100 Books Like The Books of Magic

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

This novel is a wonderful East meets West tumble into the afterlife that will leave an impression on you long after you close the book. The main character is nothing like the usual hero, but an overweight 10-year-old, taciturn, lonely, but most of all, fiercely determined to save her mother. 

We follow Melanie into a creepy and harsh underworld heavily influenced by Buddhist beliefs and discover the terrible truth about monsters and how they are created. This book is like a Japanese Alice in Wonderland where no punches are held back, celebrating courage, family, and tenacity.  

This must be one of the strangest works I have read in a long while, and I admire it deeply. It surfs on the documentary graphic novel trend. It exists to teach people about the disastrous impact of intensive farming on the environment, and more particularly on dirt. Not a very attractive topic, despite how serious it is – but, and that’s where this comic is so innovative, it twists all this knowledge around a suspenseful battle royal orchestrated by Hades in the Underworld. Unlikely, isn’t it? I loved discovering the facts while cheering on my main characters, two lost 16 years old, who struggle to survive in the underground. While it is directed at teens, I would recommend it to the above 16 only, as there is gore (this book follows the Hunger Games pattern of only one survivor) and nudity. 

I read this book not long after reading Spook, and it scratched many of the same philosophical itches for me. I love its dreamlike quality and haunting sense of nostalgia. As far as I know, it's also unlike any other work of fiction in its approach to the question of life after death.

It blends two seemingly unrelated topics—historical disasters (e.g., the Hartford circus fire, the sinking of the Titanic)—and the science of near-death experiences in a striking, unique way. Although it is, in many ways, a deeply sad story, it ultimately feels hopeful. This is one of those novels that left a lasting impact on my psyche.   

This was the first book I ever read by HP Lovecraft and after reading it, I read everything else that I could find by such a talented writer. Lovecraft’s stories are dark, doom-ridden tales that are filled with cosmic horror, nightmarish landscapes, and indescribable monsters. But it’s not only the tales themselves that captivated me, it’s the style in which they were written. Lovecraft has such a beautiful literary style of writing that really made me feel what the characters felt and see what horrors they witnessed. His work definitely inspired me to pick up pen and paper and write stories of my own.

This long-lost early book on near-death experiences was written around the same time as Raymond Moody’s classic Life After Life, but totally independent of any knowledge of that more famous work.

Hampe was a German philosopher, and while the book made a huge splash in Germany it’s practically unknown to the English-speaking world, even though an excellent translation was published in the 1970s (finally now reprinted).

Hampe is a deep thinker though has a very engaging style. Knowing that he had his own NDE makes the book poignant and moving to read. What I find most interesting about it is the very different approach he took compared to Moody.

Rather than looking at the phenomenon as a scientific puzzle and focusing on the possibility that NDEs are evidence for an afterlife, Hampe was interested in their metaphysical implications. 

James Haddock is another author whose writing style I have enjoyed for a while now. His books are entertaining, though his grammar tends to be all over the place. This was either the first story of his I read or one of the first. I can’t remember which.

There is something about the way he describes magic and uses it in his books that I simply enjoy. The MC in this one is dying and finds himself brought over into a new land with magic, wherein his adventure promptly begins with a knife struggle.

The magic, though…it’s different from how others usually describe their magic systems. It would be so easy to abuse, and while he does grow powerful, Haddock never has him abusing it like another author would.

This book is very unique. Written through the psychic medium named Farnese in 1896. The spirit named Franchezzo told his experience in the afterlife. There is a fantasy and reality here. Even though we haven’t experienced death and don’t know how’s life in the afterlife, but I feel a strong connection with this book. I feel like I can believe everything this book depicted about the world on the other side.

Savage Dominion is just plain fun and worth the read. But you know how it’s even better? On audio, narrated by Luke Daniels. Seriously, pick up the audio if you can. Luke’s narration alone is worth every penny.

Here we have a big, dumb nerd who honestly wasn’t hero material but when a wolf shows up to ruin his already bad date, our man sacrifices himself. This doesn’t go unnoticed and he is given the chance to become an eternal, basically a demi-god. Only he ends up being one for the “baddies” according to the solar court. 

So Maulkin has to overcome everyone thinking he’s the devil, learn how this new world of his works, and all of that while being more brawns than brains in one of the funniest characters I’ve read in a good long while.

For insights into non-western afterlife theory, the Bardo Thodol offers a collection of texts covering aspects of death, reincarnation, and the ‘space’ in between. The work, which dates back to the 8th century, serves as a ‘guidebook’ on preparing the soul for its continuing journey, including advice on meditation, the six states of consciousness, death rituals, and the pursuit of karma. Over the centuries the Bardo Thodol has inspired numerous interpretations as well as literary works. Screenwriter Bruce Joel Rubin, who spent time secluded in a Buddhist monastery, describes his film Jacob’s Ladder as a modern take on the ancient text.