71 Books like The Best Mystery Stories of the Year 2022

This is a novel about power politics in a marriage and in the art world and about the struggle of a newcomer against the establishment. It is also about how a person is remembered and how close our memories come to her true nature.

Gonzales' novel is completely realistic until it isn’t: The protagonist, Anita, is murdered, but she comes back as a ghost to haunt those who suppressed her. The book is a great read because it is lively and funny, but also because it deals with a serious (and my favourite) subject: sorting out what’s real and what’s fake or hype.

This book made me feel as if I were on a Coney Island ride that was part roller coaster, part Tilt-a-Whirl, and part chamber of horrors—followed by a tranquil stroll in Central Park to catch my breath. That's just the mix of wild stimulus and stately calm I loved when I lived in New York City myself.

The story—really, multiple interlocking character portraits set in the maybe 1980s—is totally believable even though it moves around in time, including into the future. The city itself is not one of those characters. But the city is made real and rich through their multiplicity. Some of them are wildly idiosyncratic people. But hey, they're New Yorkers! Reading it, I kept asking myself why I ever left.

This is not really a Civil War book, but a meditation on how history (including the Civil War and Reconstruction) impacts our culture today, penned by a journalist hiking the 200+ miles from Washington, D.C., to New York City.

Beautifully written, with a gentle conversational tone, I felt like I was hiking along with him as he talked about the scenery, history, philosophy, and his own impending sense of mortality (the hike was during a respite from a long-running bout with cancer). One of the best books I’ve read in a long time.

The only thing that makes me cringe about this book is that I was supposed to be in the film adaptation when I was young, but my (violent and idiotic) boyfriend at the time ruined that opportunity for me. It’s essentially a series of entertaining, hilarious, edgy stand-alone stories that interweave into chapters, turning what could have been short stories into a novel.

It perfectly freezes in amber a moment in time (the 80s NY downtown art scene), the type of incredible characters who lived in it, motivated by conflated goals of self-expression and fame, and how it shaped/distorted/sometimes destroyed them.

Having been a part of the art and music scenes in NY a bit later, reckoning with my own aspirations and ego and navigating a cavalcade of incredible, sometimes menacing, often ego-centric characters in my own life, it rings true.

One of the many wistful and beautiful photos in this book caught my eye in an exhibit at the New York Historical Society in 2021.

Her photography, and the attendant essays, evoke not only the isolation of quarantine, but the ways we rediscovered the desire for human connection. What could be easier than meeting a friend, careful to stay 6’ apart? Or sadder?

When I walk through the streets of Manhattan, I’m constantly awed by the variety and density of its buildings. I wonder how such a city could have ever been built. New cities today lack the soul and character. But when you look at why these buildings exist, you see that they are there for a more mundane purpose: as shelter. The Garment District, for example, was created to house massive sweatshops to clothe America. Gotham’s apartment towers enclose the beds on which residents sleep. 

Many of these structures were built by a group of family-run development companies. The founders of these enterprises invariably began as immigrants trying to hustle their way up the economic ladder. They started as teenagers working in the sweatshops or hawking newspapers and, bit by bit, erected their own real estate empires. Tom Schactman’s book tells how entrepreneurial spirit, along with New York’s rapid economic growth,… show more.

I was intrigued by the magical abilities in the “Hands” of each one of the three protagonists in this book. Tamara uses her hands for tarot readings to tell people’s futures, while Phyllis’s hands have a super-power strength for knife-throwing, and Dev has “Saint’s Hands” have a sort of spidey-sense, helping his work as a police spy.

I was intrigued by Tamara’s tarot readings as part of this crime story, with the weaving in of black people’s stories of trauma, the double-edged sword of passing for white, and Juju assassins. This alternate history is a nebula of magic, criminals, and an exploration of how love heals people.

This book was the 2021 Winner of the World Fantasy Award. It was an unexpected winner, but I can see how Johnson’s gritty writing pulled people in. Trigger warning: if you have nerves about reading about knives as weapons, you may want to… show more.

This is one of my favorite novels and one that I can’t stop recommending. There isn’t a word wasted in this intimate and evocative novel which is based between Ireland and New York.

The protagonist, Tess Lohan, was born in Ireland in 1944. Through Tess, we are given a ringside view of Irish life in the 40s, the harshness and stoicism, the distance between family and that which is unsaid. Tess takes us from Ireland to New York City in 1962 and the challenges of loneliness and joy of an Irish immigrant.

We see her struggling as a single mother and an ironclad friendship with Willa, a person of color from Mississippi who shares her apartment block. We see tragedy during 9/11 and follow Tess into old age. I almost mourned when I finished this novel. 

It’s impossible not to root for Lucy Clark. Shipped by negligent parents to a boarding school where every semblance of comfort is taken from her, and then brutally banished to NYC after a terrible accident, Lucy finds herself trying to solve a murder mystery.

The target is an elderly woman who has been grossly underestimated, much like Lucy herself. With a keen best friend, ageism-defying twists, and the rich refuge of plants and desserts, this book is a must-read for anyone who’s ever found themselves at the bottom, looking for a way back up.

Books on the war’s campaigns usually aggregate large numbers of people into bland terms like “regiments” and “refugees,” singling out only a few key players as individuals.

This book takes a refreshingly different approach, examining one of the war’s major operations from the level of participants of all sorts, from senior government officials down to the soldiers, civilians, and spies caught up in the fighting. The campaign itself has heretofore been almost entirely overlooked, or seen only in terms of a few of the battles that were part of it.

The result is a vivid account of the many components of a major campaign, and the legions of individuals involved.