Books like The Colossus of Maroussi

I could not put down this book; it was so good.

I read it late at night, I read it on the metro going to work, I read it on my lunch break, I even took it to a birthday party and read it there between the toasts and the jokes.

I’ve always liked mythology, but at times it was too dry and gloomy. So I always looked for a different story about the ancient myths, and this book delivered it. I especially loved the notes at the bottom of the page, which were even funnier than the text. 

My current can’t-put-this-down read, The Island of Missing Trees is set between present-day London and Cyprus in the 1970s during the break-out of the civil war on the island.

It’s a family drama told in third person but interspersed between chapters following the lives of Ada and her star-crossed parents, a Greek man and a Turkish woman, there are whole sections of this book told from the perspective of a fig tree.

I particularly enjoy all of these sections because I never thought I might find myself one day sympathising/empathising with a tree and yet somehow, Shafak is really able to make me feel for that lonely fig tree whose comments on the world and human nature are so profound and thought provoking, they’ve invaded even my dreams. 

This book is a gem for lovers of Greece and of superlative English prose.

For me the book is far and away the best evocation of a wild and remote part of Greece that I got to know and treasure when tramping through its olive fields in search of ancient inscriptions. Leigh Fermor was incapable of writing a dull sentence.

His imagination allied with what he observed himself in his wanderings combine to bring out all the strangeness of Mani’s history of brigands and vendettas, of villages bristling with defensive towers and of fishermen descended—perhaps—from Byzantine emperors.   

I came across this book while researching my guide to Northern Greece. Kapka Kassabova is a Bulgarian writer now living in the Scottish Highlands, who returned to the land she knew as a child: the once heavily militarized border between Greece, Bulgaria, and Turkey. Her account of the places and people she meets in this forgotten corner of the world are uncanny, full of wonder, tragedy and horror, comedy and beauty, in a place where even in the 21st-century magic and the supernatural still live on.  

As a woman, I’ll never be able to visit the fantastical Orthodox monasteries of Mount Athos, although I’ve looked at from land and sea often enough! But after reading this evocative account from the 1920s by a very young Robert Byron (best known for his classic, The Road to Oxiana) I feel as if I had been there, in a completely other (and rather eccentric) world long before the monasteries’ current revival and modernization—they say the monks even have mobile phones these days! Byron’s black-and-white photographs and drawings add to the charm. 

In 1947, archaeologist Kevin Andrews went to the Peloponnese on a Fulbright fellowship to study the Crusader castles and found a country in the midst of a civil war. He was one of the few foreigners there at the time, which his book vividly brings to life.. after a first rather idyllic description of stomping on grapes with friends on Paros he enters another world. Yet he was so moved by the humanity of the villagers in a period of great poverty, suspicion, and turmoil that he made Greece his home, and wrote numerous other books about Greece, but this is his best… about a period I hope is never repeated.  

Set on the island of Cephalonia during Italy’s occupation of Greece, Captain Corelli’s Mandolin explores the relationship between occupier and occupied and the enduring strength of the human spirit.

When Italy surrenders to the Allies, the Germans occupy the island, and the Italian forces must choose to fight or to resist. In the middle of these grand politics, an Italian captain, Corelli, has fallen in love with a Greek woman, Pelagia, the daughter of the local town doctor.

At its heart, the book is about the fundamental humanity of love and its power to transform people for good or ill. A subsequent film adaptation ignores the novel’s uglier episodes, brightening the story with the incandescent beauty of Penélope Cruz and a happy ending for the romantics in the audience that is far less poignant than the book’s denouement.

This book is pure poetry to me. It follows the lives of three sisters on the precipice of adulthood during 1930s Greece.

I love that when it was published in the 1940s here in Greece, it was seen as a scandalous piece of literature. I can see why - Liberaki writes fervently and openly about the trials and tribulations of female teenhood, detailing gossip, romance, and even the loss of virginity with such poise and vim that it is still relevant and relatable to women today.

It was the kind of book that my own Greek Yiayia (grandmother) was absolutely not allowed to get her hands on. This book, for me, has it all. It’s bucolic, romantic, and oozes beautiful imagery of the hot, dry summers in Athens and the surrounding countryside. A perfect character study.

This is the daddy of travel books about Greece, penned by a Greek from western Turkey who toured the sights during the pax Romana (2nd century AD).

Catching ancient Greece before it fell into ruin, he enthusiastically wrote up the buildings and artworks and the local history of places both famous and obscure. My own copy, decidedly battered, has been a companion of my academic career since my twenties.

You can still follow Pausanias on certain archaeological sites, like Delphi or Olympia. On others it’s fascinating, after visiting them, to turn to this ancient guide to read how he described the same places when they were intact.

Peter Levi’s translation is highly readable and well equipped, but not overladen, with footnotes.  

Not – repeat not – because I am its editor and wrote more than half of it but mainly because this is I believe the one-volume, one-stop-shop book to have on your shelves or digitally on your computer if you want to gain something like a complete understanding and appreciation of the world or rather worlds of Ancient Greece. I can do no better than quote from the ‘blurb’ provided online by the C.U.P. itself.

It is sumptuously illustrated throughout, almost entirely in colour. It offers fresh interpretations of the whole range of ‘Classical’ Greek culture, different aspects of which are expertly handled by members of an international cast of top-notch scholars both male and female. These aspects include: the influences of the environment and economy; the effects of interstate tensions; the implications of (bi-, homo-, hetero-normative) sexuality; the experiences of workers, soldiers, slaves, peasants and women; and the roles… show more.