Here are 100 books that The Black Lizard fans have personally recommended if you like
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As many of my novels are set in Japan, I try to read as many Japanese authors as I can. Firstly, they offer great insight into the Japanese psyche and Japanese culture, and secondly, they are extremely enjoyable reads. My main series is the Reiko Watanabe/Inspector Aizawa novels, crime thrillers set in 1930s Japan, and while only one of these books takes place during that era, I feel they all provide a great springboard into Japanese crime fiction, a genre that hopefully gains more notoriety in the West.
One of the best Japanese crime novels, this is the story of four women trapped in suburban hell, seeking to escape their empty lives. When one of them murders her husband in a fit of rage, they collude to dispose of his body, gradually sinking into a criminal netherworld.
I loved it for its crisp and taut prose, solid and relatable characters, dense and fast-paced plot, and heavy themes of urban isolation and aimlessness.
Winner of Japan's Grand Prix for Crime Fiction • Edgar Award Finalist • Nothing in Japanese literature prepares us for the stark, tension-filled, plot-driven realism of Natsuo Kirino’s award-winning literary mystery Out.
This mesmerizing novel tells the story of a brutal murder in the staid Tokyo suburbs, as a young mother who works the night shift making boxed lunches strangles her abusive husband and then seeks the help of her coworkers to dispose of the body and cover up her crime. The coolly intelligent Masako emerges as the plot’s ringleader, but quickly discovers that this killing is merely the beginning,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As many of my novels are set in Japan, I try to read as many Japanese authors as I can. Firstly, they offer great insight into the Japanese psyche and Japanese culture, and secondly, they are extremely enjoyable reads. My main series is the Reiko Watanabe/Inspector Aizawa novels, crime thrillers set in 1930s Japan, and while only one of these books takes place during that era, I feel they all provide a great springboard into Japanese crime fiction, a genre that hopefully gains more notoriety in the West.
Set in modern-day Tokyo, this is the first entry in the Reiko Himekawa series about a female detective in the Tokyo Police Department. I enjoyed this book mostly for the plot, which involves Himekawa tracking down a serial killer who tortures victims on a snuff website called “Strawberry Night.” It provides great insights into Japanese culture, both personal and workplace, and the inner details of the Tokyo Police Department.
When a mutilated body wrapped in a blue tarpaulin is found in a quiet neighbourhood, Lieutenant Reiko Himekawa and her squad are assigned the case. As the youngest female detective in the Homicide Division, Reiko has a lot to prove, but she has an undeniable ability to solve crimes. When she uncovers more murders with the same signature, she know sthere is a serial killer at work.What is Strawberry Night, the dark web group that links all the victims? And how long will Reiko survive, now the killer knows her name?
As many of my novels are set in Japan, I try to read as many Japanese authors as I can. Firstly, they offer great insight into the Japanese psyche and Japanese culture, and secondly, they are extremely enjoyable reads. My main series is the Reiko Watanabe/Inspector Aizawa novels, crime thrillers set in 1930s Japan, and while only one of these books takes place during that era, I feel they all provide a great springboard into Japanese crime fiction, a genre that hopefully gains more notoriety in the West.
First published in 1948, this was one of the first Japanese crime novels that I read. It is about a beautiful, tattooed woman who is brutally murdered and dismembered. However, the piece that contained her most exquisite tattoo has gone missing. It’s up to her hapless admirer and a brilliant amateur detective to discover why she was murdered and track down the killer.
Like The Silent Dead, I enjoyed this novel mostly for its plot, taking place just after World War II, offering interesting insights into the postwar Japanese mindset.
Can you solve the mystery of the tattoo murder? Tokyo, 1947. At the first post-war meeting of the Edo Tattoo Society, Kinue Nomura reveals her full-body snake tattoo to rapturous applause. Days later she is gone. A dismembered corpse is discovered in the locked bathroom of her home, but her much-coveted body art is nowhere to be found. Kinue's horrified lover joins forces with the boy detective Kyosuke Kamizu to try to get to the bottom of the macabre crime, but similar deaths soon follow. Is someone being driven to murder by their lust for tattooed skin, and can they…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As many of my novels are set in Japan, I try to read as many Japanese authors as I can. Firstly, they offer great insight into the Japanese psyche and Japanese culture, and secondly, they are extremely enjoyable reads. My main series is the Reiko Watanabe/Inspector Aizawa novels, crime thrillers set in 1930s Japan, and while only one of these books takes place during that era, I feel they all provide a great springboard into Japanese crime fiction, a genre that hopefully gains more notoriety in the West.
I actually found this book on a recent trip to Japan, as it has finally been translated into English. Set in 1869, at the dawn of the tumultuous Meiji Era, a series of murders plague Tokyo. Inspectors Kazuki and the real-life Toshiyoshi Kawaji are called in to investigate, leading them through the lowest and highest parts of the city.
As a historical fiction writer myself, I am extremely partial to novels in this genre, especially historical crime thrillers. This book fills a spot which is relatively unknown in the West and one I highly recommend.
'An audacious puzzle mystery, woven into an exquisitely crafted historical tale. One of the most original works in the history of Japanese mystery writing' Haruo Yuki, author of The Ark
__________
Tokyo, 1869. It is the dawn of the Meiji era in Japan, but the scars of the recent civil war are yet to heal. The new regime struggles to keep the peace as old scores are settled and dangerous new ideas flood into the country from the West.
A new police force promises to bring order to this land of feuding samurai warlords, and chief inspectors Kazuki and Kawaji…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
Told with unflinching honesty, this dark Japanese classic is often considered a kind of suicide note by its author, who killed himself shortly before its publication.
Whilst I cannot say that I’ve necessarily gone through some of the extreme experiences of its protagonist, I can nevertheless say that I’ve experienced a very similar sense of alienation, which has at times made me feel less than human, making this one of the most relatable books that I have ever read.
Considering its contents, I should probably not tell that to my psychiatrist. I'm just kidding; I don’t have one. However, considering the book’s classic status, it seems that I am far from the only one who relates to its author’s struggles.
Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
From the age of 11, and an encounter with an illustrated anthology entitled The World of Zen, I have been drawn to and fascinated by the spiritual, philosophical, and folkloric aspects of East Asian Culture. I studied the subject at Cambridge University and subsequently trained in Zen Shiatsu therapy. Most of my books draw from my passion for East Asian culture, and Japan in particular. I have travelled widely in Japan over the last two decades, and for Tsunami Girl spent four years researching, interviewing survivors, and visiting Fukushima. I am now working on a new book on Japanese yōkai and ghosts…
On my very first night in Japan, some twenty years ago, my friend told me a local ghost story as we ascended a deserted, dark back street of Tokyo. It featured no-face ghosts (nopperabo) and, memorably, the chills merged with my jet lag to bring me face-to-almost face with the world of Japanese spirits in my first hours in the country. A couple of days later my friend gifted me a copy of Hearn’s Kwaidan and it remains a treasured book to this day. Hearn’s retellings of classic Japanese ghost stories are as valued to this day in Japan as in the West. He’s a great writer. More importantly, Hearn was a sensitive, thoughtful, and wonderful chronicler of other cultures, particularly supernatural Japan. His life and work continue to be an inspiration to me.
This collection of Japanese supernatural stories is a classic work in the field of Japanese horror.
Known primarily as an early interpreter of Japanese culture and customs, the famous writer Lafcadio Hearn also wrote ghost stories-"delicate, transparent, ghostly sketches"-about his adopted land. Many of the stories found in Kwaidan, "stories and studies of strange things," are based on Japanese tales told long ago to him by his wife; others possibly have a Chinese origin. All have been re-colored and reshaped by Hearn's inimitable hand.
Some critics attribute Hearn's fascination with eerie tales to his partial blindness. Whatever its roots, he…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.
Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.
Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.
Name: John Rain. Vocation: Assassin. Specialty: Natural Causes. Base of operations: Tokyo. Availability: Worldwide.
Half American, half Japanese, expert in both worlds but at home in neither, John Rain is the best killer money can buy. You tell him who. You tell him where. He doesn’t care about why…
Until he gets involved with Midori Kawamura, a beautiful jazz pianist—and the daughter of his latest kill.
A Clean Kill in Tokyo was previously published as Rain Fall, the first in the bestselling John Rain assassin series.
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
His storytelling and artwork combined create books which even the strongest stomached would find uncomfortable. And yet, we are drawn to them, unable to look away. And he understands that the most terrifying thing is not an invasion by something outside of our world but the realisation that the everyday world around us might turn against us.
Uzumaki is a story about incomprehensible obsession and how it can take over a society to the point of destruction. One by one, the people of a small Japanese town become obsessed with spirals. Not a monster or a ghost, but a shape, until the power behind it destroys everything.
Kurozu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: uzumaki, the spiral, the hypnotic secret shape of the world. It manifests itself in everything from seashells and whirlpools in water to the spiral marks on people's bodies, the insane obsessions of Shuichi's father and the voice from the cochlea in our inner ear. As the madness spreads, the inhabitants of Kurozu-cho are pulled ever deeper into a whirlpool from which there is…
I have lived in Japan for the last 30 years but my love for manga, anime, and games is much older and dates back to when UFO Robot Grendizer was first shown on Italian TV a fateful summer evening in 1978. Many years later, I was able to turn my passion for all things Japanese into a job and now I regularly write about politics, society, sports, travel, and culture in all its forms. However, I often go back to my first love and combine walking, urban exploration, and my otaku cravings into looking for new stores and visiting manga and anime locations in and around Tokyo.
Both the Italians and the Japanese are obsessed with food, and I’m an Italian living in Japan. You do the math. My first shocking encounter with sushi notwithstanding (I mistook wasabi for some kind of green mayonnaise) I love Japanese cuisine, and anime stories are full of people eating all kinds of food.
If you have found yourself watching an anime and wishing that you could taste a particular dish, with this book you can go one step further: you can make it yourself. Here you will find simple but detailed instructions on how to make lots of Japanese dishes, and their connections with a particular anime title. I wish I owned this book when I first entered Otakudom.
Experience the World of Japanese Pop Culture Through a Whole New Medium-Japanese Food!
#1 New Release in Animated Humor & Entertainment
With dishes inspired by otaku culture, this cookbook brings Japanese anime and manga to chefs of all levels.
Experience Japanese culture like never before. Japan fever has taken the West by storm. Praised for its attention to detail, it's no wonder that some of the most appealing images are colorfully culinary. From beautifully animated bowls of ramen and curry to cakes and confectionery, Japanese food culture never looked so good. If only you could reach out and take a…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Growing up, I was introduced to Japanese
culture and history through anime. But I decided to dig a little deeper,
reading history books and looking up more and more information. I was
fascinated by what was presented of “Old Japan,” both the misconceptions that
were spread by pop culture and by the surprising details that it gets right
that no one would believe. This fascination is one of the most consistent
things about me through the years, and the idea of delving into works of my own
that merged samurai drama with lesbian relationships has been a recurring
desire of mine for years.
For me, it's hard to find stories that are so willing to dive into the feel of a bygone era, especially one that is potentially as obscure to some audiences as the Heian period of Japan. Set in a period of slow change, this short story collection combines the tensions of the period (a rising warrior class, Shinto vs Buddhist religious tensions, factions in the imperial court) in combination with the rich variety of strange beings in the folklore of Japan. I love how it paints a picture of a world that is simultaneously grounded in human motivations and populated by the esoteric and supernatural.
In an ancient Japan where the incursions of gods, ghosts, and demons into
the living world is an everyday event, an impoverished nobleman named Yamada no
Goji makes his living as a demon hunter for hire. With the occasional assistance
of the reprobate exorcist Kenji, whatever the difficulty - ogres, demons,
fox-spirits - for a price Yamada will do what needs to be done, even and
especially if the solution to the problem isn't as simple as the edge of a
sword. Yet, no matter how many monsters he has to face, or how powerful and
terrible they may be,…
