Here are 100 books that The Celestial Realm fans have personally recommended if you like
The Celestial Realm.
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I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m an Irish writer drawn to the ways in which the biggest questions – of human nature, existence, late capitalist realism, politics, ethics, and consciousness – play out via the minutiae of specific locations; in this case, the city of Dublin, where I’ve spent most of my adult life. I don’t think of cities as monuments but living and complex microcosms of concerns and urgencies the whole world shares.
McGahern is famous for writing slow-burning accounts of life in mid-century rural Ireland.
The Pornographer, however, is about a lonely bachelor who writes porn in his suburban bedsit then gets the bus into town to seduce women in gloomy dancehalls. He makes one of them pregnant and a battle of wills begins: he thinks she should obtain an abortion, she thinks they marry. This is remarkable because it is set in 1960s Dublin, a time and place in which the Catholic Church reigned supreme.
The book’s depiction of a night-time city composed of grimy pubs and starchy hospital wards is unforgettable, but its fascination for me lies in the protagonist’s casual cruelty towards his lover: this was what I had in mind when developing Cormac, the protagonist of my book – a passive, affable, but ultimately detached man who wreaks emotional havoc by accident and reflects a very Irish, still…
One of the preeminent writers of our time, John McGahern has captivated readers with such poignant and heart-wrenching novels as Amongst Women and The Dark.
In The Pornographer, Michael creates an ideal world of sex as a writer of pornographic fiction, while he bungles every phase of his entanglement with an older woman who has the misfortune to fall in love with him. But his insensitivity to this love is in direct contrast to the tenderness with which he attempts to make his aunt's slow death in a hospital tolerable. Everywhere in this rich novel is the drama of opposites,…
From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.
I was engrossed by this beautifully written book about the way that things that happened in a previous generation can affect one’s happiness without one even knowing about them.
I totally identified with protagonist Veronica as she looks for clues as to why her brother committed suicide by imagining scenes from her parents’ past.
When I registered the subtle moment that was crucial to it all, everything fell into stark and terrible place, and it took my breath away. Both witty and sad, the book left a deep impression on me.
'Witty, original, inventive...utterly compelling' Daily Mail
Winner of the Man Booker Prize
The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him - although that certainly helped - it was what happened to him as a boy in his grandmother's house, in the winter of 1968.
The Gathering is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars.
'It is clearly the product of a remarkable intelligence, combined…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I’m an Irish writer drawn to the ways in which the biggest questions – of human nature, existence, late capitalist realism, politics, ethics, and consciousness – play out via the minutiae of specific locations; in this case, the city of Dublin, where I’ve spent most of my adult life. I don’t think of cities as monuments but living and complex microcosms of concerns and urgencies the whole world shares.
A post-Donna Tart’s Secret History-esque tale of literary mystics who make up a secret society at Trinity College Dublin which tends, unfairly, to get left behind in analyses of Irish ‘Celtic Tiger’ fiction.
This is fiction from or dealing with the abrupt and accelerated modernity that hit Ireland like a cultural torpedo in the early 2000s, and quite a lot of it fails to capture the discombobulation of living through that time.
The First Verse is a campus novel about sexy secretive students and shady deeds which also plots a queer geography of Dublin’s gay scene as well as illustrating the emotional tension that exists in Dublin between city centre and its polarised northern and southern suburbs.
Dublin is such a mannered city, caught in Georgian poses while falling apart as postmodernity obliterates its value system, that it surprises me there aren’t more Dublin novels about baroque subcultures. McCrea is…
A thrilling twist to the suspenseful games of The Rule of Four and The Da Vinci Code sends a gay student reeling through the pubs, nightclubs and streets of present-day Dublin. 'In this brilliant first novel, the best of recent memory, a young Irish writer of great psychological dexterity takes on a handful of exciting themes. For a hundred years, Ireland has provided the English-speaking world with its most eloquent writers; Barry McCrea now joins this illustrious company.' - Edmund White
Growing up queer and Italian in suburban New Jersey in the late 1960s and early 70s, it was the passionate love of food and family that got me through the tough times. I learned to cook from my mother and my grandmothers. I gardened and picked tomatoes with my grandfathers. There was always a pot of simmering tomato gravy and magic meatballs on the stove. My mother’s chicken parmigiana, my paternal grandmother’s homemade ravioli, my maternal grandmother’s stuffed clams, my great aunt’s baked chicken. As a writer, it became my mission to share these secret family recipes and the loving life lessons that saved me.
In this beautifully wrought non-fiction memoir, Adriana Trigiani tells the inspiring stories of her paternal and maternal Italian grandmothers. Her connection to these two women is profound. They taught her many lessons about love and life.
Rich with family and cultural history, this book is a veritable Italian-American feast full of wisdom-filled recipes for living. There is so much I can relate to. Growing up, I was extremely close to both of my grandmothers. Even though they have both passed away, they are still with me, teaching and hugging and loving.
As I child I wanted to know the information that was withheld from me. What were the adults whispering about? What were they hiding? Secrets, things that are hidden, have a way of shaping the lives around them, a dark space that exerts a presence, even though it isn’t seen. I thought if I found out the secret, maybe my family, and the world, would make sense. Breaking Out of Bedlam is my version of my grandmother’s story, based on the whispers I heard and a few faint clues—a newspaper clipping, a Bible, and a baby’s sock. More than that, it’s an explanation for the silence in my family, for my grandmother’s bitterness, her drug abuse, and depression.
Caramelo explores the places where lies end and stories begin, how family histories are built and shaped by each generation that adds its own versions of the “truth” to family lore. Lala, the narrator, is consumed by rumors of the daughter her father had with a washerwoman, a half-sister whom she imagines and seeks, a truth which she struggles to extract from a family known for its storytelling, its “healthy lies,” as her grandmother calls them. “You’re not supposed to ask about such things. There are stories no one is willing to tell you,” Cisneros writes. I love Cisneros’s amazing symphony of details—colors, smells, noises—the way she weaves so many stories together, her hilarious eye for human quirks, and her sparkling prose.
Every year the three Reyes sons and their families drive south from Chicago via Route 66 to the home of the Awful Grandmother and the Little Grandfather on Destiny Street in Mexico City. From the back seat of her father's red Chevy station-wagon, our storyteller Lala loves to witness the crossover from endless Texas to flamboyant Mexico, the switch from truck stop donuts to street vendors with corn on the cob, the smell of hot tortillas and the sting of roasting chillies in the throat and eyes. The youngest of many cousins, Lala is also the most curious. Did the…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I was born in Mumbai, lived in Kolkata for most of my life, and am an educator and poet who lives in the US. I am a Bene Israel Jew from India. As a child, I was fascinated by all kinds of literature, mythology, folktales, and stories. I have been influenced by everything around me. My passion for literature probably inspired me to become a teacher and later a writer who is constantly exploring, creating, re-imagining, and evolving. My books are about the immigrant experience, displacement, racism, women’s issues, nature, the animal kingdom, to name a few. But within these themes, I also explore identity and belonging, death, loss and recovery.
Sadia Shepard is the child of a white Protestant father from Colorado and a Muslim mother from Pakistan, who grew up outside Boston. In her visionary and moving memoir, she embarks on a search for her Bene Israel roots when her maternal grandmother, who she thought was a Muslim from Pakistan like everyone else in their family, tells her that her real name is Rachel Jacobs.
She hears about the Bene Israel community and reads about their origins. It's a fascinating account of a cross-cultural childhood, a journey to India to explore her grandmother’s family tree, discovering the secrets of her grandparents’ marriage, encountering the complicated history of India and Pakistan and the Partition, and at the same time, making sense of her complex influences and legacy. The author undertakes journeys on several levels that delve into her family history, her ancestors, her grandmother’s story, and her own identity.
A search for shipwrecked ancestors, forgotten histories, and a sense of home
Fascinating and intimate , The Girl from Foreign is one woman's search for ancient family secrets that leads to an adventure in far-off lands. Sadia Shepard, the daughter of a white Protestant from Colorado and a Muslim from Pakistan, was shocked to discover that her grandmother was a descendant of the Bene Israel, a tiny Jewish community shipwrecked in India two thousand years ago. After traveling to India to put the pieces of her family's past together, her quest for identity unlocks a myriad of profound religious and…
My grandparents played a pivotal role in my childhood, living with us and raising my brother and me while my parents worked long hours. Some of my favorite memories of those years are lying in bed as Abuelo told me stories that made me laugh instead of making me sleepy, cooking picadillo with my abuela in the kitchen, and going on long walks along the beach with my abuelo. Though they didn’t speak to me in Spanish, they taught me to sing nursery rhymes and enticed me with sticks of Big Red gum to get me to learn how to roll my r’s.
I love mangos. I love to eat them, and I love them in smoothies! So, I was immediately drawn to this book. I found it to be beautiful and evocative. My own grandmother used to tell me about all the different fruits they ate in Cuba but she only told me the Spanish names for them as she said they didn’t exist in the US.
I love how the abuelita shows her granddaughter–who insists she doesn’t like mangos–all that the mango brings us and that we must remember to be thankful. I really love this lesson of how we have to listen to the earth and she will give back to us–a thoughtful introduction to the importance of caring for the world around us.
I love that this story teaches us to count the blessings in life and to slow down and appreciate them. I found the illustrations to be…
Abuelita teaches Carmencita that you can’t rush mango-eating: it takes five steps to appreciate the gift and feel the love.
Carmencita doesn’t want to help Abuelita pick mangoes; she doesn’t even like them! They’re messy, they get stuck in her teeth, and it’s a chore to throw out the rotten ones.
But Abuelita adores mangoes, and patiently, she teaches Carmencita the right way to eat them. Together, they listen to the tree’s leaves, feel its branches and roots above and below, and smell and feel the sweet, smooth fruits. Each step is a meditation on everything Mamá Earth has given,…
I was born in Germany and came to the US as a small child. My parents spoke only German at home but rarely talked with me about their years in Germany. Years after my father had died, I came across a photograph of him wearing a Hitler Youth uniform. What I learned about his childhood and his family inspired much of my novel The Vanishing Sky. Though my novel is finished, I continue to read about the German experience of WW2 because it resonates for me personally and because the lessons it teaches us are still relevant today.
An epistolary novel written as a letter from an elderly German man explaining his time as a soldier on the Eastern Front to his grandson. The novel has both the immediacy of a wartime narrative and the introspection of a memoir. “Eat now, sleep now, march now, follow your leader — that’s what they’d demanded of us; we’d followed, and they’d led us into disaster,” the narrator says as he describes his own predicament, but it serves to explain the horrors of the regime as a whole. It resonated for me personally, highlighting the silence and shame that surrounds the experiences of so many Germans who were young adults during WW2. Starritt is half-Scottish and half-German, and We Germans was inspired in part by his grandfather’s time on the Eastern Front. The novel was the recipient of the Dayton Peace Prize.
'An impressively realistic novel of German soldiers on the Eastern Front' Antony Beevor
'Starritt's daring work challenges us to lay bare our histories, to seek answers from the past, and to be open to perspectives starkly different from our own' New York Times
When a young British man asks his German grandfather what it was like to fight on the wrong side of the war, the question is initially met with irritation and silence. But after the old man's death, a…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I’m a huge fan of books where time is a factor. Time intrigues me, as does a good science fiction or science fiction fantasy book. I have a crazy imagination that looks at an object or event and sees it as a possibility for a sci-fi character or time travel event. I write and read to escape from the every day to new worlds where the possibilities are endless. I’m a development coordinator for a multi-family housing development company, a mom, a grandma, a caretaker of an elderly parent, and I write whenever possible. I grew up in Michigan, moved to NM for about 30 years, and now reside in NC.
An antique Chinese mirror transforms the lives’ of two women. Shay Garrett lives in the modern times and her grandmother lives in 1900. On the eve of their marriages, both women find themselves transported from one era to the other. I love this epic time-travel tale of suspense where one young woman contends with love, and identity, and knowing too much in a society far removed from the loud, freer modern times she grew up in, and another young woman deals with the confusion of a raucous world where decorum doesn’t exist, nothing makes sense, and her granddaughter's handsome fiancé is someone she hasn’t got the strength to resist.
In this twisting time-travel thriller, a woman faints on the eve of her wedding-and awakens at the turn of the century in her grandmother's body . . .
The night before she is supposed to get married, Shay Garrett has no idea that a glimpse into her grandmother's antique Chinese mirror will completely transform her seemingly ordinary life. But after a bizarre blackout, she wakes up to find herself in the same house-but in the year 1900. Even stranger, she realizes she is now living in the body of her grandmother, Brandy McCabe, as a young woman. Meanwhile, Brandy,…