Books like The Bloody Shirt — picked by fans

When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost. 

I was raised in Springfield, Illinois, what is considered Lincoln’s backyard. I grew up fascinated by history, and the Civil War in particular. The trouble was, its racial overtones always bothered me. Later in life, I became a high school history and journalism teacher and turned my interest in historical-based board gaming into a business I called Indulgent Wife Enterprises (because my wife is so incredibly supportive). To date, I have published 30 board games based mostly on American conflicts. When I retired, I began the ambitious project of writing a strongly researched account of the divisions leading up to the Civil War and through to the Reconstruction period that followed. 

As an American history major in college, I planned an academic career. But a professor teaching my Civil War seminar said, “You are more interested in history as it affects the present. You should be a journalist.” So I was and am but always viewing current events through history. In my writing, as a journalist and author, I try to place people and places within a time frame, emphasizing links to the past. The Civil War era has loomed large in my work since so much of our story is rooted there. My appetite for historical nonfiction remains undimmed, and wherever I travel, I find that the past is always present.

I was raised in Springfield, Illinois, what is considered Lincoln’s backyard. I grew up fascinated by history, and the Civil War in particular. The trouble was, its racial overtones always bothered me. Later in life, I became a high school history and journalism teacher and turned my interest in historical-based board gaming into a business I called Indulgent Wife Enterprises (because my wife is so incredibly supportive). To date, I have published 30 board games based mostly on American conflicts. When I retired, I began the ambitious project of writing a strongly researched account of the divisions leading up to the Civil War and through to the Reconstruction period that followed. 

I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone. 

My family’s farm was lost due to a dishonest lawyer that my great-grandmother entrusted. Because of that, I have devoted the past 20 years of my career to providing low-cost legal services to aging rural farmers around estate planning and civil rights. As an attorney, I have worked for the US Department of Agriculture and the Office of Civil Rights in Washington DC. I also founded the non-profit organization F.A.R.M.S., which provides services to aging rural farmers such as preventing farm foreclosures, executing wills, and securing purchase contracts. After drafting Systematic Land Theft over the span of several years, I am happy to release this historic synopsis documenting the land theft of Indigenous and Black communities. I have written extensively on the topics of agriculture, environmental, and land injustice in a variety of legal, trade, and other publications.

I am a writer who loves to read. In fact when aspiring writers ask me for advice about getting started, I tell them to read widely, and more importantly, to fall in love with reading. So much about craft can be learned from deconstructing good books to see how they work. Each of the five books I’ve selected have influenced the way I tell my stories. They have taught me to examine past works for inspiration and compelling beginnings.

I am a professor in philosophy, political science, and gender and women’s studies at the University of Illinois at Urbana-Champaign (USA), where I live with my wife. I have a PhD in philosophy from the University of Toronto (Canada), an MA in philosophy from the University of Tromsø (Norway), a MSc in Industrial Relations and Personnel Management from the London School of Economics and Political Science (UK), and a BA(Hons) in Business Management from the University of Newcastle Upon Tyne (UK). One of the most important lessons from my first two degrees was that I love theory (about theories) and, so, those two degrees enabled me to find my way to philosophy, which I have been in love with since. 

I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.

I have a youthful spirit, but an old soul. Perhaps, that’s why I love African American history and gravitated to Black Studies as my undergraduate degree. My reverence for my ancestors sends me time and again to African-American historical fiction in an effort to connect with our past. Growing up, I was that kid who liked being around my elders and eavesdropping on grown-ups' conversations. Now, I listen to my ancestors as they guide my creativity. I’m an award-winning hybrid author writing contemporary and historical novels, and I value each. Still, it’s those historical characters and tales that snatch me by the hand and passionately urge me to do their bidding.