyone gets it.

I liked the protagonist, Kate Delafield, immediately for her straightforward manner. Within very few pages, Katherine painted a picture of the neighborhood and the bar where a murder occurred in its back parking lot, yet she never caused the story to drag. Katherine pulled me in with her succinct description of the murder scene. It was as if I stood beside Kate Delafield.

As the detectives entered the bar, I felt lesbian history reverberating down through the years. As a lesbian, I identified with Kate Delafield and with the milieu within which she had to live and do her job as a police detective. I also understood the hostility of the bar patrons—all lesbians—toward the police. Without preaching, Katherine described the larger conflict inherent in the situation.

This book was so well-written that I “felt” the emotions of the characters; the sadness that a young life had been destroyed way… show more.

One of the biggest draws for me in this story is that both women are both around fifty years old. One, Ida, is a closeted lesbian, having hidden her sexuality for decades to protect her Hollywood career. The other, Faye, has never considered the possibility that she might not be 100% straight, until she and Ida ‘play gay’ for a movie and have to kiss. But it isn’t just the kiss that sets Faye’s mind whirling – it’s how fascinating she finds Ida as a person. The more time they spend together, the more confused Faye gets. It’s so well written, with alternate chapters from each woman’s point of view, but all in first person, which is cleverly done.