88 Books Like The Beach Party

Richard Vinen is a Professor of History at King's College, London, and the author of a number of major books on 20th century Europe. He won the Wolfson Prize for History for his last book, National Service. Vinen is a specialist in 20th-century European history, particularly of Britain and France.

I am an award-winning author and illustrator who works in a variety of genres, including Historical Fiction. When historical fiction is well done it conveys times and events as they were lived and breathed by real people. Historical fiction by diverse women tells the stories of those consistently left out of the “historical record.” Human life is rich and diverse, and the stories belong to all of us, not just those who have historically had the power to control the cultural narratives. As a writer and student of history, it has been my pleasure to explore characters that are not often represented, characters that are ordinary for their times, and extraordinary as well. 

I have always been fascinated by the idea of memory. What sticks in your mind, what is lost, what can be manipulated, how you see things in different ways to others, and how sometimes you can’t trust even your own memories. I studied psychology at A-level and that sparked an interest in me, especially in terms of repression and learned behaviours. I studied creative writing to MA level at university, where I wrote my first thriller, which also focuses on memory. I’m always searching for reads that make me look at human nature differently, or break me out of routine and can offer a surprise. Surprises keep things interesting! 

As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.

Dana Thomas is the author of Fashionopolis: The Price of Fast Fashion and the Future of Clothes, Gods and Kings: The Rise and Fall of Alexander McQueen and John Galliano and the New York Times bestseller Deluxe: How Luxury Lost Its Luster. Thomas began her career writing for the Style section of The Washington Post, and for fifteen years she served as a cultural and fashion correspondent for Newsweek in Paris. She is currently a contributing editor for British Vogue, and a regular contributor to The New York Times Style section and Architectural Digest. She wrote the screenplay for Salvatore: Shoemaker of Dreams, a feature documentary directed by Luca Guadagnino. In 2016, the French Minister of Culture named Thomas a Chevalier of the Order of Arts and Letters. She lives in Paris.

Born and raised in Hong Kong, I received a fully bilingual (English and Chinese) education and also learned French in my youth. Since the release of my two historical Chinese novels: The Green Phoenix and Tales of Ming Courtesans, nostalgia for the magical world of wuxia fiction, which I grew up with, has spurred my desire to write wuxia stories following Jin Yong’s style, but with a mythical slant. Overall, my fiction writing has been influenced by Jin Yong, Emile Zola, and the wuxia/xianxia media.

I am a Scottish writer, addicted to reading and writing historical fiction. Writing Historical novels is not a job but a passion for me. I have studied, read, and written about historical periods from William the Conqueror in the 11th century to the end of WW2, and many other periods in between. I continually research, looking for my next historical story, but it would take more than one lifetime for me to study all the great historical fiction and non-fiction books out there. As a genre, historical fiction is making a comeback, and I’m happy to be part of the Genre’s resurgence.

I've always been a writer. Most recently, though, I have completed a PhD in philosophy and I decided to write a book that deals with the issues that I wrestled with over the course of my studies in a way that can be appreciated by a popular audience. This Enchanted Realm is my first book—though I'm the author of a dissertation on Charles S. Peirce and two academic papers on Peirce and Arthur Schopenhauer. Like Franz Kafka before me, I was employed in a job unrelated to creative writing which is where I realized that good poetry is only the right words in the right order—I decided to move from writing technical protocols to writing—technically—stories.

I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.

Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.