Here are 100 books that The Bloomsbury Handbook of Rural Education in the United States fans have personally recommended if you like
The Bloomsbury Handbook of Rural Education in the United States.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I earned my teaching certification as an undergraduate. I went to a program in a very rural place, and I did my student teaching in a very rural school—but all we talked about in my college classes were urban schools, urban kids, and urban teachers. There were certainly some similarities, but I was amazed how research, policy, and practice just seemed to overlook rural education (about one-quarter of all U.S. public schools!). So I went into rural education research and advocacy wanting to do something about that gap: to bring attention to rural education so that we can write policies and practices that sustain, rather than undermine, rural schools and communities.
What I love about this book is how it shows that rural schools offer communities more than just a classroom education.
In this case—for better and for worse—it’s sports. And Bissinger wades into it all: tensions between education and sports, the economic unraveling of Texas oil country, the costs of racism, and the pure adrenaline of a Friday night football game.
Not every rural community is as sports-addicted as Odessa, but all have their imperfections and fault lines—so much about this book resonates.
The 25th anniversary edition of the #1 New York Times bestseller and Sports Illustrated 's best football book of all time, with a new afterword by the authorReturn once again to the timeless account of the Permian Panthers of Odessa,the winningest high-school football team in Texas history. Socially and racially divided, Odessa isn't known to be a place big on dreams, but every Friday night from September to December, when the Panthers play football, dreams can come true.With frankness and compassion, H. G. Bissinger unforgettably captures a season in the life of Odessa and shows how single-minded devotion to the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I earned my teaching certification as an undergraduate. I went to a program in a very rural place, and I did my student teaching in a very rural school—but all we talked about in my college classes were urban schools, urban kids, and urban teachers. There were certainly some similarities, but I was amazed how research, policy, and practice just seemed to overlook rural education (about one-quarter of all U.S. public schools!). So I went into rural education research and advocacy wanting to do something about that gap: to bring attention to rural education so that we can write policies and practices that sustain, rather than undermine, rural schools and communities.
A highly respected rural education researcher, Corbett documents the educational practices that, while well-intentioned, may contribute to rural depopulation: if rural schools do their jobs well, they are often preparing rural youth for an adult life lived elsewhere.
Still, though, for many rural youth, college remains elusive. As Corbett writes, with typical eloquence, “Higher education remains ‘invisible’ training for invisible jobs in an elsewhere economy…”
With complexity and nuance, this book captures the many dilemmas facing rural youth, families, and teachers, as well as the high costs of higher education for rural communities. My copy is a rainbow of sticky notes and highlights: I consulted it often when writing my book.
It has been argued that if education is to be democratic and serve the purpose of social and cultural elevation, then it must be generic and transcend the specificity of the locale. Corbett's case study of Digby Neck, Nova Scotia, which shows continuing rates of highschool drop-out among youth in rural and coastal communities, particularly among young men, illustrates the failure of this approach.
I earned my teaching certification as an undergraduate. I went to a program in a very rural place, and I did my student teaching in a very rural school—but all we talked about in my college classes were urban schools, urban kids, and urban teachers. There were certainly some similarities, but I was amazed how research, policy, and practice just seemed to overlook rural education (about one-quarter of all U.S. public schools!). So I went into rural education research and advocacy wanting to do something about that gap: to bring attention to rural education so that we can write policies and practices that sustain, rather than undermine, rural schools and communities.
The common narrative is that rural Black schools in the segregated South were inadequate and poorly staffed; desegregation, the thinking goes, was an unmitigated good.
This book, by the esteemed historian Vanessa Siddle Walker, was one of the first I read to challenge this narrative, showing how, despite underfunding, these schools were often staffed by talented Black educators who held high standards and created nurturing, empowering classrooms.
In my research in the rural Delta, I have found that many adults today remember these schools fondly. For them, desegregation, which closed many of these schools, carried significant loss, and those losses continue to shape Black communities and schools in the rural South today.
African American schools in the segregated South faced enormous obstacles in educating their students. But some of these schools succeeded in providing nurturing educational environments in spite of the injustices of segregation. Vanessa Siddle Walker tells the story of one such school in rural North Carolina, the Caswell County Training School, which operated from 1934 to 1969. She focuses especially on the importance of dedicated teachers and the principal, who believed their jobs extended well beyond the classroom, and on the community's parents, who worked hard to support the school. According to Walker, the relationship between school and community was…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I earned my teaching certification as an undergraduate. I went to a program in a very rural place, and I did my student teaching in a very rural school—but all we talked about in my college classes were urban schools, urban kids, and urban teachers. There were certainly some similarities, but I was amazed how research, policy, and practice just seemed to overlook rural education (about one-quarter of all U.S. public schools!). So I went into rural education research and advocacy wanting to do something about that gap: to bring attention to rural education so that we can write policies and practices that sustain, rather than undermine, rural schools and communities.
I began my career in education as a student teacher in rural Vermont. Like many beginners, I started off as a terrible teacher, and I was desperate for resources. Yet I found very little about rural teaching specifically—until I happened upon this book.
It was like Keizer was speaking directly to me. As a teacher in rural Vermont, he writes with humor and grace about the challenges and possibilities of rural teaching.
He is definitely an outsider to the Northeast Kingdom, and, occasionally, his descriptions have an air of condescension—and, today, they certainly read as dated. But this book has a special place in my heart—it got me through my first few years of rural teaching.
Weaving anecdotal narrative with trenchant reflections on his profession, Garret Keizer offers one teacher's answer to the hue and cry over the crisis in education. An English teacher in rural Vermont, he writes of the opposing realities he faces every the promise and energy of the young and the oppressive effect of their economic disadvantages; the beauty of the countryside and its people and the harsh, sometimes ugly edge of life there; the need for discipline and the importance of rebellion. In exploring the demands peculiar to his own community, Keizer movingly depicts the difficulties-some triumphantly overcome, some overwhelming-that form…
For many years I have enjoyed a grass roots lifestyle. I have lived my research as a beekeeper, milking cows, making cheese and growing food. I am a simple living advocate, and the cottage industry—its slower pace—resonates with me. I create bespoke yarns at the spinning wheel, but for as long as I can recall, I have been wrapped in the arms of stories. Childhood is a dandelion clock, here then gone on a breath of wind. A time of life that’s fleeting. Young hearts can conjure exploration and magic. They are alive to bright possibilities, and this is what makes YA literature so exciting.
There’s a spookiness to this historical story that pulled me in straight away. But the adventure of children soon exposes a deeper chasm of heartbreak, and the vulnerability in young lives. Here in the mountain village superstition houses fear, crippling a community at large. That parents are the guidepost for how a child perceives themselves, and how they function and see the world as adults is something to think on. The Last Sin Eater teaches us all another way to live that is filled with goodness and grace.
The New York Times bestselling author of Redeeming Love and A Voice in the Wind pens a captivating tale of suffering, seeking, and redemption set in Appalachia in the 1850s.
In the misty peaks and valleys of Appalachia roams the sin eater—a myth as much as a man, burdened with absolving the sins of villagers passing from this life to the next. But when a young girl uncovers the dark secret behind the tradition, she vows to show her village the truth.
All that matters for young Cadi Forbes is finding the one man who can set her free from…
I have written all my life. This includes freelance writing as well as reporter jobs at small, weekly newspapers in the DC/VA area. I have also taught writing (creative and technical writing) to students as diverse as jail inmates, residents of homeless shelters, military officers at the Pentagon, CIA employees, and firefighters at Ronald Reagan National Airport. Both of my published novels are works of historical fiction set in my native Iceland: Seal Woman and Sigga of Reykjavik. These novels cover the time 1908 to 1955, a period when Iceland was a little-known island. I have always been drawn to novels about isolated, cold-weather places where unusual characters and mannerisms flourish.
This depiction of a life of poverty in southern Appalachia around 1900 would be too sad to warrant its reading, were it not for its strong and sensitive narrator, Julie Harmon. The author describes the mundane details of butchering a hog or washing of a dead man’s feet within the context of the marriage of Hank and Julie, poor, uneducated, and perhaps mismatched young people who face one adversity after another. The details of ordinary life blossom into unexpected meaning in the interpretation of a sensitive narrator who not only cherishes details, but who is also exquisitely aware of her own feelings. She speaks in the straightforward language of an uneducated person rather than in the flowery prose of a voice attuned to expressing itself. Yet her presentation takes on the poetry of a clever woman gifted with a unique interiority.
Through Julie, the author renders nuanced feelings in a…
A New York Times Bestseller & Oprah's Book Club Pick
Young Julie Harmon works “hard as a man,” they say, so hard that at times she’s not sure she can stop. People depend on her to slaughter the hogs and nurse the dying. People are weak, and there is so much to do. At just seventeen she marries and moves down into the valley of Gap Creek, where perhaps life will be better.
But Julie and Hank’s new life in the valley, in the last years of the nineteenth century, is more complicated than the couple ever imagined. Sometimes it’s…
This mystery involves amateur sleuth Zora Harrison who reopens a cold case concerning the disappearance of an old friend and colleague, Jane Hubbard. Jane was swindled by a broker who feared her testimony, but there are other suspects as well, including a jealous rival.
I grew up on a dairy farm on the outskirts of a town with about a hundred residents. I remember walking to town with my sister and two brothers to buy candy and rent a VHS movie from the tiny grocery store. My first job off the farm was doing dishes at the local café, where my father and the other farmers would drink coffee and read the newspaper at table 10. These experiences shaped me as a person and hooked me on small-town living. I believe it’s the people in the smallest of towns that have the biggest of hearts.
I’ve lived in Montana for over twenty years, so any books related to Montana get my attention. This book in particular, however, is so much more than just a memoir about growing up in the wilds of Big Sky Country. It’s a beautiful and poetic masterpiece that pays homage to the tiny towns and quirky community members that gave Ivan Doig a sense of home and family as a child. I enjoyed reading the familiar names of towns and mountains that I’ve grown to love during my time in Montana, and I especially appreciate how Doig shows us that the size of people’s hearts is more important than the size of their town.
National Book Award Finalist: A “beautifully written, deeply felt” memoir about growing up in the American West (Los Angeles Times).
Ivan Doig grew up in the rugged wilderness of western Montana among the sheepherders and denizens of small-town saloons and valley ranches. What he deciphers from his past with piercing clarity is not only a raw sense of land and how it shapes us, but also of the ties to our mothers and fathers, to those who love us, and our inextricable connection to those who shaped our values in our search for intimacy, independence, love, and family.
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
"The world had teeth and it could bite you with them anytime it wanted."
It’s more than a creepy opening sentence; it’s a mission statement from the Master of the Macabre, the Poet of the Paranormal, the Chaucer of Chills. It encapsulates what Stephen King does so well – a plucky little girl gets lost in the woods, a shadowy presence stalking her, and something dark, magical, and miraculous emerging from the girl’s soul.
This short novel is so riveting, you will finish it in one sitting.
From the master of horror and suspence, Stephen King, comes a pop-up adaptation of one of his bestselling novels.; Trisha MacFarland had no idea what was in store for her when she wandered away from her mother and brother on a family hike! Readers will travel with Trisha on her journey of horror, where she has only her witts for navigation, her ingenuity as a defence against the elements, and her courage and faith to withstand her mounting fear. For solace, during this terrifying journey, Trisha tuned in her walkman to listen to the broadcasts about her hero, the Red…
I am the author of three novels (with two more set to release next year); Monarchs Under the Sassafras Tree; The Dead Rockstar Trilogy; and I'm happiest when straddling literary genres. I have published works of historical fiction, as well as southern gothic, horror, speculative fiction, dark fantasy, and literary fiction. My debut, Monarchs Under the Sassafras Tree was nominated for Georgia Author of the Year in 2020. In addition to writing, I am a genealogist and recently went back to school to obtain my history degree. My love of writing, history, and family all intersect to inform my writing and I always set my characters in good old Georgia.
Erskine Caldwell is deeply underrated; for my money, he’s one of the best southern gothic writers in the genre. Perhaps it’s down to the risque nature of his books and characters, which were especially provocative (and in some cases, downright despicable) for the time period. However, beyond the depravity there is a real beating heart in his books that perfectly capture the desperation and grief of depression-era Georgia.
Like Tobacco Road, this novel chronicles the final decline of a poor white family in rural Georgia. Exhorted by their patriarch Ty Ty, the Waldens ruin their land by digging it up in search of gold. Complex sexual entanglements and betrayals lead to a murder within the family that completes its dissolution. Juxtaposed against the Waldens' obsessive search is the story of Ty Ty's son-in-law, a cotton mill worker in a nearby town who is killed during a strike.
First published in 1933, God's Little Acre was censured by the Georgia Literary Commission, banned in Boston, and once led the…
On a foggy morning in New York City, a man and a woman run into each other, literally. The man, a writer, invites the woman, an artist, for coffee. They married just two months later. And four years later, their marriage is crumbling. On a foggy morning in New York…
As a writer, I consider myself lucky to be born and raised in the Deep South. Although I currently live near Los Angeles, I continue to draw upon the region’s complex history, regional color, eccentric characters, and rich atmosphere for inspiration. I also love to read fiction set in the South, especially mysteries and thrillers—the more atmospheric, the better!
Here’s another book better known for the excellent film adaption, but the novel actually brings the gritty, sometimes brutal daily life in the rural Ozarks alive in the mind’s eye more vividly than a movie ever could.
Daniel Woodrell’s atmospheric story of a teen daughter’s quest to bring her father back for his court date, dead or alive, is a simple narrative rendered with stark, almost Biblical prose. I particularly appreciated the author’s distinctive language and evocative imagery.
This is a fiercely original tale of love, heartbreak and resilience in the lonely wastes of the American Midwest. The last time Ree saw her father, he didn't bring food or money but promised he'd be back soon with a paper sack of cash and a truckload of delights. Since he left, she's had to look after her mother - sedated and losing her looks - and her two younger brothers. Ree hopes the boys won't turn out like the others in the Ozark mountains - hard and mean before they've learnt to shave. One cold winter's day, Ree discovers…
