Here are 100 books that The Bruising of Qilwa fans have personally recommended if you like
The Bruising of Qilwa.
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I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
What I enjoyed most about this book was the story and plot that the author wove together.
This story takes thrilling, unexpected twists that kept me engaged with the characters and the plot. Its intensity is matched by its excellent pacing, delivering surprises at every turn.
Just when I thought I'd figured out where it's headed, it veers in another direction.
'An epic drama reminiscent of the best classic Hong Kong gangster films but set in a fantasy metropolis so gritty and well-imagined that you'll forget you're reading a book' KEN LIU
'Gripping!' ANN LECKIE, author of Ancillary Justice and The Raven Tower
'Lee's astute worldbuilding raises the stakes for her vivid and tautly-described action scenes' SCOTT LYNCH, author of The Lies of Locke Lamora
*****Shortlisted for the Nebula Awards, the Locus Awards, the Aurora Awards, the Sunburst Awards and an Amazon.com Best Book of the Month*****
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.
It’s the voice that gets me with We Have Always Lived in the Castle.
Merricat Blackwood is such a strange, chilling young narrator. Mysterious and vaguely unsettling, I could never be sure whether to believe her version of events. Or not.
Plus, it has some of my favourite story ingredients: a family tragedy, a murder trial, an unwelcome visitor, and a little bit of magic.
Living in the Blackwood family home with only her sister, Constance, and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.
As the oldest of nine kids, I can’t remember a time before I had siblings. When I was younger, I had a habit of writing protagonists who were only children—but as I finished the final book in my Sãoni Cycle trilogy, I discovered that each protagonist was processing a sibling connection! The older I get, the more curious I become about how these bonds shape and transform people, especially as they age. Speculative fiction provides countless contexts to explore notions of family. Perhaps siblings don’t have magic powers in the real world, but we might understand one another better if we did.
In January 2023, my partner dropped this book into my hands and said, “I’m pretty sure this book was written exactly for you.” And you know what? They were RIGHT.
This book isn’t just the Baba Yaga retelling of my dreams—it also features one of the most captivating sibling relationships I’ve ever read. Bellatine and Isaac Yaga are beautifully complicated characters, each unable to stop hurting the other as they manage their trauma in very different ways. (Hint: both of them involve very cool magic.)
I spent the book desperately wanting each of them to reach one another, and was gifted with a good, cathartic cry about intergenerational wounds. This story goes places that have challenged and transformed my own writing. Plus, a sentient house with a spicy attitude? Yes. More of that.
In the tradition of modern fairy tales like Neil Gaiman's American Gods and Naomi Novik's Spinning Silver comes an immersive fantasy saga, a debut novel about estranged siblings who are reunited after receiving a mysterious inheritance.
“A wonderfully imaginative, wholly enchanting novel of witness, survival, memory, and family that reads like a fairy tale godfathered by Neil Gaiman and Tim Burton in a wild America alive with wonders and devils alike. Thistlefoot shimmers with magic and mayhem and a thrilling emotional momentum.” —Libba Bray, bestselling author of The Diviners
The Yaga siblings—Bellatine, a young woodworker, and Isaac, a wayfaring street…
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
As the oldest of nine kids, I can’t remember a time before I had siblings. When I was younger, I had a habit of writing protagonists who were only children—but as I finished the final book in my Sãoni Cycle trilogy, I discovered that each protagonist was processing a sibling connection! The older I get, the more curious I become about how these bonds shape and transform people, especially as they age. Speculative fiction provides countless contexts to explore notions of family. Perhaps siblings don’t have magic powers in the real world, but we might understand one another better if we did.
This book is a wonder of a collaboration between siblings Sofia Samatar and Del Samatar, and it has haunted me for years.
This collection is a surreal work of autobiography told through Sofia’s short fiction and Del’s illustrations, all featuring different monsters. These monstrous vignettes are interwoven with memories of growing up as multiracial Somali Americans in the 1980s—to me, they highlight the power of speculative fiction at its very best.
This book feels a little bit like reading someone’s journal, and a little bit like when I realize I’m dreaming but can’t wake myself up. The monsters mesmerized and unsettled me; the Graphis gives me shivers and the Collector of Treasures makes me feel ill. It’s a challenging read and one that I will come back to again and again.
Fiction. Art. Hybrid Genre. Relentlessly original and brilliantly hybrid,
Monster Portraits investigates the concept of the monstrous through a mesmerizing combination of words and images. An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday—Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating…
I am interested in the history of people on the move, and in particular how migrants and refugees negotiated the upheavals of war and revolution in the 20th century. Originally, I turned to these topics as a specialist in Russian history, but I have since broadened my perspective to consider the causes and consequences of mass population displacement in other parts of the world. I have just retired from the History faculty at the University of Manchester, where I taught since 1976. In 2019 I was elected a Fellow of the British Academy, the UK’s national academy for the humanities and social sciences.
Thinking about camps and incarceration brings me to Voices from the ‘Jungle’: Stories from the Calais Refugee Camp. I choose this book because it offers insights into the lives and aspirations of refugees who congregated in the refugee camp in the coastal town of Calais in northern France. As such, it is an antidote to much contemporary reportage of refugees as a faceless and anonymous mass. Their vivid first-person accounts testify to the violence and persecution from which they escaped, whether in Afghanistan, Eritrea, Sudan, or Syria, and their subsequent adventures and odysseys, including endless waiting for official decisions or for the opportunity to make their way to the UK to join family or friends. The camp and its residents have been much photographed, but most of these images give little idea of the extent to which the “jungle” became a vibrant community; juxtaposing images and words, as in…
Often called the 'Jungle', the refugee camp near Calais in Northern France epitomises for many the suffering, uncertainty and violence which characterises the situation of refugees in Europe today. But the media soundbites we hear ignore the voices of the people who lived there - people who have travelled to Europe from conflict-torn countries such as Syria, Sudan, Afghanistan and Eritrea: people with astounding stories, who are looking for peace and a better future.
Voices from the 'Jungle' is a collection of these stories. Through its pages, the refugees speak to us in powerful, vivid language. They reveal their childhood…
A Korean American author myself, I published my first book in 2001, and in the ensuing years I’ve been heartened by the number of Korean Americans who have made a splash with their debut novels, as these five writers did. All five have ventured outside of what I’ve called the ethnic literature box, going far beyond the traditional stories expected from Asian Americans. They established a trend that is happily growing.
This stunning, superlative novel soars in its lyricism. In just 194 pages, we get a lifetime. Yohan leaves the Korean peninsula after the war and becomes an apprentice to a Japanese tailor in Brazil. This story is quiet, without a lot of fireworks, but it’s nonetheless haunting and just gorgeous.
OPRAH.COM BOOK OF THE WEEK DAILY BEAST HOT READ NEW YORKER BOOK TO WATCH OUT FOR
"At once as delicate and durable as the filament a spider weaves...the finest of fables...a small but radiant star in the current literary firmament." -Dallas Morning News
"[A] quotidian-surreal craft-master." -New York Magazine Yoon's highly anticipated debut novel SNOW HUNTERS promises to be even more beloved than the collection of stories that introduced him to the literary world. Snow Hunters traces the extraordinary journey of Yohan, who defects from his country at the end of the Korean War, leaving his friends and family behind…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
My maternal great-grandparents were Irish immigrants. My paternal grandfather left Liverpool in the late 19th century to go to Australia. I’d love to know their children’s stories! Some of the families I visited as a social worker (mid-1960s) were immigrants, struggling to make sense of a new language and a new culture. I met a child who had come here alone as an illegal immigrant and had been a house slave until the social services settled her with a foster family. I met author Hanna Jansen and her many adopted children from war-torn countries. Fiction gives us many powerful stories about children forced to flee from their homes because of war, tyranny, hunger, poverty, natural disasters.
The Crossing really moved me. It’s an unforgettable story of two young people who suffer extreme trauma and struggle to find their way to a better future. Nat is in England, her mother has died, and in her honour Nat sets herself the task of raising money for refugees by swimming the Channel. Sammy, in Eritrea, has witnessed the political murder of his father and is soon to be drafted into the army, where he knows he will be tortured. I love the way the author weaves their first-person stories together, till we feel the two must meet. Sammy’s desperate journey, with its horrors, hunger, despair, and unimaginable hardship, is particularly graphically told.
I found this story of bravery shocking and frightening, but not without hope.
Powerful, compassionate and ultimately hopeful. Observer
WINNER OF THE COSTA CHILDREN'S BOOK AWARD 2021 and the Sunday Times Children's Book of the Week - a trailblazing novel about two teenagers from opposite worlds; The Crossing is a profound story of hope, grief, and the very real tragedies of the refugee crisis.
The sea carries our pain. The stars carry our future.
Natalie's world is falling apart. She's just lost her mum and her brother marches the streets of Dover full of hate and anger. Swimming is her only refuge.
Sammy has fled his home and family in Eritrea for the…
Since arriving as a refugee in America, my father, Mae Bunseng has always wanted to tell his story. It would take many decades later for me, as I was coming of age, to consider what exactly my father had lived through. I was shocked at what he told me and knew his story had to be told. Thus over a decade ago I worked with my him to what eventually became Under the Naga Tail. In addition to this book, along the way, a short documentary called Ghost Mountain was created and released on PBS, which is accessible for streaming here. The film would win the best documentary at the HAAPI Film Festival.
Haing Ngor, is still only one of three Asian actors to win an Oscar, received in 1985 for Best Supporting Actor in his portrayal of journalist Dith Pran for the film, The Killing Fields.Remarkably Haing Ngor himself was a survivor of the genocide in Cambodia, a trained Doctor at the time before the Khmer Rouge enacted their devastating atrocities upon the country. He would only survive torture by pretending to be an uneducated taxi driver. This book will leave you in awe and inspired, as it did for me, of Haing Ngor’s life. He resettles in America, doing jobs cleaning latrines to suddenly finding himself becoming Hollywood famous overnight. He was an important voice in the advocacy of human rights, until he, unfortunately, passed away in 1996.
This is an autobiographical account of life in Cambodia under the Khmer Rouge, written by the Oscar-winning actor from "The Killing Fields", whose own experiences under the Khmer Rouge were more shocking than those of Dith Pran, the character he played. The Khmer Rouge, led by Maoist fanatics, laid waste to the social fabric of Cambodia, forcing the entire population into agricultural labour camps and murdering those they considered bourgeois or intellectual. As a doctor, Haing S. Ngor was a special target of the Khmer Rouge; his family was wiped out, his wife died from starvation in his arms, and…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
Filmmaker Rithy Panh does not like the word trauma. He prefers to describe the after-effects of what happened to his Cambodian family as “an unending desolation.” Ever since the Khmer Rouge were driven from power in 1979 and he survived as a teenager, he has not stopped thinking about his family and trying to understand Comrade Duch, a man Rithy regards as “The Commandant of the Killing Fields." Mao and Stalin, Nazism and the Nurenberg Trials, and The Hague all hover at the edges of Rithy’s consciousness. He describes dispossession; dehumanization beginning with the annulment of names; demonization of education and traditional notions of culture; deportation; slow starvation; corruption; terror; torture and language itself. Rithy Panh is a documentary filmmaker and reading The Elimination is an act of witness by both writer and reader.
From the internationally acclaimed director of S-21: The Khmer Rouge Killing Machine, a survivor’s autobiography that confronts the evils of the Khmer Rouge dictatorship
Rithy Panh was only thirteen years old when the Khmer Rouge expelled his family from Phnom Penh in 1975. In the months and years that followed, his entire family was executed, starved, or worked to death. Thirty years later, after having become a respected filmmaker, Rithy Panh decides to question one of the men principally responsible for the genocide, Comrade Duch, who’s neither an ordinary person nor a demon—he’s an educated organizer, a slaughterer who talks,…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I have always been fascinated by the human ability to overcome and persevere. How can individuals who seem so ordinary, so small surmount incredible odds? From where do they derive the physical strength and mental fortitude? I think that is what drew me to become a historian of the Soviet Union. I have devoted myself to studying the letters, diaries, and other writings by ordinary individuals who lived through extraordinary times and recorded that ordeal in intimate detail. One of my missions is to share these writings, never intended for publication, with the public.
I could not put down this account of the world’s first major refugee crisis, as millions of families were ripped apart during WWII. Focusing on the Soviet Union, this book traces the itineraries of children separated from their mothers, prisoners and refugees torn asunder from their homes. Moreover, it also follows them as they forge new lives, often in the most transient and inhospitable conditions.
I felt I never truly understood what happens to the family during wartime until I read this book.
In summer and fall 1941, as German armies advanced with shocking speed across the Soviet Union, the Soviet leadership embarked on a desperate attempt to safeguard the country's industrial and human resources. Their success helped determine the outcome of the war in Europe. To the Tashkent Station brilliantly reconstructs the evacuation of over sixteen million Soviet civilians in one of the most dramatic episodes of World War II. Rebecca Manley paints a vivid picture of this epic wartime saga: the chaos that erupted in towns large and small as German troops approached, the overcrowded trains that trundled eastward, and the…
