Here are 21 books that The Butcher of the Forest fans have personally recommended if you like
The Butcher of the Forest.
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It had me from the opening paragraph, where the protagonist's mother drives a nail through his shadow and rips it from him. This tight wire balance of tone between the whimsical and the searingly traumatic continues throughout the book. It layers in themes of religion, colonialism, and genocide while somehow remaining witty and engrossing throughout.
The Saint of Bright Doors sets the high drama of divine revolutionaries and transcendent cults against the mundane struggles of modern life, resulting in a novel that is revelatory and resonant.
Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy.
He walked among invisible powers: devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Something that annoys me to no end is when people avoid reading fantasy or sci-fi because it isn’t realistic. I argue that realism isn’t about the veracity of flying dragons or building a fusion reactor that can fit in our hands; it’s about the human elements in between. Sci-fi can be a reminder of the dangerous trajectory we are heading in. Fantasy can reflect inequality by condensing resources to one mystical gem. To this end, any book that ends with me understanding the danger of language by describing it as a virus or showing me how books can bridge the gap between past and present makes me grow as a person.
Books are what connect us to the past and remind us of the present.
My love for Mark Lawrence’s work began when I saw the cover for King of Thorns at a bookstore. I went ahead and ordered Prince of Thorns the same day and never looked back. So it comes with a heavy heart when I say that this has taken the spot as my favorite book by Mark.
What a beautiful, simple idea to base a story around the library of Babel. Pop culture still invokes imagery regarding the library of Alexandria. Books, and by extension, libraries, connect us to our past. They are the legacy that we leave behind, and they are vessels for the zeitgeist that different points of existence embody.
All books, no matter their binding, will fall to dust. The stories they carry may last longer. They might outlive the paper, the library, even the language in which they were first written.
The greatest story can reach the stars . . .
This is the start of an incredible new journey from the internationally bestselling author of Prince of Thorns, in which, though the pen may be mightier than the sword, blood will be spilled and cities burned...
Evar has lived his whole life trapped within a vast library, older than empires and larger than cities.
From Edgar-winning, multiple Hugo-nominated novelist Robert Jackson Bennett—an unforgettable new Holmes and Watson–style detective duo take the stage in this fantasy with an irresistible mystery twist.
In Daretana’s greatest mansion, a high imperial officer lies dead—killed, to all appearances, when a tree erupted from his body. Even here at the Empire’s borders, where contagions abound and the blood of the leviathans works strange magical changes, it’s a death both terrifying and impossible.
Assigned to investigate is Ana Dolabra, a detective whose reputation for brilliance is matched only by her eccentricities. Rumor has it that she wears a blindfold at all…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
This was a fun and thrilling ride in a near-future dystopia. I was caught up in the personal plight of the protagonist and the mystery. Could not put it down!
It's 2032 and hacker-for-hire Kiera's living in the worst cyberpunk future. She's been gigging her ass off to keep the lights on, chasing cheaters with Angel Herrera, a luddite P.I. who talks like a '40s movie detective. But that changes when Herrera's ex-best friend turns up murdered. Their only lead: a stick of Nag Champa incense dropped at the scene.
Next thing Kiera knows, her new crush has disappeared, leaving nothing behind but a severed hand (the real one, not the cybernetic) and the familiar stink of sandalwood. Two crimes, two sticks of incense, Kiera…
'The fantasy novel that every fantasy reader has been waiting for' Jay Kristoff
'Long Live Evil is a glorious, swoon-worthy villain romance. What a delicious read' Tasha Suri
A TALE FOR ANYONE WHO'S EVER FALLEN FOR THE VILLAIN...
When her whole life collapsed, Rae still had books. Dying, she seizes a second chance at living: a magical bargain that lets her enter the world of her favourite fantasy series.
She wakes in a castle on the edge of a hellish chasm, in a kingdom on the brink of war. Home to dangerous monsters, scheming…
An unforgettable, high-stakes, laugh-out-loud funny novel, The Witchstone blends the merciless humor of The Good Place with the spellbinding fantasy of Neil Gaiman’s American Gods.
Meet Laszlo, eight-hundred-year-old demon and Hell’s least productive Curse Keeper. From his office beneath Midtown, he oversees the Drakeford Curse, which involves a pathetic family upstate and a mysterious black monolith. It’s a sexy enough assignment—colonial origins, mutating victims, et cetera—but Laszlo has no interest in maximizing the curse’s potential; he’d rather sunbathe in Ibiza, quaff martinis, and hustle the hustlers on Manhattan’s subway. Unfortunately, his division has new management, and Laszlo’s ratings are so…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
My debut novel,The Sleepless, is a sci-fi noir story born out of my passion for both speculative fiction and crime fiction. I grew up devouring Marvel comics and Ray Bradbury and Agatha Christie, and those were some of my strongest influences when I finally decided to write my own stories. As a queer immigrant and a person of color, I was also influenced by the lives of people who live these identities, as much as I was influenced by my career as a lawyer in the immigration, criminal, and civil rights fields.
Noir can sometimes be hard to identify, but most readers are familiar with the tropes: the put-upon private investigator, the case that he can’t walk away from, the hunt for leads, the twists and double-crosses. With Hammers on Bone, we get all the aesthetics of a hardboiled detective story but also: Lovecraftian monsters. Noir stories lay bare individual and collective moral failings, and in adding eldritch horrors, the book further externalizes those ills, showing how monstrous humans can be.
Hammers on Bone by Cassandra Khaw is a novella that melds the hardboiled detective novel with Lovecraftian monsters. Our private dick, John Persons, is hired by a ten-year-old kid to off his abusive stepfather. From this classic noir setup, to the character voice and dialect, to the shady characters, to the twists and reversals, this book really keys into the strengths of the genre, and amplifies them even further with…
Cassandra Khaw bursts onto the scene with Hammers on Bone, a hard-boiled horror show that Charles Stross calls "possibly the most promising horror debut of 2016." A finalist for the British Fantasy award and the Locus Award for Best Novella!
John Persons is a private investigator with a distasteful job from an unlikely client. He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable.
He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and…
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
I wouldn't call myself a cosmic horror expert, but I've read quite a few of the expected authors--Dunsany, Machen, Lovecraft, Blackwood, Howard, etc--and I've written novels and short fiction in the genre and have been asked to panel and talk about it for years at professional events. How can a fictional narrative contain villains so powerful that human beings have no way to understand, let alone resist them? I like exploring that impossibility in my own writing, and I feel compelled to subvert its historical legacy of colonialism and racism where I can. It is not a genre that needs reclaiming but rewriting, and it is rife with possibilities.
This book of poems is a truly unexpected combination of current pop culture, social commentary, and cosmic horror--and a hugely enjoyable read. It deals with the themes of sacrifice, thoughtless loyalty, collusion, survival, colonialism, and the very idea of the monstrous. How do we know when the forces around us are asking too much of us? How can we trust what we will get in return? How do our personal histories inform how we will respond to the void when it comes knocking? A lively, thoughtful read.
#1 New Release in Caribbean & Latin American Poetry Cthulhu meets hip-hop in this book of horror poems that flips the eldritch genre upside down. Lovecraftian-inspired nightmares are reversed as O'Brien asks readers to see Blackness as radically significant. Can You Sign My Tentacle? explores the monsters we know and the ones that hide behind racism, sexism, and violence, resulting in poems that are both comic and cosmic.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
I am one of those people who were really into Lovecraft until they discovered he was a huge racist and homophobe, among other things; the contemporary reclamation of Lovecraft’s iconic mythology is delicious, and this book is a wonderfully eerie, weird entry into the new canon.
This book checks a lot of my personal boxes, like secretive government experiments, shady, half-revealed lore, and lyrical writing. I’m a huge fan of stories where you know just enough about what’s going on to keep up, and the characters are so sympathetic that you’ll follow the mystery for their sake alone.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
