Here are 100 books that The Bloody Shirt fans have personally recommended if you like
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When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
Although this book is less about slavery as it happened and more about what took place after the Civil War ended slavery in the United States, it is one of the best books I’ve ever seen that explains just how America still hasn’t recovered from its legacy.
This is one of those books where I kept underlining passages, such as one where the racist Southerner said that slavery was like an “apprenticeship” for “savage races” or how nostalgia for a romantic version of the Civil War poisoned our understanding of history. I want to read this book three more times so that I can fully absorb its wise lessons.
Winner of the Bancroft Prize Winner of the Gilder Lehrman Lincoln Prize Winner of the Merle Curti award Winner of the Frederick Douglass Prize
No historical event has left as deep an imprint on America's collective memory as the Civil War. In the war's aftermath, Americans had to embrace and cast off a traumatic past. David Blight explores the perilous path of remembering and forgetting, and reveals its tragic costs to race relations and America's national reunion.In 1865, confronted with a ravaged landscape and a torn America, the North and South began a slow and painful process of reconciliation. The…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I was raised in Springfield, Illinois, what is considered Lincoln’s backyard. I grew up fascinated by history, and the Civil War in particular. The trouble was, its racial overtones always bothered me. Later in life, I became a high school history and journalism teacher and turned my interest in historical-based board gaming into a business I called Indulgent Wife Enterprises (because my wife is so incredibly supportive). To date, I have published 30 board games based mostly on American conflicts. When I retired, I began the ambitious project of writing a strongly researched account of the divisions leading up to the Civil War and through to the Reconstruction period that followed.
I was mesmerized and horrified by this 100th-anniversary recounting of the massacre. I didn’t just turn pages. I tore through the book, not believing that such a thing could happen in modern America.
The destruction of what was once considered a thriving Negro Wall Street and the slaughter of its people led me to an in-depth study of the Reconstruction riots a half-century before this one.
Essential reading as America finally comes to terms with its racial past.
When first published in 2001, society apparently wasn't ready for such an unstinting narrative. After it was published, The Burning, like its subject matter, remained unknown to most in America. That has changed dramatically.
"I began to suspect that a crucial piece remained missing from America's long attempts at racial reconciliation," Madigan wrote in 2001 in the author's note to The Burning. "Too many were oblivious to some of the darkest moments in our history, a legacy of which Tulsa is both a tragic example and a shameful…
As an American history major in college, I planned an academic career. But a professor teaching my Civil War seminar said, “You are more interested in history as it affects the present. You should be a journalist.” So I was and am but always viewing current events through history. In my writing, as a journalist and author, I try to place people and places within a time frame, emphasizing links to the past. The Civil War era has loomed large in my work since so much of our story is rooted there. My appetite for historical nonfiction remains undimmed, and wherever I travel, I find that the past is always present.
Imagine a political maverick rejecting the leader and crusade he’d long supported, along with “the Lost Cause,” a credo subscribed to by millions (and generations) of unreconstructed white Southerners. James Longstreet, one of Robert E. Lee’s top generals, I learned, was not one of them.
That surprised me, as he was fully devoted to preserving slavery and supporting secession during the war but became a staunch Unionist afterward, even working with Black officials in his newly adopted home state of Louisiana. If you’ve ever wondered why there are no memorial statues on courthouse lawns to this rebel general, read this book to learn why.
I found this biography of “The Confederate General Who Defied the South” to be well-written, revelatory, and absorbing. It challenges long-held views of the Confederate cause.
Finalist, Los Angeles Times Book Prize for Biography American Battlefield Trust Prize for History Finalist
A "compelling portrait" (Jon Meacham, Pulitzer Prize -winning author) of the controversial Confederate general who later embraced Reconstruction and became an outcast in the South.
It was the most remarkable political about-face in American history. During the Civil War, General James Longstreet fought tenaciously for the Confederacy. He was alongside Lee at Gettysburg (and counseled him not to order the ill-fated attacks on entrenched Union forces there). He won a major Confederate victory at Chickamauga and was seriously wounded during a later battle.
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
I was raised in Springfield, Illinois, what is considered Lincoln’s backyard. I grew up fascinated by history, and the Civil War in particular. The trouble was, its racial overtones always bothered me. Later in life, I became a high school history and journalism teacher and turned my interest in historical-based board gaming into a business I called Indulgent Wife Enterprises (because my wife is so incredibly supportive). To date, I have published 30 board games based mostly on American conflicts. When I retired, I began the ambitious project of writing a strongly researched account of the divisions leading up to the Civil War and through to the Reconstruction period that followed.
I live in an area that once held KKK rallies and parades. To this day, though much reduced, the Klan still manages to make its presence known.
I bought this book to better understand the complex cultural phenomenon that was the original Ku Klux Klan, also known as the Invisible Empire. I was pleased to learn of its origins and horrified by its unbridled violence. The Klan itself has long since been dispersed, but its bitter beliefs live on.
The first comprehensive examination of the nineteenth-century Ku Klux Klan since the 1970s, Ku-Klux pinpoints the group's rise with startling acuity. Historians have traced the origins of the Klan to Pulaski, Tennessee, in 1866, but the details behind the group's emergence have long remained shadowy. By parsing the earliest descriptions of the Klan, Elaine Frantz Parsons reveals that it was only as reports of the Tennessee Klan's mysterious and menacing activities began circulating in northern newspapers that whites enthusiastically formed their own Klan groups throughout the South. The spread of the Klan was thus intimately connected with the politics and…
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
The period after the Civil War known as Reconstruction has long been overlooked by historians and educators; even less has been written about this period from a gendered perspective.
Laura Edwards provides an excellent analysis of the experiences of newly-emancipated women in shaping and surviving the political, social, and economic landscape of Reconstruction. She studies their history through first-hand narratives of how they established households, pursued their legal rights, and claimed their new roles as free women.
The book is not only a fascinating read about Reconstruction, it helped contextualize Edmonia Lewis’s and Meta Fuller’s emancipation sculptures, and their message about the freedwoman’s new identity.
Exploring the gendered dimension of political conflicts, Laura Edwards links transformations in private and public life in the era following the Civil War. Ideas about men's and women's roles within households shaped the ways groups of southerners-elite and poor, whites and blacks, Democrats and Republicans-envisioned the public arena and their own places in it. By using those on the margins to define the center, Edwards demonstrates that Reconstruction was a complicated process of conflict and negotiation that lasted long beyond 1877 and involved all southerners and every aspect of life.
I’ve always loved the idea of time travel. I was born in a Northern mill town where King Cotton ruled. By the time I was a teenager, all the mills had shut, leaving behind empty hulks. I desperately wanted to experience the town in its heyday. I devoured the Blackburn-set memoir The Road to Nab End, by William Woodruff: I could hear the clogs strike the cobbles, picture the waves of workers, smell the belching chimneys. While I couldn’t travel back in time for real, I could in my imagination. My debut children’s novel, out in Spring 2026, is about a time-travelling seventh son.
I’ve always been fascinated by terrible periods in history: the Nazis, witchcraft trials, and the American Deep South in the days of slavery. I need to know why people behaved in the heinous ways they did; paradoxically, a bit like time travel, the more I read, the less things make sense.
Our heroine is an African-American woman from modern times who finds herself sent back to early nineteenth-century Maryland when slavery was rife. We experience her reactions to it through a modern lens. It reminded me of the TV series Outlander in the way it builds whole lives back in time. It didn’t pull any punches and wasn’t always easy reading, but I couldn’t put it down.
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner
The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I am a writer who loves to read. In fact when aspiring writers ask me for advice about getting started, I tell them to read widely, and more importantly, to fall in love with reading. So much about craft can be learned from deconstructing good books to see how they work. Each of the five books I’ve selected have influenced the way I tell my stories. They have taught me to examine past works for inspiration and compelling beginnings.
Walker’s Jubilee extends the slave narrative, a popular weapon used by abolitionists to fight slavery. Instead of ending when the main character escapes their cruel master, Walker tells the story of a woman’s journey from emancipation to reconstruction and beyond.
I included this book not only because of a great beginning, but also because I wanted to give an example of how important story is to the success of a book, and in some cases more important than the language.
Besides, how can you not read on after a first chapter with the title, “Death is a mystery that only the squinch owl knows”?
Jubilee tells the true story of Vyry, the child of a white plantation owner and his black mistress. Vyry bears witness to the South's antebellum opulence and to its brutality, its wartime ruin, and the promises of Reconstruction. Weaving her own family's oral history with thirty years of research, Margaret Walker's novel brings the everyday experiences of slaves to light. Jubilee churns with the hunger, the hymns, the struggles, and the very breath of American history.
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
Even though it wasn’t commercially successful in its time, Cane was a critical success. I love the fact that it’s come to be considered a representative work of both literary modernism and the Harlem Renaissance.
The book’s three-part structure was described by Toomer as a circle, moving from stories, poems, and songs featuring rural characters in Georgia in the first part, to stories set in theaters and sections of dramatic dialogue set in the cities of Washington, DC, and Chicago in the second part, and finally back to the rural South in the third part.
It is a beautiful and wildly experimental work, and flies in the face of many assumptions about African American characters, in both the South and the North.
First published in 1923, Jean Toomer's Cane is an innovative literary work-part drama, part poetry, part fiction-powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets. This iconic work of American literature is published with a new afterword by Rudolph Byrd of Emory University and Henry Louis Gates Jr. of Harvard University, who provide groundbreaking biographical information on Toomer, place his writing within the context of American…
During college, I attended an inner-city black church during the years of the civil rights movement—and it changed the course of my life. My husband and I have lived in diverse neighborhoods and attended multicultural churches for most of our 56 years of marriage, realizing we have much to learn from our brothers and sisters of color. But the biggest influence that caused me to write theYada Yada Prayer Group novels was/is the prayer group of sisters of color that I’ve been part of for over 25 years. As we spent time together every week for years (!), these sisters helped turn my life and my faith upside down—or maybe “right side up.”
Two people who worked for Wendell Berry’s family when he was a child had a profound effect on his life—“Aunt Georgie” Ashby and Nick Watkins. With the simplicity of their lives birthing profound wisdom, Berry credits them for helping to expose the hidden wound of racism and putting his feet on a path to reject the deeply ingrained racism of his youth. The result is a deeply thoughtful book of reflections and wisdom on the cancer that infects our society and what we must do to lance and heal it—if we will. A “must read” on your bookshelf.
An impassioned, thoughtful, and fearless essay on the effects of racism on the American identity by one of our country’s most humane literary voices.
Acclaimed as “one of the most humane, honest, liberating works of our time” (The Village Voice), The Hidden Wound is a book-length essay about racism and the damage it has done to the identity of our country. Through Berry’s personal experience, he explains how remaining passive in the face of the struggle of racism further corrodes America’s great potential. In a quiet and observant manner, Berry opens up about how his attempt to discuss racism is…
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
America is the greatest ideal in history: “all men are created equal…” Sadly, Americans have never quite lived up to America. Only twice (Reconstruction and the Civil Rights Movement) have they even tried. As a black man, I live daily with the fruit of that failure, so I have an obvious personal investment in the subject. But I’m also drawn intellectually by an appalled fascination with the idea that any human beings can believe themselves superior by dint of their paint job or religion, or sex organs, or how they choose to use said sex organs. Why are we like this? That question has long vexed my reading and writing.
This book breaks my heart. It covers the African-American experience in the postbellum years and into the early 20th Century. This was a time when the country might have chosen–and fleetingly seemed as if it would choose–to finally live up to its founding ideals.
Instead, the country chose another path, and Leon F. Litwack chronicles that path–mob violence, electoral intimidation, and official government indifference–in brutal color and unsparing detail. This is one of those books that makes me think of what might have been.
A searing history of life under Jim Crow that recalls the bloodiest and most repressive period in the history of race relations in the United States—and the painful record of discrimination that haunts us to this day. From the Pulitzer Prize-winning author of Been in the Storm So Long.
"The stain of Jim Crow runs deep in 20th-century America.... Its effects remain the nation's most pressing business. Trouble in Mind is an absolutely essential account of its dreadful history and calamitous legacy." —The Washington Post
In April 1899, Black laborer Sam Hose killed his white boss in self-defense. Wrongly accused…
