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The Basque History of the World.
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Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
In terms of Scottish political and cultural history, this is a hugely important book that will astonish and delight everyone engaged in the matter of Scotland. What impresses is the range and scope of Murray Pittock’s global vision for Scotland, but what engages is the minute human detail of the people in the diaspora that he reveals to us, positive and negative. This is the polar opposite of dry history, it is a magisterial work that Scots will actively return to again and again, as we redefine our role in Europe and the world in the 21st Century. I have interviewed Murray for several BBC programmes and he has always come across as a brilliant communicator, who like me, is passionate about Scotland.
An engaging and authoritative history of Scotland's influence in the world and the world's on Scotland, from the Thirty Years War to the present day
Scotland is one of the oldest nations in the world, yet by some it is hardly counted as a nation at all. Neither a colony of England nor a fully equal partner in the British union, Scotland's history has often been seen as simply a component part of British history. But the story of Scotland is one of innovation, exploration, resistance-and global consequence.
In this wide-ranging, deeply researched account, Murray Pittock examines the place of…
This is the story of New York City, told through the prism of one block. It’s a story of forest and cement, bird cries and taxi horns, theaters and brothels, hotels and factories, gambling dens and gourmet foods.
It’s also the story of high life and low life, immigrants and…
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
The British edition of this provocative book has the modest title The Scottish Enlightenment with the subheadingThe Scots’ Invention of theModern World. I have the original in-your-face American edition though, which rejoices in a title that no Scot would have the brass neck to come up with: How the Scots Invented the Modern World with the subheadingThe True Story of How Western Europe’s Poorest Nation Created Our World & Everything in It.It was given to me by a Philipino-Californian surfing lawyer, Jesse Quinsaat, who studied with me at Edinburgh University in the early 1970s and continues his interest in Scottish culture when surf’s not up or the cases are not too demanding! He had bought the book in San Diego, loved it, and passed it on to me during a visit to Edinburgh.
'Every Scot should read it. Scotland now has the lively, provocative and positive history it deserves.' Irvine Welsh, Guardian
A dramatic and intriguing history of how Scotland produced the institutions, beliefs and human character that have made the West into the most powerful culture in the world.
Arthur Herman argues that Scotland's turbulent history, from William Wallace to the Presbyterian Lords of the Covenant, laid the foundations for 'the Scottish miracle'. Within one hundred years, the nation that began the eighteenth century dominated by the harsh and repressive Scottish Kirk had evolved into Europe's most literate society, producing an idea…
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
One of the most important works on Scottish intellectual history and not as well known by the reading public as it should be. It was seminal in my own appreciation of Scottish culture and of the necessity to fight to continue the traditions described in the book—the broad-based education, the social egalitarianism, and recogniton of the importance of the vernacular Scots contribution to the unique culture we have. This democratic intellectualism went on to influence universities in America such as Princeton and colleges across Africa where Scots Presbyterian missionaries held sway.
An Edinburgh Classic edition of the cornerstone work on Scotland's intellectual identity First published in 1961, The Democratic Intellect provoked a re-evaluation of Scotland's philosophy of itself. George Davie's account of the history of the movements which set Scotland apart from its neighbours, and of the great personalities involved, has proved seminal in restoring to Scotland a sense of the value of its unique cultural identity. Scotland's approach to higher education has always been distinctive. From the inauguration of its first universities, the accent was on first principles, and this broad, philosophical interpretation unified the approach to knowledge - even…
This is the story of New York City, told through the prism of one block. It’s a story of forest and cement, bird cries and taxi horns, theaters and brothels, hotels and factories, gambling dens and gourmet foods.
It’s also the story of high life and low life, immigrants and…
Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had.
This is just one of several books by these brilliant academics who have done so much to make people aware of the huge Scottish presence in Europe and the incredible influence they had on their host nations. I use many stories gleaned from Steve in my own book.
Steve points out that while many Scots served in the Swedish army in the 17th century as professional soldiers, they were not merely content to be part of the military élite. Their penetration into the exclusive field of diplomacy is revealed by the negotiations between Sweden and Denmark-Norway to end the Kalmar War in 1613. Representing the Danish side was Robert Anstruther, on the Swedish side was James Spens. No only were they both Scots, they were half-brithers from the East Neuk of Fife! They did quite literally ken each ither’s faither!
Migration is a fundamental feature of human experience. This extraordinary collection of essays focuses on a particularly intriguing sequence of migrations: those of Scots during the period 1600-1800. As Professor T.C. Smout says in his Foreword, "The present volume is a breakthrough, surely the biggest advance in the field for a hundred years."
I’ve been writing about science and the environment for over 20 years, but always I find myself gravitating to the non-sciency, non-naturey part of stories. My favorite part of my first book, on the American chestnut, was about how people in Appalachia loved and relied on this tree that was largely killed off in the early twentieth century. For Plastic: A Toxic Love Story, I was as fascinated by the cultural and psychological effects of plastic as its environmental and health impacts. One of the things I’ve learned is that some of the most powerful things shaping our lives – for better or worse – are ones we don’t notice or see.
The North Atlantic between Iceland and Canada once teemed with cod. That rich fishery is what lured Europeans across the Atlantic in the first place, starting with the Vikings. And salt curing of the fish – a method perfected by medieval Basque whalers – is what made those long voyages possible. By the mid-sixteenth century, 60 percent of all fish eaten in Europe was cod. It soon would be a staple of new world diets – and one of the pleasures of the book are the cod recipes across the centuries. Above all, I appreciate how Kurlansky makes us care about this fish, whose numbers are now dwindling. As he writes, “the cod is on the wrong end of this 1,000-year fishing spree.”
'Who would ever think that a book on cod would make a compulsive read? And yet this is precisely what Kurlansky has done' Express on Sunday
The Cod. Wars have been fought over it, revolutions have been triggered by it, national diets have been based on it, economies and livelihoods have depended on it. To the millions it has sustained, it has been a treasure more precious that gold. This book spans 1,000 years and four continents. From the Vikings to Clarence Birdseye, Mark Kurlansky introduces the explorers, merchants, writers, chefs and fisherman, whose lives have been interwoven with this…
Author of Pippo & Clara and Alberto’s Lost Birthday, Diana Rosie writes historical fiction that tells a story first and foremost, while gently uncovering the history of a time and place. In the vast spectrum of the genre, where historians like Hilary Mantel and James A Michener sit at one end, the novels that inspire her most can be found at the other. The books she recommends here are stories to make your heart ache and your soul sing. And they just happen to be set in the past.
You don’t have to know much about the Spanish civil war to have heard of Guernica. If you’ve ever seen Picasso’s work depicting the bombing, this book creates the story of the people of the town going about their everyday lives just before the painting’s horror. As a reader, you know what is coming but are helpless to do anything but care for characters who are oblivious to the destruction coming their way.
As an author, I found inspiration in this novel for my own portrayal of the civil war in Spain. The trick is to let ordinary people tell the story for you.
An extraordinary epic of love, family, and war set in the Basque town of Guernica before, during, and after its destruction by the German Luftwaffe during the Spanish Civil War.
In 1935, Miguel Navarro finds himself in conflict with the Spanish Civil Guard and flees the Basque fishing village of Lekeitio to make a new start in Guernica, the centre of Basque culture and tradition. Once there, he finds more than just a new life - he finds someone to live for. Miren Ansotegui is the charismatic and graceful dancer he meets and the two discover a love they believe…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
In 1912 a posse made up of cowboys and state police caught up with an Indian family on the run and massacred almost all of them. Murderous Indians, vengeful whites: a simple Western story that when told through the multiple points of view of its participants, the sheriff who couldn’t intercept the posse in time, the son of a murdered Basque rancher, and, most poignantly, Shoshone Mike’s adolescent daughter, has the elements of a Greek tragedy.
In 1911 a posse chased an itinerant Shoshone family across 200 hundred miles of Nevada desert and slaughtered them. Shoshone Mike re-creates this final chapter in the Old West through the eyes of an anachronistic sheriff.
I love second-chance romances and I am not in my twenties anymore; so I wrote what I wanted to read. Now, I've found other authors who write 35+, characters who have lived, been hurt, and moved on in life. I do read New Adult or younger than 35 characters and often, really smutty, erotic books as I need to get out of my head sometimes. I love Nora Roberts, Claudia Burgoa, Catharina Maura, Jolie Vines and I'll one-click quite a few indies.
This is another series: The Blackstone Dragon
series. I've loved Dragons since: forever! If you enter my house, you'll see
just how much I love them (I have statues all over, including in the bedroom!)
so this series, was a given. There are
many others written by Alicia and I have a few books of hers waiting to be
enjoyed.
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
This magnificent book made me realize perhaps more than any other by a Scottish female writer that the lives of working-class Scottish women are unique, important, and worth writing/reading about.
The book tells the story of Joy, a woman whose mental health is slowly crumbling before our eyes. Galloway masterfully tells this story in the first person so that we are right inside Joy’s mind. We discover a background of abuse and recent bereavement, leading to issues with alcohol abuse and anorexia.
That should all make for a depressing read, and it is of course heart-breaking at times but it is also ultimately about one woman’s search for what it takes ‘to keep breathing’. Utterly spellbinding writing from one of Scotland’s greatest writers.
From the corner of a darkened room Joy Stone watches herself. As memories of the deaths of her lover and mother surface unbidden, life for Joy narrows - to negotiating each day, each encounter, each second; to finding the trick to keep living. Told with shattering clarity and wry wit, this is a Scottish classic fit for our time.
When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.
Great writing is the key to my heart, and this book is gorgeously written. Isobel, a newly arrived Scottish immigrant to Salem, MA, carries a dangerous secret gift—the “magic” of synesthesia. The story takes place two generations after the infamous witch trials, and while Isobel’s unique color awareness means she can support herself as a seamstress and embroiderer while her husband is at sea, it also means she’s vulnerable to suspicion. Meanwhile, she meets Nathaniel Hawthorne—yes, that Nathaniel Hawthorne.
While Albanese explains that Isobel isn’t specifically “Hester” of The Scarlet Letter, by the end of the novel, I completely believe that she is. Here's a strong feminist perspective on a classic case of a woman wronged. I can’t wait to pick it up again.
Named a Most Anticipated Book for Fall by Goodreads • Washington Post • New York Post • BuzzFeed • PopSugar • Business Insider • An October Indie Next List Pick • An October LibraryReads Pick
"A hauntingly beautiful––and imagined––origin story to The Scarlet Letter." ––People
WHO IS THE REAL HESTER PRYNNE?
Isobel Gamble is a young seamstress carrying generations of secrets when she sets sail from Scotland in the early 1800s with her husband, Edward. An apothecary who has fallen under the spell of opium, his pile of debts have forced them to flee Glasgow for a fresh start in…
