Here are 84 books that The Brief Wondrous Life of Oscar Wao fans have personally recommended if you like
The Brief Wondrous Life of Oscar Wao.
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I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.Ā
Among many wonderful things about this book, I consider it a climate novel and a climate justice story in particular. Hurricane Katrina wipes out a Black working-class family who are flooded out of their house. I was deeply attached to the narrator, the teen daughter in the story, and I loved her even more for having hope that things could change.Ā
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'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times
'Fresh and urgent' - New York Times
'There's something of Faulkner to Ward's grand diction' - Guardian
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WINNER OF THE NATIONAL BOOK AWARD
Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.
Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;ā¦
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the deadāletters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.Ā
I am passionate about historical facts, and fiction. My narrative has a universeal appeal making my work relevant to readers of diverse backgrounds.Ā My books entertain and at the same time educate the reader, giving him/her a greater appreciation of the complex world of Latin America and the resilience of its people.Ā I love reading diverse approaches to history and exploring ideas of how our personal interpretations of history shape our opinions.
This book by Mario Vargas Llosa explores the last days of the Dominican Republic's Trujillo dictatorship. I really enjoyed this novel for its blending of historical facts with fiction and for providing a detailed depiction of Rafael Trujillo's regime, its impact on the country, and his assassination in 1961.
The narrative combines three storylines:Ā The character of Urania, who returns to the Dominican Republic after many years in the United States, and shows us the long-lasting psychological impact of Trujillo's rule on her and her family.Ā Trujilloās last days, personality, control over the country, and the loyalty and fear he commanded. Finally, the group of people plotting to assassinate Trujillo, their motivations, fears, and actions show us that freedom is one of our most valuable treasures worthy of risking our lives.
Vargas Llosa's detailed and compelling narrative profoundly examines how dictatorial regimes can distort societies and damage lives.
'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.
In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while theā¦
I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, Iāve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is such an insightful glimpse into what happens when an artistāin this case, an architectāstops creating, thatās both hilarious and heartbreaking.
Describing the price of privilege, but without preciousness, Maria Semple illustrates the decline of a mother and professional, doing what seem like the right things while producing disastrous results that really ring true.
Fatigued by the priorities of high-tech Seattle, Bernadette loses her confidence and misplaces her trust. Then itās her daughter who has to pull her back from the brink. Their love withstands the tests of culture, community, and commodity, reminding us of the remarkable symbiosis between mothers and daughters while showcasing Sempleās irrepressible, satiric wit.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --ā¦
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, Iāve been fascinated by what haunts usāwhether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. Iāve written three books that play with this idea of past actions lingering long into the charactersā lives and returning in unexpected ways.
Even though I grew up in Jamaica, which is about 334 miles from Haiti, I knew nothing about the 1937 Parsley Massacre, during which thousands of Haitians were executed under the orders of Dominican President Rafael Trujillo.
This book blends the personal love story of Amabelle and Sebastien with the history and politics of that time. I came away from this book with a greater understanding of survival, racism in the Caribbean, and the power of memory.Ā
It is 1937, and Amabelle Desir is a young Haitian woman working as a maid for a wealthy family in the Dominican Republic, across the border from her homeland. The Republic, under the iron rule of the Generalissimo, treats the Haitians as second-class citizens, and although Amabelle feels a strong sense of loyalty to her employers, especially since her own parents drowned crossing the river from Haiti, racial tensions are heightened when Amabelle's boss accidentally kills a Haitian in a car accident. The accident is a catalyst for a systematic round-up of Haitians, ostensibly for repatriation but in fact aā¦
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone elseās shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
This is one of my long-time favorite books because of the relationships of these sisters and the way they react to a vicious dictatorship in their home country, the Dominican Republic.
Birthed from a true story, this author deftly weaves the tensions of the times with the real impact the violence has on each character. The bravery of these woman calls me to reread the dramatic, beautifully crafted book from time-to-time.Ā
"AĀ magnificent treasure for all cultures and all time.ā --St. Petersburg Times Ā ItĀ is November 25, 1960, and three beautiful sisters have been found near theirĀ wrecked Jeep at the bottom of aĀ 150-foot cliff on the north coast of theĀ Dominican Republic. The official state newspaper reports their deaths asĀ accidental. It does not mention that a fourth sister lives. Nor does it explainĀ that the sisters were among the leadingĀ opponents of Gen. Rafael LeĆ³nidas TrujilloāsĀ dictatorship. It doesnāt have to. Everybody knows of LasĀ Mariposas--theĀ Butterflies. In this extraordinaryĀ novel, the voices of allā¦
One salient feature of my life has been integration: of the personal and professional, the inner and the outer, the spiritual and the material, the east and the west. Though I didnāt know it at the time, that template was set when I was in my twenties by the people I knew and the books I read. These five helped give me direction, meaning, and purpose, and to this day, they continue to inform and inspire. I sometimes refer to them explicitly in my writing, lectures, online courses, and counseling work; anytime I hear that someone read one because of me, it gives me enormous pleasure.Ā
Salingerās post-Catcher in the Rye stories blew the minds of spiritual seekers, especially those who loved great prose. These related stories about a sister and brother introduced the Glass family and foreshadowed the journey upon which countless people embarked: smart, sensitive college student in an existential crisis tries to unlock the secrets to life with the help of mystical teachings.
The location is not India but a Manhattan apartment; the spiritual guide is not a guru but her brother, who imparts the wisdom of their deceased older sibling, Seymour, who is basically the family Zen master. The Glass kids are social misfits trying to be authentically spiritual in the midst of modern life. So was I, and they made me feel less weird and less alone.
"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger's Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker.
"Everything everybody does is so--I don't know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way."
A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. Itā¦
A summer with relatives in Belgiumāa country divided by language and cultureāinspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel GarcĆa MĆ”rquez. Now, with humor, passion, and intensity, she reveals the proud members of the ColĆ³n family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystalā¦
As a bestselling ghostwriter, I spend a lot of time reading what everyoneās readingāthe chart-toppers and book club favorites. But when I stepped out of the shadows to write my own memoir about love and loss, I leaned on less obvious writers to inspire me forward. I believe that everyone has a story to tell and a unique way to tell it, and one of the more magical aspects of being a reader is discovering those voices that speak directly to you, who make you laugh when you want to cry, and allow you to breathe again. I hope my favorites list similarly lifts you up!
All My Puny Sorrows had a profound effect on me as I was wrestling with the loss of someone I loved fiercely and who wished to die. And while this story examines the intricacies of a tragic family dynamic, itās also very funnyāa contrasting combination I adore.Ā
Laughing in the face of heartbreak is my favorite strategy for healing, and this book delivers both.
From the bestselling author of Women Talking, a "wrenchingly honest, darkly funny novel" (Entertainment Weekly).
Elf and Yoli are sisters. While on the surface Elfrieda's life is enviable (she's a world-renowned pianist, glamorous, wealthy, and happily married) and Yolandi's a mess (she's divorced and broke, with two teenagers growing up too quickly), they are fiercely close-raised in a Mennonite household and sharing the hardship of Elf's desire to end her life. After Elf's latest attempt, Yoli must quickly determine how to keep her family from falling apart while facing a profound question: what do you do for a loved oneā¦
Between humor and pathos, I lean humor. Even the saddest, most shocking eventsāmurder, for instanceācan be wrapped in kookiness. Combine this outlook with my love of old things (Iām sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and youāll understand why Iām drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I canāt help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.Ā
Constance and Gwenyth Littleāsometimes listed under the portmanteau Conyth Littleāwrote 21 screwball mysteries in the 1930s and 1940s, starting with The Grey Mist Murders.
Iām recommending their second book, The Black-Headed Pins, because I think itās where the Little sisters really begin to show their storytelling chops. Constance Little generally thought up the plots and clues, and Gwenyth fleshed out the books, both of them reportedly writing in bed each morning.
The Littlesā mysteries arenāt a series, but they have several items in common. They feature smarty-pants heroines, snappy dialogue worthy of a Frank Capra movie, and romantic disasterāuntil it all turns out right. The Black-Headed Pins ticks all these boxes.
It takes place over Christmas and involves a moving corpse, a family curse, and a miserly hostess that makes Scrooge look positively benevolent.
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. Iām a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
The best description of sainthood I have ever found.Ā In The Curse of Chalion, Bujold starts from a world of visceral reality with a new religion based on family archetypes.Ā
In her world, these gods are real and play very specific roles within the society, and well-constructed prayer opens up a space for the gods to use one for their purposes. As the main character learns what it means to be a saint, to allow miracles to flow through him (as he says, ālike a mule being whipped up the mountain passā), we see the difference between supportive and unsupportive roles, how failure can lead one astray and how the journey home can be long and difficult.Ā
Warning: This book contains scenes and situations not suitable for children.
A man broken in body and spirit, Cazaril returns to the noble household he once served as page and is named secretary-tutor to the beautiful, strong-willed sister of the impetuous boy who is next in line to rule. It is an assignment Cazaril dreads, for it must ultimately lead him to the place he most fears: the royal court of Cardegoss, where the powerful enemies who once placed him in chains now occupy lofty positions.
But it is more than the traitorous intrigues of villains that threaten Cazaril and the Royesse Iselle here, for a sinister curse hangs like aā¦
