100 Books Like The Bible in Spain; or, the journeys, adventures, and imprisonments of an Englishman, in an attempt to circulate the Scriptures in the Peninsula

The books in this list are all written by non-Spaniards, for obvious reasons. This one is almost an exception. Tomás Graves is the eighth son of the English poet and novelist Robert Graves. He has lived almost his entire life on the island of Mallorca, and is, effectively, as native as they come. Tuning Up at Dawn is a wonderfully lyrical account of his upbringing, his memories of his father, and his life as a musician. It is deliciously evocative of a slower world which has now all but disappeared.

Hemingway (who might have fully ‘got’ Spain if he had been less obsessed with ‘being Hemingway’) once described Madrid as ‘the centre of the world’. Jules Stewart is a former reporter who knows the city like the back of his hand. In this book he provides a perfect guide for travellers (even of the armchair variety) around what is one of the most vibrant European capitals. From Dalí’s favourite café to the place where Cervantes drew his last breath, it brings the history of the place alive like nothing else.

Another book which brings the history of a city to life. For years, Nick Lloyd has been leading highly informative guided walks around Barcelona sites associated with the Spanish Civil War, and now he has compiled much of his vast knowledge on the subject in this excellent book. Packed with fascinating details and anecdotes, this is pretty much the last word on the subject.

If there’s only one that I could recommend, it’s this brilliant, beautiful, and vexing book by María Rosa Menocal, Sterling Professor at Yale University. In a compelling and artful manner, Menocal tells the story of medieval Spain from the arrival of the first Umayyad rulers to Cervantes. Beyond being a useful introduction to the fascinating history, Menocal makes the argument that a culture of tolerance existed in medieval Spain, one that transcended religious and ethnic differences. The principal engine of this culture, she suggests, was the Arabic language. Menocal’s book has received as much praise as criticism, a testament to its enduring power and the contentious quality of medieval Spain.

I have used this collection of translated primary sources for over a decade to teach students. It covers the whole period of medieval Spain, from the arrival of Muslim conquerors in 711 to the expulsion of the Jews in 1492, and allows one to confront for themselves the paradoxes of coexistence, collaboration, and violence that characterized this place and period. A thoughtful introduction precedes each document.

To really understand Galicia I feel one needs to read some of the evocative Galician poets. Galicia is a land of poets and of writers, and the Galician language has been associated with poetry since the middle ages. Rosalia de Castro was known as ‘Galicia’s nightingale’ by her biographer Failde, and she loved her homeland with a real passion. This passion shines through in her works, none more so than Cantares Gallegas. Her poems are simply told tales of love and loss, of her beloved country and of her people, which evoke all the senses. Rosalia de Castro died in 1885 but her words are still quoted with passion by Galegos today. I was unable to find an English translation of Cantares Gallegas but if you can read Castro’s works in the original language, then it will give a far greater understanding of this unique land in which I… show more.

Set in 17th-century Spain, this one follows the lives of two very different women: one the daughter of a poor silk grower in love with a priest, and the other a pampered princess married to a king who just happens to be impotent.

Although the two barely connect, Harrison plays them off against each other; both are exploited and misused not only by the men around them but by the entire system that’s been stacked against them from the start.

Harrison’s writing is vivid, dense, and flat-out gorgeous; she skews dark but believe me, it’s worth the ride.

This is Andalusia at its most picturesque, with its castles and craggy mountains and a story with all the colour and brio of a medieval costume drama. It’s actually seriously researched history but written in the style of a romantic novel.

It was written in the mid-nineteenth century out of a fascination, which I share, for the story of the demise of the last Muslim kingdom in medieval Iberia. It’s full of heroic deeds, foolhardy escapades, chivalric episodes, and emotional scenes, all based on documentary evidence.

But what I especially like is the ironic stance the author achieves on the bigotry and intolerance characteristic of the victors in the conflict through the conceit of pretending his tale is written by a Spanish monk. It made me think about how history is written, who writes it, and how often we take for granted narratives that first emerged from political propaganda. 

Truly one of the most exhilarating and surprising books I have read in a long time!

Abercrombie found a cache of documents left from the trial of Antonio Yta, born María Yta, who lived as a man after being tossed out of five different Spanish convents in the late eighteenth century. Yta ended up in South America, where he became a petty bureaucrat and married a Spanish woman who eventually turned him in to authorities. Along the way, Yta received permission from the Vatican to live and dress as a man. The story is not only full of ups and downs, but Abercrombie has transcribed a lot of the documentary record to show readers how Yta's family, friends, and colleagues struggled with who he was.

The book is divided into parts that tell the story, engage with different academic literature, and imagine Yta's life so that a reader can tailor… show more.

When visiting the spectacular medieval monuments of Spain and Portugal that emblematize centuries of Islamic and Christian rule, it is impossible to ignore their surrounding landscapes, often dramatic, always thought-provoking. They remain powerful inspirations for my own work, and Thomas Glick’s wide-ranging book, which spans the entirety of the Iberian Middle Ages, stands out as a landmark of Anglophone scholarship on medieval Spain which uses the landscape as a fundamental lens on cultural change. He elegantly blends archaeological and geographic evidence with written sources to place the transformation of the landscapes of al-Andalus at the heart of understanding the implications of Christian ‘feudal’ rule. Whilst our knowledge of both Islamic and Christian cultural landscapes has advanced since this book was published, it remains a bold and thoughtful overview.