Books like The Borrowers

Le Guin is a literary force, and this is her most emotionally elegant work.

The political subtlety, the blizzards, the alien humanity—it all works together in perfect cold harmony. It reshaped how I think about empathy and otherness. I reread it any time I start to lose faith in quiet stories.

I read this book many years ago as a young adult. Along with other classics such as Alice in Wonderland, I fell in love with a world of imagination, and imagination that pushed the envelopes in terms of literature.

Time travel for me had a place in changing the lives of characters and teaching them about love and growth. Taking on one’s life challenges and force play, good vs. evil…  

Russell Hoban’s slim (c. 250 pp) novel is a unique futuristic dystopian science fiction political satire fantasy about the re-discovery of gunpowder in a post-nuclear Holocaust England, where disaster has regressed to the Stone Age.

I know no other book like it, and as a reading experience, it can’t be beaten. There are discoveries on every page. Its characters are hunter-gatherers controlled by a shadow government of Punch and Judy puppeteers who are trying to promote another nuclear war. Its hero is Riddley Walker, a 12-year-old 22nd-century Huck Finn. Its hook is language as miscommunication.

The art of writing has been lost and re-invented. Riddley’s phonetic misspellings of ordinary words in his journal/diary produce unintended puns and ominous misspellings and thus misreadings) of words like Parment (“Parliament”) and Hi Mincery (“High Ministry”) that portend ill for the current society’s ignorant misuse of them.  

This is another one I have re-read because I love the fantasy aspect. I didn’t come across C.S. Lewis’ books until I was a young adult, and then it was his adult writings. Now, I’m loving catching up on his Narnia series.

Written in 1950, this classic tale lives on, never becoming out of date, and I love that it is currently a stage production.

As a Christian, I also love a classic tale of good versus evil, with the drama between the white witch and the lion hero, Aslan, who overcomes death to save Narnia from the witch’s evil spell. For me, it’s a truly inspirational allegorical tale that stands the test of time.

As a fan of fantasy books about quests, I was familiar with Terry Brooks’ Shannara series.

Since I enjoyed his writing and his characters, I picked up this one on the assumption that it would be similar. Instead, I encountered a story about Ben Holiday, who purchased a magic kingdom from a fancy gift catalog and traveled to a new world where he became the ruler.

The characters appealed; especially Abernathy, the court scribe turned into a soft-coated, wheaten terrier by the wizard, Questor Thews.

Although a mature man, Ben’s trials upon obtaining the throne and adjusting to the magic of his new home support the theme of a hero’s coming-of-age story. With a few wrinkles and twists of magic, and a humorous overtone, I recommend this book as a nice change of pace from more serious fantasy tales.

I have long admired this story, a mixture of 1970s modern life and Celtic, English, and Arthurian myth. Although dated in terms of social attitudes and approach to parenting, it remains a powerful vision of the invisible forces that surround us.

In the days leading up to Christmas, the village of Huntercombe is cut off by a massive snowstorm. Will Stanton begins to receive mysterious supernatural warnings. He discovers he is the last of the Old Ones, immortal beings tasked with protecting the world. Will is assigned a quest to find and link six signs, made of wood, bronze, iron, water, fire, and stone, to hold back the approaching forces of evil.

Mostly, I loved Tolkien's fascinating world he created.

He opened me up not only to the people but to the world around them as well. When entering his story, the world felt lived in, and everyone had their own stories, from Tom Bombadil to Aragorn. I thought the Ringwraiths were very cool, and characters like Samwise, Gollum, and Gandalf really stole it for me.

Tolkien explained why things were the way they are but still left most to the imagination. Before the movies, I had my own picture in my head, as I imagined others did as well. When I finally saw Moria on screen, I knew I hadn't done it justice in my head.

With E.R. Eddison’s book, the hook is identity. I love that the major characters are all avatars, manifestations of each other, and that they don’t know it is the underlying mystery Eddison wants the reader to discover without being told.

All of his men derive from the godlike Mezentius, and all his women derive from the Goddess. Their lives and characters intertwine the real and imaginary worlds of Earth and Zimizmvia. The human Lady Mary is the real-world avatar of the Zimiamvian goddess Fiorinda, who is the lover of Duke Barganax, who is the otherworld personification of the real-world Lessingham, widower of Lady Mary and lover of the Zimizmvian princess Antiope.

If you start to get confused, you are on the right track! Eddison aims to confuse, mystify, and enter you all simultaneously.

While this book is more literary than plot- or character-driven, it deals with the loss of memory and self, and the struggles to reclaim those parts of oneself. It reads like a dream, or a series of dreams – as the reader you’re not entirely sure what is important and what isn’t, but the beautiful prose and interesting situations keep things going.

Where can I even begin with the magic and immersion of Naomi Novik’s Uprooted?

Saying an unlikely heroine with an affinity for the forest meets an aloof, powerful wizard thus starting her quest to uncover the potential of her own magic barely scratches the surface of the enchanting world Novik creates. The allure and power of the dark forest that runs tangled roots beneath the story’s unspooling narrative is an unmissable experience.

And Novik’s uniquely beautiful language is perfectly matched by the magic of the fairy tale world itself and the weaving of the spells therein!