Here are 100 books that The Chestnut Roaster fans have personally recommended if you like
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I love Paris. It is one of my favorite cities on Earth. One of the reasons I adore it so much is because it has such a palpable sense of enchantment. There is magic in its cathedrals and catacombs, its pâtisseries and feal markets, its rich tradition of art and joie de vivre. You can feel it in your soul as you walk through the city, under the gazes of its gargoyles and the charm of its cafes. Thus, I’ve always been drawn to stories that take this one step further—exploring a Paris that harbors actual magic.
If you’re searching for a book that serves up monstrous werewolves in Paris’s catacombs and opera houses, then I highly recommend picking up this book.
I loved how Susan J. Morris used references to Sherlock Holmes and Dracula in her characters, who are racing to find a man-eating beast in 1900s Paris. This was a taut, twisty-turny read!
'A whip-smart, lusciously atmospheric adventure' Frances White
'Fantastic and fresh' Wesley Chu
'Inventive, engaging, and terrific fun' H.G. Parry
In Belle Epoque Paris, a monster is murdering powerful men. Stopping it may be a woman's job.
When the Gendarmes ask the Royal Society for the Study of Abnormal Phenomena for help, they don't expect them to send Samantha Harker.
She's a researcher, more used to papercuts than knife fights. Sam is also the daughter of Dracula's killer and can see into the minds of monsters. It's a perilous power, one that could help her crack this case or have her…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I started reading about the 1920s after I read Among the Bohemiansby Virginia Nicholson in 2008. I kept reading about the 1920s, particularly 1920s Paris, through my Masters and then my Doctorate in war fiction. I would read about interwar Europe, or America, or Britain, when I needed to work on my doctorate but was too tired to read about trenches or trauma, and it became an obsession. Then it became the subject of two novels, which involved more and more particular research. I love the period's brittle gaiety, its dirty glamour, a time of cultural and political revolution as people fought for a better world.
This beautiful tome, with endless photos, takes a tour of Paris through the années folles, from the end of the Great War in 1919 to the start of World War Two in 1939. Many histories of Paris in this period focus solely on the culture – understandable, as this outpouring of modernism was world-shaking. This book includes history, politics, law, Parisian café life, sex workers, immigration, and more. My copy is full of so many notes that I had to buy a second copy. Here I found the underground gay scene and the effect of the war on the working class. Schiaparelli’s surreal hats sat along an overview of soup kitchens during the Depression. The book shows Paris as it was lived in those years, and mostly through visual material, giving the impression that you could book a ticket and visit.
In the years between 1919 and 1939, Paris experienced a cultural and intellectual boom. Packed with amazing illustrations, this book explores every aspect of the city during the interwar years, when Paris truly was the City of Light. Featuring a stellar array of artists, writers, composers, musicians, designers and artists, Paris between the Wars covers everything from architecture and technology, to fashion, cafe culture and the gay scene.
I love travelogues and wrote a dual POV travel memoir with my husband. Travel writing allows us to see the world through others’ eyes, and my favorites are by those who used travel as a way to escape or heal. I’m more invested when I know this person not just wants, but needsthis journey. I understand this feeling. I empathize with them, I root for them, and I am happy for them when they reach their destination. I adoreEat, Pray, Loveand Wild, and want to recommend five other memoirs that have stayed with me as examples of brave people who left home behind in search of something better.
Jeremy had a career as a crime reporter that had recently turned from exciting to dangerous. He flew to Paris with little money and nowhere to go. Serendipity led him to Shakespeare and Company, a bookstore along the Seine with a perfect view of Notre Dame.
The owner, George, allowed authors to reside for free at the store, resulting in a continuous rotation of vagabonds searching for purpose, inspiration, or just a bed among the bookshelves.
I loved meeting this cast of eccentric writers from around the world, finding camaraderie at this literary haven. It reminded me how quickly travelers can bond over a shared experience, and how sometimes a place can be the most interesting and vivid character of them all.
"Some bookstores are filled with stories both inside and outside the bindings. These are places of sanctuary, even redemption---and Jeremy Mercer has found both amid the stacks of Shakespeare & Co." ---Paul Collins, author of Sixpence House: Lost in a Town of Books
In a small square on the left bank of the Seine, the door to a green-fronted bookshop beckoned. . . .
With gangsters on his tail and his meager savings in hand, crime reporter Jeremy Mercer fled Canada in 1999 and ended up in Paris. Broke and almost homeless, he found himself invited to a tea party…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I'm an author currently living in rural southern Vermont, though I’ve also lived in Chicago and New York City. When I was a child I wanted nothing more than to visit the city of lights and when I finally started going, I was awestruck by the beauty and the history of the city of Paris. It’s the little things about Paris, the crooked cobblestone, the myriad of bookstores, the flowers along the boulevards, and those steel metro signs that look like you’re about to enter a terrifying circus. It all comes together in the most lovely ways. My newest novel, Between Before and After, is in many ways a love letter to the city.
This biography of the famous French authoress Collette explores the sensuously Parisian life of the famed and inflammatory author. It explores many of her sensuous love affairs along with her fabulous accomplishments. This biography marches through time in Paris, from the Belle Epoch to the lean years of the World Wars, to the shining beacon Paris became in the later half of the twentieth century. Through the life of the indomitable authoress Collette, the city of Paris truly sparkles as we see that her history is so entwined with the city’s history.
The story of Sidonie-Gabrielle Colette, who, from her first appearance in Paris salons as a child bride in 1900, scandalised and enraptured all of France.
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
In the third novel of Zola’s twenty-volume series Les Rougon-Macquart, a man named Florent, accused of a crime he didn’t commit, escapes to Paris and becomes a fish inspector at the Les Halles market. Food and politics collide in the heart of the market, giving the reader some of the most vivid and delicious descriptions you’ll ever find on the page.
Unjustly deported to Devil's Island following Louis-Napoleon's coup-d'etat in December 1851, Florent Quenu escapes and returns to Paris. He finds the city changed beyond recognition. The old Marche des Innocents has been knocked down as part of Haussmann's grand programme of urban reconstruction to make way for Les Halles, the spectacular new food markets. Disgusted by a bourgeois society whose devotion to food is inseparable from its devotion to the Government, Florent attempts an insurrection. Les Halles, apocalyptic and destructive, play an active role in Zola's picture of a world in which food and the injustice…
I love Paris. This city endlessly stimulates both my head and my heart. Always in movement, everchanging, it, like all cities, is a living organism, manifesting the spirit of all those who live here, past and present. Through a bunch of different projects and a handful of books, I’ve been trying to map its creative DNA, seeking out and championing the people and places who contribute to forging Paris’s own distinctive identity today. Makers Paris (Prestel) and Makers Paris 2 (Ofr. Éditions) evolved out of more than a decade running slow-travel pioneer Gogo City Guides, and my latest book The Paris Flea Market (Prestel) is a new stop on this journey.
As the much-missed Karl Lagerfeld once said, “Fashion is a train that waits for nobody.” And that train comes whooshing through Paris quite a lot.
This book captures some of the inimitable energy and agitation of Paris Fashion Week, as self-taught photographer Meyabe covers six seasons—men’s, women’s, and couture—over a single year. It includes an introduction by local fashion hero Loïc Prigent and is published by my friends Alex and Marie from Ofr. (who also published Makers Paris #2).
Ofr. is an indie arts bookshop, gallery and publisher, always in the moment, that channels a certain bohemian spirit proper to Paris: “Open, Free and Ready”.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I’ve gone to France often during my life. I always buy books that look interesting while I’m there, mainly to keep my French in good shape. I tend to pick authors and subjects which catch my eye. Some get discarded, but most give a fascinating and often very different perspective on life than I find in English novels and essays.
This book has the stunning feature of omitting the letter E entirely. It’s also a fascinating story. I confess I read it at least in part to see whether the author has slipped up anywhere or whether he had recourse to clumsy constructions, but he was a writer of too much skill and ingenuity for that!
"Trahir qui disparut, dans La disparition, ravirait au lisant subtil tout plaisir. Motus donc, sur l'inconnu noyau manquant - "un rond pas tout à fait clos finissant par un trait horizontal" - , blanc sillon damnatif où s'abîma un Anton Voyl, mais d'où surgit aussi la fiction. Disons, sans plus, qu'il a rapport à la vocalisation. L'aiguillon paraîtra à d'aucuns trop grammatical. Vain soupçon : contraint par son savant pari à moult combinaisons, allusions, substitutions ou circonclusions, jamais G.P. n'arracha au banal discours joyaux plus brillants ni si purs. Jamais plus fol alibi n'accoucha d'avatars si mirobolants. Oui, il fallait…
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
I love the importance of objects that lies at the very centre of this book.
It is easy to write off the idea of fashion as superficial and unimportant but through the eyes of Mrs Harris and her ambitions to own a Dior dress from Paris, we can appreciate the beauty of a garment, the joy of its construction and the skill of its makers.
When cleaning lady Mrs. Harris sees a Dior dress hanging in the wardrobe of one of her clients, she dares to dream that she might one day own one. The quest takes her to Paris and to the atelier of Dior, with friendships emerging along the way.
I am an award-winning author and illustrator who works in a variety of genres, including Historical Fiction. When historical fiction is well done it conveys times and events as they were lived and breathed by real people. Historical fiction by diverse women tells the stories of those consistently left out of the “historical record.” Human life is rich and diverse, and the stories belong to all of us, not just those who have historically had the power to control the cultural narratives. As a writer and student of history, it has been my pleasure to explore characters that are not often represented, characters that are ordinary for their times, and extraordinary as well.
Each of the five books in my list either stars or co-stars a young woman, and The Complete Claudine, as the title would suggest, is not an exception. Colette’s Claudine is a mesmerizing character—sensual, passionate, fierce, and tender by turns. The ordinary twists and turns of Claudine’s turn-of-the-century life in the French countryside and Paris are made extraordinary by her uncommon self-possession and power of observance. Claudine fairly blisters off the page.
The stories that inspired the film Colette, directed by Wash Westmoreland and starring Keira Knightley.
Colette, prodded by her first husband, Willy, began her writing career with Claudine at School, which catapulted the young author into instant, sensational success. Among the most autobiographical of Colette's works, these four novels are dominated by the child-woman Claudine, whose strength, humor, and zest for living make her seem almost a symbol for the life force.
Janet Flanner described these books as "amazing writing on the almost girlish search for the absolute of happiness in physical love . . . recorded by a literary…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a contemporary romance author who loves to feature my own messy heroines – mostly because they are the type of women I read! So my favorite books often feature women who are complex and even stereotypically unlikeable. I love seeing my expectations subverted and a more winding, emotional way to a happy ending.
This is historical for people who usually roll their eyes at unrealistic regency historicals.
Our firecracker Manuela wants a debauched summer before she gets married off, and Duchess Cora is who she wants. But besides the sumptuous 1889 Paris setting we get a beautiful love story that fits in its time but also eschews it. I love this whole series and can’t wait for the next one.
"Adriana Herrera is once again here to upend any outdated notions of historical romance." —Entertainment Weekly
"Adriana Herrera is a fun, frothy, feminist voice in historical romance." —New York Times bestselling author Sarah MacLean
One last summer.
For Manuela del Carmen Caceres Galvan, the invitation to show her paintings at the 1889 Exposition Universelle came at the perfect time. Soon to be trapped in a loveless marriage, Manuela has given herself one last summer of freedom—in Paris, with her two best friends.
One scandalous encounter.
Cora Kempf Bristol, Duchess of Sundridge, is known for her ruthlessness in business. It's not…