Here are 100 books that The Business of Slavery and the Rise of American Capitalism, 1815-1860 fans have personally recommended if you like
The Business of Slavery and the Rise of American Capitalism, 1815-1860.
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I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
Because the buying and selling of enslaved people was enormously profitable and entirely legal in the United States before the Civil War, even free Black people lived in fear that they might be kidnapped, sold illegally as slaves, and never heard from by their friends and families again. Though many Americans are familiar with the experience of Solomon Northup, as relayed in his memoir Twelve Years a Slave and the film of the same name, Richard Bell demonstrates how kidnapping was widespread in the nineteenth century and how thin the line could be between freedom and slavery.
This āsuperbly researched and engagingā (The Wall Street Journal) true story about five boys who were kidnapped in the North and smuggled into slavery in the Deep Southāand their daring attempt to escape and bring their captors to justice belongs āalongside the work of Harriet Beecher Stowe, Edward P. Jones, and Toni Morrisonā (Jane Kamensky, Professor of American History at Harvard University).
Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they areā¦
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesāall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueā¦
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
That enslaved people were considered commodities is no secret. But in this book, Daina Ramey Berry demonstrates how enslaved people were attached to monetary prices throughout their entire lives. Indeed, enslaved people were in the market even before they were born, and they remained in the market even after they had died. But Berry reminds us that enslaved people themselves understood that their āsoul value,ā and not their supposed economic value, defined who they really were.
Groundbreaking look at slaves as commodities through every phase of life, from birth to death and beyond, in early America
In life and in death, slaves were commodities, their monetary value assigned based on their age, gender, health, and the demands of the market. The Price for Their Pound of Flesh is the first book to explore the economic value of enslaved people through every phase of their livesāincluding preconception, infancy, childhood, adolescence, adulthood, the senior years, and deathāin the early American domestic slave trade. Covering the full ālife cycle,ā historian Daina Ramey Berry shows the lengths to which enslaversā¦
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
The domestic slave trade business was operated predominantly by white men, but the labor of Black women was critical to making it profitable. Here, Alexandra Finley recovers the stories of Black women who fed and clothed the enslaved in pens and jail, who kept the houses of slave traders, who were commodified for purposes of sexual slavery in the so-called fancy trade, and who sometimes even lived as the concubines and āwivesā of traders. Putting enslaved women and their work at the center of the story yields an entirely new angle of vision on the trade.
Alexandra Finley adds crucial new dimensions to the boisterous debate over the relationship between slavery and capitalism by placing women's labor at the center of the antebellum slave trade, focusing particularly on slave traders' ability to profit from enslaved women's domestic, reproductive, and sexual labor. The slave market infiltrated every aspect of southern society, including the most personal spaces of the household, the body, and the self, Finley shows how women's work was necessary to the functioning of the slave trade, and thus to the spread of slavery to the Lower South, the expansion of cotton production, and the profitsā¦
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,ā¦
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -ā¦
I am a historian who just spent over a decade writing the biography of the civil rights activist and feminist activist, Mary Church Terrell. I wrote two other history books before I wrote Unceasing Militant, my first biography. I so enjoyed writing it that I plan on writing another, this time on a black woman named Mary Hamilton who was a leader in the Congress of Racial Equality (CORE) in the 1960s. The authors I selected approached their biographies of black women with respect and critical compassion.
Lea VanderVeldeās biography of Mrs. Dred Scott captures the environments in which Harriet Scott lived her life and filed her suit for freedom in 1846 (it took 11 years before the Scottsā legal case was decided by the U.S. Supreme Court). Harriet Scott filed separately from her husband because she believed she could establish her freedom, thereby ensuring the freedom of her two daughters, whose condition followed that of the mother. An illiterate enslaved woman, Harriet Scott left virtually no documents. VanderVelde provides rich context in which to situate and explain Scottās life and freedom struggle, vividly recreating her world. This informative book is well worth reading.
Among the most infamous U.S. Supreme Court decisions is Dred Scott v. Sandford . Despite the case's signal importance as a turning point in America's history, the lives of the slave litigants have receded to the margins of the record, as conventional accounts have focused on the case's judges and lawyers. In telling the life of Harriet, Dred's wife and co-litigant in the case, this book provides a compensatory history to the generations of work that missed key sources only recently brought to light. Moreover, it gives insight into the reasons and ways that slaves used the courts to establishā¦
Besides having come of age while Black, Iāve published two coming-of-age novels about Black adolescents. Even before I became a writer, or an adult, I had had a particular interest in coming-of-age narratives. From Walter Dean Myersā Harlem-located Young Adult novels to Toni Morrisonās Sula and James Baldwinās Go Tell It on the Mountain, Iāve always been attracted to such stories. However, what the book list offered here does is map a reading series for what I see as an exciting intellectual formation for a Black reader.
Iāve long been fascinated with Walkerās life and work. Ten years ago, I devoted a chapter of my dissertation to Walker and now Iām working with TED-ED on an animated video and related teaching materials about the man whom Frederick Douglass himself cited as the progenitor of the radical abolitionist movement.
When teaching African-American Literature courses, Iāve found Walkerās Appeal to be an especially effective entry point for Black students who are tired of stories of slavery and Black debasement. Walker, as a freeborn Black man from the slaveholding south (and later Boston), offers a different vision: of impressive erudition and entrepreneurship, of Pan-African pride and militant resistance.
In 1829 David Walker, a free black born in Wilmington, North Carolina, wrote one of America's most provocative political documents of the nineteenth century, Walker's Appeal to the Coloured Citizens of the World. Decrying the savage and unchristian treatment blacks suffered in the United States, Walker challenged his "afflicted and slumbering brethren" to rise up and cast off their chains. Walker worked tirelessly to circulate his book via underground networks in the South, and he was so successful that Southern lawmakers responded with new laws cracking down on "incendiary" antislavery material. Although Walker died in 1830, the Appeal remained aā¦
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlifeāmostly mammals, from mountain lions to pocket miceānear her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marksā¦
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Voices of the Enslavedis a beautifully written and masterfully researched book (also award-winning) on the French period in colonial Louisiana. White traces the fleeting appearances of enslaved Africans in Louisiana court records to illuminate how they were able to achieve legal recognition where their enslavers tried to give them none. Out of the many fragments of legal documents, White creates a collage of Black lives in French Louisiana that really illuminates the Black contributions to the region.
In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded.
Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonialā¦
As both a scholar and a citizen I have spent my adult life seeking to better understand the dynamics of power, especially power wielded in flagrantly unjust fashion in societies otherwise founded on notions of life, liberty, and happiness for all. This has led me to study the history of the economy, not just as a material but as a cultural system that encodes the categories of modern life: self and society, private and public, body and soul, and needs and desires.
Eugene Genovese was the most brilliant of a talented generation of scholars whose studies of New World slavery have since been largely deposed by a far more simplistic, black-and-white (pun intended) version of the same.Ā
Genoveseās magnum opus, Roll, Jordan, Roll, offers an unsparing view of a reality in which neither master nor slave ācould express the simplest human feelings without reference to the other,ā an especially intimate form of class rule which struck a compelling contrast to the anonymity of the wage nexus increasingly prevalent in the Northern states.Ā
These dialectics played out in a continual, if asymmetric, power struggle at the heart of plantation life, where the economy could not be separated out from racial, sexual, religious, and ideological experience, again, in stark contrast to the liberal division of social life into autonomous spheres of existence.
A testament to the power of the human spirit under conditions of extreme oppression, this landmark history of slavery in the South challenged conventional views by illuminating the many forms of resistance to dehumanization that developed in slave society.Ā
Displaying keen insight into the minds of both enslaved persons and slaveholders, historian Eugene Genovese investigates the ways that enslaved persons forced their owners to acknowledge their humanity through culture, music, and religion. HeĀ covers a vast range of subjects, from slave weddings and funerals, to language, food, clothing, and labor, and places particular emphasis on religion as both a majorā¦
Iām a human product of a Demerara sugar plantation, and spent most of my formative years in this environment. If youāve added brown sugar to your coffee, tea, or baking, or indulged in chocolate or candy, youāve probably come into contact with part of my heritage. Itās a heritage with a sweet and a bitter side. My novel The Wisdom of Rain follows Mariama, an enslaved girl struggling with life on a nineteenth century plantation. She could have been my ancestor. Canada has become my home and Iām a proud alumna of York University and the University of Toronto. Most days, I enjoy the diversity and promise of this country.
This novel, told from a slave womanās perspective, illuminates the time of maximal oppression in the slave colony of Jamaica, where White men sexually and physically abused enslaved Black women at whim. Lilith, the main character, came alive to me as her rage and despair grew with the multiple attacks on her body and spirit.Ā
It took me back to the anguish I felt discovering the journals of Thomas Thistlewood and his chronicling of close to 4,000 acts of rape carried out on his female Black slaves. When I visited Jamaica for the first time, I included Westmorland Parish as a stop. It was there that Thistlewood perpetrated his atrocities ā an appalling example of the conditions under which enslaved women and girls lived during this period.Ā
From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings
"An undeniable success.ā ā The New York Times Book Review
A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will comeā¦
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circularā¦
In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaretās sisterās barn. Since then, Gary has catalogued, edited, and researched all of Margaretās writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.
Amyās work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.
She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Samās Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.
The stars had to align perfectly for this autobiography to have been written. Born into slavery in the American South, Elizabeth Keckley learned to read and write at a time when laws forbade it. Her skills as a seamstress allowed her to buy her freedom and later become Mary Todd Lincolnās dressmaker. She also became a close confidant of the First Lady, gaining an unfiltered view of life in the White House during one of the most crucial times in our nationās history. After Lincolnās assassination, Keckley published this autobiography and was widely criticized for relaying intimate conversations and private moments she shared with the Lincoln family. In addition, Keckleyās unflinching account of slavery was difficult for many to read. However, this book has endured as one of the best accounts of life as a slave and of the Lincolnsā time in the White House.
Behind the Scenes: or Thirty Years a Slave and Four Years in the White House was first published in 1868 and is considered one of the most candid and poignant slave narratives. Author Elizabeth Hobbs Keckley writes about her teenage years, working as a slave for the Rev. Robert Burwell in Hillsborough, NC. He is thought by many historians to have been Keckley s half-brother. The Burwells had twelve children and ran an academy for girls. She writes about mistreatment and violence visited upon her by Rev. and Mrs. Burwell, and the unwelcome sexual advances and eventual rape by oneā¦
