Here are 45 books that The Bombshell Manual of Style fans have personally recommended if you like
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I am a plus-sized woman of color, and I feel women like me are woefully underrepresented in romance books. Too many times, I read a book claiming to feature a “curvy heroine”, only to find she’s a size 6, or just wears baggy clothes. Even worse, some novels make plus-sized female leads lose weight before they get their happily ever after! There are great books out there that show love comes at any size and they deserve to be showcased.
Talia Hibbert’s characters have so much depth; this book is no exception. I saw myself in the curvy lead, Dani Brown, as she’s always looking for signs to lead her in the right direction.
It was great to see her warm relationship with her sisters, even though they are all so different. But I absolutely loved seeing her flirtatious friendship turned fake relationship with former rugby player Zafir Ansari grow into true love. Plus, the spice was top-notch!
'Talia Hibbert is a rockstar! Her writing is smart, funny, and sexy' Meg Cabot
'The author's charm and wit sings off the page in this delightful fake-romance fare' Bolu Babalola, bestselling author of Love in Colour
USA Today bestselling author Talia Hibbert returns with another charming romantic comedy about a young woman who agrees to fake date her friend after a video of him 'rescuing' her from their office building goes viral - perfect for fans of Sally Thorne, Jasmine Guillory and Helen Hoang!
Danika Brown knows what she wants: professional success, academic renown and an occasional roll in the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a long-time expat in France, a creative and a Black woman, I get othered and rejected a lot. I’ve had to learn how to own my story – of starting over, of building something from nothing, of remembering where I’ve been, and reminding myself of where I’m going. I had to learn to reject the labels that others want to put on me and draft my own personal hype mantra – then embellish it with a little bombshell sparkle. The books I’ve chosen are meant to entertain while giving you the chance to remind yourself of who you are and who you can choose to be.
Sometimes you just gotta move far away and start all over.
That’s what Karim, my male lead does in my book, and what Dr. Sloan, the female lead does in Rafe. Neither is looking for love, but as luck would have it…
What I loved about Rafewas the reversal of a common trope – male nanny hired by well-to-do single mother. A bearded, muscular, tattooed nanny who cooks and can fold a fitted sheet? Sign me up!
This book is a fun, spicy ride and poses the question, “why not?” Why can’t a woman killing it in her field come home to a man taking care of the home front, ready to meet all of her needs?
All Dr. Sloan Copeland needed was someone to watch her kids. What she found was the man of her dreams…After a nasty divorce and a thousand mile move, Dr. Sloan Copeland and her twin daughters are finally getting the hang of their new life in Los Angeles. When their live-in nanny bails with no warning, Sloan is left scrambling to find a competent caretaker to wrangle her smart, sensitive girls. Nothing less will do.Enter Rafe Whitcomb. He's all of those things, not to mention good-natured and one heck of a whiz in the kitchen. He's also tall, and handsome, and…
As a long-time expat in France, a creative and a Black woman, I get othered and rejected a lot. I’ve had to learn how to own my story – of starting over, of building something from nothing, of remembering where I’ve been, and reminding myself of where I’m going. I had to learn to reject the labels that others want to put on me and draft my own personal hype mantra – then embellish it with a little bombshell sparkle. The books I’ve chosen are meant to entertain while giving you the chance to remind yourself of who you are and who you can choose to be.
Sometimes things happen in life that bring us to our knees – illness, relationships fail, job losses.
And we may feel small, overwhelmed, incapable. In this awesome book about living audaciously, Jones advises the reader to write their own oriki, or personal hype mantra.
When we are at our lowest, we need to look back and see how far we’ve come, remind ourselves of who we were, who we are,and who we will be.
Just as we have the power to write our own orikis, we have the power to write our own next steps. That’s pretty bad-ass.
From the New York Times bestselling author of I'm Judging You, a hilarious and transformational book about how to tackle fear--that everlasting hater--and audaciously step into lives, careers, and legacies that go beyond even our wildest dreams
Luvvie Ajayi Jones is known for her trademark wit, warmth, and perpetual truth-telling. But even she's been challenged by the enemy of progress known as fear. She was once afraid to call herself a writer, and nearly skipped out on doing a TED talk that changed her life because of imposter syndrome. As she shares in Professional Troublemaker,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As a long-time expat in France, a creative and a Black woman, I get othered and rejected a lot. I’ve had to learn how to own my story – of starting over, of building something from nothing, of remembering where I’ve been, and reminding myself of where I’m going. I had to learn to reject the labels that others want to put on me and draft my own personal hype mantra – then embellish it with a little bombshell sparkle. The books I’ve chosen are meant to entertain while giving you the chance to remind yourself of who you are and who you can choose to be.
Not just anyone can grow up dirt poor, build a successful consulting business in Miami, survive being stalked, and keep the world in the dark about their crippling anxiety.
Brett Fontaine does it without letting a lock of hair get out of place – true bombshell style. A relationship with her new client, the media-clueless cinnamon roll chef Will Te’o, is completely ill-advised. So of course, that’s exactly what happens.
I adored this book because it so easy to identify with Brett. We all want to be together on the outside and respected in our fields. But there’s still the fear that we’re whatever weaknesses we may have had in the past.
Will helps Brett see the badass inside of her. Walden-West does the same for her readers.
Trading her red-dirt roots for the title of Miami’s go-to image consultant, Brett Fontaine refuses to let anything jeopardize her new life.
…Not an influential client-turned-stalker who’s up for parole…
…Not post-kidnapping panic attacks…
…And certainly not the stubborn, attention-phobic chef with the tempting tataus she’s been challenged to transform into a celeb in ninety days.
Will Te’o can almost taste the dream he sacrificed American Samoa, culture, and cherished family ties for—opening a four-star restaurant in the most cut-throat culinary location in North America.
Unfortunately, that requires navigating its equally ruthless social scene.
Cynthia Harrod-Eagles is the author of the internationally acclaimed Morland Dynasty books. Five volumes of this comprehensive historical series focus on WW1, covering the military campaigns and the politics behind them. With the approach of the WW1 centennials, she was asked to write about the period again, this time from the point of view of the people who stayed at home. The result was the six-volume series, War At Home, which views the war from a more personal perspective, through the eyes of the fictional Hunter family, their servants, and friends.
On a lighter note, this book is a wonderful journey through what everyone wore, not just the fashions but the uniforms, the make-do-and-mend, maternity wear, underclothes, knitting for the soldiers, wartime washing-day, trousers for women (shock! horror!), a kit for lady footballers and lady drivers, and how the war changed women’s clothing along with their lives. Full of illustrations, delicious cartoons, and WW1 advertisements, this book is quite simply a wonderful read, as well as wonderfully informative.
Imagine 'stepping into someone else's shoes'. Walking back in time a century ago, which shoes would they be? A pair of silk sensations costing thousands of pounds designed by Yantonnay of Paris or wooden clogs with metal cleats that spark on the cobbles of a factory yard? Will your shoes be heavy with mud from trudging along duckboards between the tents of a frontline hospital... or stuck with tufts of turf from a football pitch? Will you be cloaked in green and purple, brandishing a 'Votes for Women' banner or will you be the height of respectability, restricted by your…
I’m a writer interested in the odd areas where science and consumerism touch – particularly where this intersects with women workers. My debut book Half Lives: The Unlikely History of Radium tells the history of radioactivity through the eyes of the people who made, bought, and sold products laced with radium in the 20th century. The follow-up title will explore the deadly element Uranium.
Am starting with a tiny cheat as this book isn’t just about women – although it is about the beauty industry which is usually associated with women. What this book is -however – is an exploration about the history of beauty, consumption and gender in Victorian and Edwardian London. It is packed with stories of women beauty salon owners like Sarah “Madame” Rachel Leverson, Helen Rubinstein and Anna Ruppert. I’ve been working on a book that features Anna Rupert and Clark’s book has been an invaluable resource and a great in depth study on the subject.
The Business of Beauty is a unique exploration of the history of beauty, consumption, and business in Victorian and Edwardian London. Illuminating national and cultural contingencies specific to London as a global metropolis, it makes an important intervention by challenging the view of those who-like their historical contemporaries-perceive the 19th and early 20th centuries as devoid of beauty praxis, let alone a commercial beauty culture.
Contrary to this perception, The Business of Beauty reveals that Victorian and Edwardian women and men developed a number of tacit strategies to transform their looks including the purchase of new goods and services from…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
Maria Hayward is my go-to author for all things clothing and fashion in Tudor England. In this book, she focuses on dress during Henry VIII’s reign, and the sumptuary legislation that regulated what people could wear. However, this is more than just a study of legislation. Hayward also uses wills, portraits, inventories and letters to describe and analyse the actual clothes owned by people from across the social spectrum. Of particular use to newcomers to the history of fashion is the information she provides about the different types of fabric and accessories, and her glossary.
English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's…
I am an honours graduate in aerospace engineering and psychology and I have written five historical novels. My debut novel, The Ming Storytellers, is set during China’s Ming dynasty and was well-reviewed by the Historical Novel Society. To pen this 600-page saga, I spent six years researching the Ming dynasty while studying a year of mandarin. I have travelled to Beijing, along the Great Wall, and to China’s southwestern province of Yunnan. Being a descendant of the Vietnamese royal family gave me access to rich genealogical sources passed down from my scholarly ancestors. These stories of concubines, eunuchs, and mandarins made the past come alive, complementing my research with plausible drama.
So you wish to paint your lips red like ancient Chinese women but are worried about confusing your Tang from your Ming. Get your make-up right with this manual. This succinct and wonderfully illustrated book is a treasure for lovers of Chinese fashion history or historical novelists like myself who may not be fluent in mandarin and depend on English publications. Creating vivid descriptions of concubines or Ming court characters is made easy when you can visualise exactly how people dressed or painted their faces during the different periods of China’s long history, including the Ming dynasty. I loved this book as it informed me about hairstyles, make-up, shoes, hats, clothing, and even the different insignias embroidered on eunuch clothing depending on their rank. With attention to variations across ethnicities and insights on historical and social changes, this book is a must-have.
Chinese clothing has undergone continuous transformations throughout history, providing a reflection of the culture in place at any given time. A wealth of archaeological findings coupled with ancient mythology, poetry and songs enable us to see the development of distinctive Chinese fashions through the ages. This illustrated introductory survey takes the reader through traditional Chinese clothing, ornamentation and ceremonial wear, discusses the importance of silk and the diverse costumes of China's ethnic groups before considering modern trends and China's place in the fashion world today.
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
A major divergence in the nature of elite men's and women’s clothing styles took place in the eighteenth century that symbolized a new understanding of both femininity and French national identity. The fancy dress men wore at court transformed into the sober black suit of the male professional, while women’s clothing became increasingly ornate, fussy, and “feminine” in the modern understanding of the term. Jones links fashion and gender systems to social, cultural, and economic practices—including the rise of consumer culture—and demonstrates why the study of fashion and sexuality are far from frivolous.
The connection between fashion, femininity, frivolity and Frenchness has become a cliche. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
The neoclassical style of dress—sheer, high-waisted muslin dresses that displayed a woman’s arms and eschewed traditional undergarments—that appeared in the late eighteenth century shaped European female fashions for nearly thirty years. Historians have often labeled the neoclassical movement associated with the Enlightenment and Age of Revolution as austere and masculine in its effects. However, Rauser effectively makes the case that women were at the center of 1790s neoclassicism in its most intense and embodied form, as creators and patrons—and that fashion, more so than other forms of art, reveals an era’s artistic and political culture.
Neoclassicism recast as a feminine, progressive movement through the lens of empire-style fashion, as well as related art and literature
The Age of Undress explores the emergence and meaning of neoclassical dress in the 1790s, tracing its evolution from Naples to London and Paris over the course of a single decade. The neoclassical style of clothing-often referred to as robe a la grecque, empire style, or "undress"-is marked by a sheer, white, high-waisted muslin dress worn with minimal undergarments, often accessorized with a cashmere shawl. This style represented a dramatic departure from that of previous decades and was short lived:…
