100 Books Like The Artist's Complete Guide to Facial Expression

James McMullan is one of America’s preeminent illustrators, working consistently from the 60s to today. He may be most familiar for his long series of posters for Broadway shows at Lincoln Center, but he has also done magazine illustrations, children's books, record covers, and animation. Running parallel to his illustration work has been a long career in teaching, principally at New York’s School of Visual Arts (for which he also has done a series of subway posters). I was privileged to take his SVA illustration course– which had a stringent portfolio review – for two years early in my career, about the time this book appeared. No collection of greatest hits, or even a guide to achieving McMullan’s juicy watercolor style, this is a thoroughly candid tour through an illustrator’s work process, including a generous selection of preliminary sketches and reference photos.

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British illustrator Patrick Woodroffe was an eclectic virtuoso, working with equal facility in oils, acrylic, pencil, pen and ink, silverpoint, and a unique technique of his own involving cutout drawings photographed in natural settings. Like McMullan’s, this book gives you a practical look inside one artist’s creative process. One remark of Woodroffe’s helped set me free artistically: “I don’t think strict accuracy is important, for if art is to offer us anything at all that is not to be found ‘out there’ or in photographs, then it can only come from those fortunate instances when the artist sees something not quite straight, when his visual memory fails him just a little. Getting it at least slightly wrong is I believe what art is all about.”

Legendary artist and printmaker M.C. Escher wrote very little about his working method, but fortunately, he gave writer and longtime friend Bruno Ernst full access to his creative process. Ernst does a superb job unpacking the reasoning and revealing the secrets of this always logical but sometimes opaque master. After I read Ernst's chapter explaining the cylindrical perspective in Escher’s classic prints "House of Stairs" and "High And Low", I went right to work drawing my own cylindrical grid, which eventually appeared in my second instructional book Extreme Perspective!

I owe Francis D.K. Ching big time. What I learned about perspective in art school served me well enough during my first few years as a working illustrator, but there came a time when I faced a perspective problem beyond my experience on deadline, and I needed to pick up new skills fast. I knew the neighbor in the next apartment over was a graphic designer, so I knocked on her door to ask if she had any books on perspective, and this is what she had on the shelf. The perspective section is only a small part of this elegantly drawn and hand-lettered book, but the information in it was enough to solve my immediate problem and set me to exploring perspective on my own (and some thirty years later, I found my neighbor again on LinkedIn and returned her copy).

This book is so fun! It invites the reader to create art in response to a truth about who you are! The activity book engages its reader in creativity and artistic expression after reading a devotion and scripture verse. Personally, I adore any book where its sole purpose is to remind the reader who God created them to be! It is an empowering read and is really hands-on. I would recommend this book for any girl who is creative at heart, and wants to grow their faith with Jesus! It's another great resource to have on you so that your child can do the activities with a group of their closest girlfriends. 

Teachable Monuments is an expensive book, but it is also a book useful for integrating the work of scholars with teachers, using monuments to examine and create new meanings from monument culture via curriculum and classroom activities. The book comes after the murder of George Floyd in 2020, a seismic event in the United States and abroad which hastened the removals of many Confederate and Columbus monuments, as well as monuments in Europe and beyond.

I truly adore this book. It was very easy to read and kept my attention (as I usually get distracted so easily). I felt a sense of calm on every page, and Ali's words really resonated with me.

My favourite section was chapter 12, which focused on children as I look forward to some green sketching time with my young son every school holiday.

The book is a great size to carry around and read on the go, and it's beautifully illustrated. It brought me a lot of comfort and encouraged me to slow down in life with a gentle reminder to soak up all the beauty that's around us so we can turn that into a productive practice. A truly special book.

An insightful examination of art collector Peggy Guggenheim, a fascinating character, Ms. Guggenheim was friends with a vast assortment of American and European writers and artists. The reader gets to see the contradictory sides of this brilliant and unconventional woman. As a result of reading this book, I wrote a play about her entitled The Collection.

Before reading this book, I had never heard of Mary Sully. I’m thrilled that I now know about her stunning “personality prints,” abstract designs arranged in horizontal triptychs. Sully, who was born on the Standing Rock reservation in 1896, was largely a self-taught artist who never achieved wide recognition. Philip Deloria, a professor of history and a relative of Sully’s, delves into the complexities of what it meant to be a Dakota Sioux woman artist working with an innovative style of abstract art that didn’t fit into neat categories. This mirrors, Deloria says, the “scramble for survival” that an “Indian” woman had to navigate in a “difficult world.” That difficult world is still with us today, making this story a throughline to the present and a must-read.

I adore David Hockney. He draws so beautifully, and in so many different ways, and is always inventive in his art-making. He makes me see more through his art and was a major inspiration for me when I was starting out as an editorial illustrator years ago. This book is a 2020 pandemic conversation between Hockney, now living in Normandy, and his good friend, the art critic Martin Gayford in the UK. It really speaks to the devotion that artists have to observing life and creating something beautiful from it. I love the joy Hockney brings to his work and see that as a powerful energy to create from.