Here are 100 books that Stolen fans have personally recommended if you like
Stolen.
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I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
That enslaved people were considered commodities is no secret. But in this book, Daina Ramey Berry demonstrates how enslaved people were attached to monetary prices throughout their entire lives. Indeed, enslaved people were in the market even before they were born, and they remained in the market even after they had died. But Berry reminds us that enslaved people themselves understood that their “soul value,” and not their supposed economic value, defined who they really were.
Groundbreaking look at slaves as commodities through every phase of life, from birth to death and beyond, in early America
In life and in death, slaves were commodities, their monetary value assigned based on their age, gender, health, and the demands of the market. The Price for Their Pound of Flesh is the first book to explore the economic value of enslaved people through every phase of their lives—including preconception, infancy, childhood, adolescence, adulthood, the senior years, and death—in the early American domestic slave trade. Covering the full “life cycle,” historian Daina Ramey Berry shows the lengths to which enslavers…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
The domestic slave trade business was operated predominantly by white men, but the labor of Black women was critical to making it profitable. Here, Alexandra Finley recovers the stories of Black women who fed and clothed the enslaved in pens and jail, who kept the houses of slave traders, who were commodified for purposes of sexual slavery in the so-called fancy trade, and who sometimes even lived as the concubines and “wives” of traders. Putting enslaved women and their work at the center of the story yields an entirely new angle of vision on the trade.
Alexandra Finley adds crucial new dimensions to the boisterous debate over the relationship between slavery and capitalism by placing women's labor at the center of the antebellum slave trade, focusing particularly on slave traders' ability to profit from enslaved women's domestic, reproductive, and sexual labor. The slave market infiltrated every aspect of southern society, including the most personal spaces of the household, the body, and the self, Finley shows how women's work was necessary to the functioning of the slave trade, and thus to the spread of slavery to the Lower South, the expansion of cotton production, and the profits…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
Much of the recent outpouring of books on the domestic slave trade is an outgrowth of revived debates about the historical relationship between slavery and capitalism in the United States. Calvin Schermerhorn draws that connection as tightly as any historian in recent memory, tracing the financial innovations generated by the trade and following the money around the country and across the Atlantic as a foundation for American economic growth was built on the backs of hundreds of thousands of enslaved people trafficked against their will.
Calvin Schermerhorn's provocative study views the development of modern American capitalism through the window of the nineteenth-century interstate slave trade. This eye-opening history follows money and ships as well as enslaved human beings to demonstrate how slavery was a national business supported by far-flung monetary and credit systems reaching across the Atlantic Ocean. The author details the anatomy of slave supply chains and the chains of credit and commodities that intersected with them in virtually every corner of the pre-Civil War United States, and explores how an institution that destroyed lives and families contributed greatly to the growth of the…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
I loved this book because the author – a professor at the University of Michigan – honestly addresses a tough subject when informing the reader about the North’s benefit from slavery, a benefit which caused a forever compromise on the subject, leading to the Civil War.
I was shocked when I read Wall Street’s profits were so great it wanted to secede from the union and recreate itself as a separate nation-state on the eve of the Civil War in order to continue trading with both the North and South.
The professor does a wonderful job with documentation, particularly how free persons of color were kidnapped and sold into slavery because of the immense profits. At times, when reading this work, my mouth flew open and stayed open until I finished reading. My mind remains open because of the professor’s valuable contribution to this history.
Although slavery was outlawed in the northern states in 1827, the illegal slave trade continued in the one place modern readers would least expect, the streets and ports of America's great northern metropolis: New York City.
In The Kidnapping Club, historian Jonathan Daniel Wells takes readers to a rapidly changing city rife with contradiction, where social hierarchy clashed with a rising middle class, Black citizens jostled for an equal voice in politics and culture, and women of all races eagerly sought roles outside the home. It is during this time that the city witnessed an alarming trend: a number of…
As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present.
As a historical archaeologist, I find this book especially compelling. Stolen Childhood does a fine job of blending insights from a variety of primary-source narratives and recently uncovered archaeological artifacts; but these insights transcend the specific research questions regarding the conditions of daily life for slave youth in nineteenth-century America and indirectly make an intriguing case for why current archaeologists should pay as much attention to issues of childhood, parenting, and aging as they do to ethnicity, class, and gender.
One of the most important books published on slave society, Stolen Childhood focuses on the millions of children and youth enslaved in 19th-century America. This enlarged and revised edition reflects the abundance of new scholarship on slavery that has emerged in the 15 years since the first edition. While the structure of the book remains the same, Wilma King has expanded its scope to include the international dimension with a new chapter on the transatlantic trade in African children, and the book's geographic boundaries now embrace slave-born children in the North. She includes data about children owned by Native Americans…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
When I moved to South Carolina some 25 years ago, I found understanding all the history around me challenging. Even more than that, I found it hard to talk about! Politics and history get mixed up in tricky ways. I worked with students to understand stories about plantation sites, leading me to start reading the words of survivors of captivity. I started reading slave narratives and trying to listen to what people had to say. While sad sometimes, their words are also hopeful. I now read books about our nation’s darkest times because I look for ways to guide us to a better future.
It was the biggest mystery of Black literature—and this author figured it out. Who wrote The Bondswoman’s Tale—a recently discovered novel—the first novel written by an African American woman? But why should I care? Why not leave this mystery alone? Instead of just revealing the identity of the author, though, this stunning biography asks us about how women’s lives, particularly those of women who survived captivity, might be different.
Hecimovich shows us, though, that this book, “Hannah Crafts” (a pen name), writes of happy reunions between a mother and daughter; she avoids depictions of sexual abuse. She draws on her own experiences of living in captivity but changes them enough to hide her identity. I didn’t expect, though, for her own real life to be filled with more drama and pain than her novel! You don’t need to read the book to understand and come to love the true…
Named a Most Anticipated Title by: Associated Press, Los Angeles Times, and the Washington Post!
A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr.
In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s…
I’ve been fascinated by the Civil War ever since I was a kid, traipsing through battlefields and digging up old Minie balls and bullets from the backyard where my dad played when he was younger. The war was America’s defining moment, in many ways more important than the Revolution itself, setting the stage for our continuing evolution as a nation. But often, the history we’re taught is incomplete and imperfect. As a journalist who’s done some prize-winning investigative work, I like to use those skills to peel away the cobwebs of history to find the untold stories that are too often hidden from view.
It is a riveting story of heroism triumphing over adversity as a South Carolina slave appropriates a Confederate transport ship and sails it out of Charleston Harbor, ferrying his fellow enslaved crewmen and their families to freedom. And that’s just the opening act, as he goes on to serve as a pilot in the Union Navy and later as a newspaper publisher and U.S. Congressman.
I came away from this book very impressed with Smalls and the level of research that went into telling his story. The Civil War was full of unsung heroes like this, and it’s great to see some of them finally getting their due.
It was a mild May morning in Charleston, South Carolina, in 1862, the second year of the Civil War, when a twenty-three-year-old enslaved man named Robert Smalls boldly seized a Confederate steamer. With his wife and two young children hidden on board, Smalls and a small crew ran a gauntlet of heavily armed fortifications in Charleston Harbour and delivered the valuable vessel and the massive guns it carried to nearby Union forces. Smalls' courageous and ingenious act freed him and his family from slavery and immediately made him a Union hero. It also challenged much of the country's view of…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
As a feminist lesbian, I am always looking for legacies of lesbian leaders before me. I learned about coalitional organizing from groups like the Lavender Menace and the importance of lesbian leadership in the Combahee River Collective. I started to learn more about the movement to include women in peacebuilding. This work was formalized in 2000 with the UN Security Council Resolution 1325, and the nine related resolutions that followed, in what is now known as the Women, Peace, and Security agenda. I knew lesbians were certainly part of that movement. My book is about celebrating queer and trans leaders within transnational women’s movements, including the movement for women’s participation and leadership in peacebuilding.
This book is a foundational text in Black women’s studies and includes the statement by the Black lesbian feminist Combahee River Collective, which just celebrated 50 years. In the statement, they write, "We believe that sexual politics under patriarchy is as pervasive in Black women's lives as are the politics of class and race."
I appreciate the book because it shows the rich history of Black women’s writing and movement building, including the important role of Black lesbian feminist sisterhood. It was so exciting to read the letter written by Lorraine Hansberry to the lesbian periodical The Ladder in 1957, in which she links homophobia to the sexual oppression experienced by all women. I can’t help but scribble in the margins: see, lesbians have always been here!
Although queer organizing is so often presented as something that is new or emerging, this book challenges…
Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism.
Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women's studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences.
As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as…
