Here are 100 books that Teachable Monuments fans have personally recommended if you like
Teachable Monuments.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.
It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery.
Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens.
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy
The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces-specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Levinson’s book does not focus on traditional battle sites. Rather, it thoughtfully introduces readers to battles that take place over clashing expressions of public memory, particularly memorial controversies, including clashes over name changes and monument removal. I think readers will appreciate his thoughtful treatment of the vexing issues that have swirled around the appropriate location of Confederate memorials. Well before the recent push to remove such memorials from public space, Levinson offered readers various options for dealing with such volatile issues. His book is an insightful and timely guide into the battlefields of public memory.
Is it "Stalinist" for a formerly communist country to tear down a statue of Stalin? Should the Confederate flag be allowed to fly over the South Carolina state capitol? Is it possible for America to honor General Custer and the Sioux Nation, Jefferson Davis and Abraham Lincoln? Indeed, can a liberal, multicultural society memorialize anyone at all, or is it committed to a strict neutrality about the quality of the lives led by its citizens?
In Written in Stone, legal scholar Sanford Levinson considers the tangled responses of ever-changing societies to the monuments and commemorations created by past regimes or…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Controversial Monuments and Memorialswas published the year after the “Unite the Right” rally in Charlottesville, which saw whites rally around the monument to Thomas Jefferson on the University of Virginia campus. This event, and the murders of nine African Americans at Emanuel AME Church in Charleston, SC in 2015, hastened public discord with symbols of the Confederacy and white supremacy. Allison’s book was the first to step into the space where scholars, museum staff, and community activists came together to examine how monuments were used as tools for systemic racism as well as progressive social change. The book is a great resource for those looking to enter the conversation about controversies surrounding monuments and memorials in the United States.
Out of the chaos and pain of Charlottesville, museum professionals, public historians, and community leaders must move quickly to face the challenges of competing historical memory, claims of heritage desecration and the ongoing scourge of racism. This book takes on the tough issues that communities across America---and analogous locales overseas---must face as white supremacy, political quagmires and visions of reconciliation with the past collide.
The events of summer of 2017 that culminated in Charlottesville are outgrowths of ongoing dialogues and disputes about controversial history that encompass numerous historical situations and touch every part of US history. Strategies for working effectively…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Monument Lab is one book to get your hands on, if you are curious to know how a historic city can remake its traditional monumental history to become more inclusive and reflective of a holistic past and present. The book is about the organization called Monument Lab, which works with communities, artists, and more to reshape the monument culture of Philadelphia. Filled with short essays and colorful photographs, Monument Lab and Monument Lab the book model the democratic turn towards inclusive monument making in an American city.
What is an appropriate monument for the current city of Philadelphia? That was the question posed by the curators, artists, scholars, and students who comprise the Philadelphia-based public art and history studio Monument Lab. And in 2017, along with Mural Arts Philadelphia, they produced and organized a groundbreaking, city-wide exhibition of temporary, site-specific works that engaged directly with the community. The installations, by a cohort of diverse artists considering issues of identity, appeared in iconic public squares and neighborhood parks with research and learning labs and prototype monuments.
Monument Lab is a fabulous compendium of the exhibition and a critical…
Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
Civil War statues have long been the gold standard for America’s monumental public landscape.
They are the public sculptures and architectural features we are now rediscovering, sometimes with horror, and arguing over, after years of mute service as park furniture and pigeon roosts. Brown’s book is a definitive history of these classic, heroic monuments.
Beautifully written, perceptive, and illuminating, it explains their history, offering readers an engaging and invaluable background and context for understanding how and why they were erected, and how they’ve not only reflected American culture but have propelled it, particularly (as the title suggests) towards militarization and the affirmation of racial and class hierarchies.
Reading Civil War Monuments focuses our view on monumental things all around us that we’ve never really seen.
This sweeping new assessment of Civil War monuments unveiled in the United States between the 1860s and 1930s argues that they were pivotal to a national embrace of military values. Americans' wariness of standing armies limited construction of war memorials in the early republic, Thomas J. Brown explains, and continued to influence commemoration after the Civil War. As large cities and small towns across the North and South installed an astonishing range of statues, memorial halls, and other sculptural and architectural tributes to Civil War heroes, communities debated the relationship of military service to civilian life through fund-raising campaigns, artistic…
I have been writing books on public art and memorials since the early 1990s and served on some major public commissions that select memorials and/or determine the fate of problematic memorials. These markers in our public spaces define who we are as a culture at a certain point in time, even though interpretations of them may evolve. They are our link to our history, express our present day values, and send a message to the future about who we are and what we value and believe in.
We rarely stop to think about memorials in terms of what emotion might have prompted them.
That is what Doss does here, covering a wide range of subjects and geographic sites. It is clear from her analysis that grief, fear, gratitude, shame, and anger have inspired a range of works representing a range of motivations for commemoration.
After reading this book you will never look at memorials in the same way. I had never thought of memorials in terms of emotional affect before and now consider it a major factor to be considered.
In the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of communism, have dotted the American landscape. Equally ubiquitous, though until now, less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In "Memorial Mania", Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express - and claim - those issues in visibly…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Ever since I first visited a prison during college and was shocked by its horrific conditions, I’ve been fascinated with America’s punitiveness—our tolerance for harsh, dehumanizing punishments. I pursued a Ph.D. in criminology in order to better understand the politics of crime and justice. I am constantly searching for “political space” within which to pursue meaningful criminal justice reform without provoking a punitive backlash. I was previously an associate professor of sociology at the University of Massachusetts Boston, and I am now a lecturer in criminology at the National University of Ireland Maynooth.
Why Americans Hate Welfare has been very influential to my own scholarship.
Gilens examined a paradox: a majority of Americans consistently express support for government spending to aid people experiencing poverty, but a majority also consistently express opposition to welfare—which is, itself, government spending to fight poverty!
Through a careful analysis of data, Gilens demonstrates that Americans hate welfare because they associate that word with the stereotype that African Americans are lazy and prefer to live off government handouts rather than work.
Think about President Reagan’s infamous condemnation of “welfare queens.” Gilens’ book is one of the clearest examples I’ve encountered of the ways that cynical political appeals to racism can sabotage public support for government spending for the common good.
Drawing on surveys of public attitudes and analyses of more than 40 years of television and newsmagazine stories on poverty, this book demonstrates how public opposition to welfare is fed by a potent combination of racial stereotypes and misinformation about the true nature of America's poor. But the answer isn't simply that white Americans oppose welfare because they think it benefits blacks; rather, they think it benefits "undeserving" blacks who would rather live off the government than work, a perception powerfully fuelled by the media's negative coverage of the black poor. Martin Gilens not only examines public opinion and public…
I grew up in a small town, with a barn behind our house and an orchard across the street; nature was always part of my life. What made me more conscious of this was three canoe trips in the Quetico wilderness with my Boy Scout troop, where we saw loons, bears, and clear, sparkling lakes. I later became a political science professor, but I always hiked and camped, and eventually helped start an environmental studies program to share my passion with my students. I also learned about the growing threats we face from environmental destruction. These books helped shape my understanding of the problem and how to solve it.
I loved this book because it showed me the importance of grassroots organizing. The people in Appalachia were horrified by what strip mining was doing to their farms and communities, but couldn’t get help from their elected officials.
Even the big environmental interest groups were more interested in getting an agreement than in stopping the destruction of the land. They got some of what they wanted, but are still fighting to stop strip mining.
Surface coal mining has had a dramatic impact on the Appalachian economy and ecology since World War II, exacerbating the region's chronic unemployment and destroying much of its natural environment. Here, Chad Montrie examines the twentieth-century movement to outlaw surface mining in Appalachia, tracing popular opposition to the industry from its inception through the growth of a militant movement that engaged in acts of civil disobedience and industrial sabotage. Both comprehensive and comparative, To Save the Land and People chronicles the story of surface mining opposition in the whole region, from Pennsylvania to Alabama. Though many accounts of environmental activism…
I have been researching and writing about the era of the American Civil War for something over half a century. My passion for the subject remains strong today, having just published my seventh book. Given the seemingly endless amounts of material from soldiers and civilians alike, I have enjoyed deeply researching neglected subjects and writing about them in a way that appeals to both historians and general readers. For me the Civil War never grows stale, there are always little-used sources to research and fresh ideas to consider. The American Civil is omnipresent in my life—not excluding weekends and holidays!
As the title states, Elizabeth Varon’s book rests on the theme of deliverance, in this case the deliverance of the seceding states from slaveholder domination.
In an innovative, provocative, and utterly convincing fashion, Armies of Deliverance literally delivers on its promise to present a new history of the Civil War. With fresh material throughout, and careful attention to usually neglected moderate voices, Varon deftly weaves together military, political, and social history into a brilliantly conceived and highly original approach that will please a wide variety of readers.
Loyal Americans marched off to war in 1861 not to conquer the South but to liberate it. In Armies of Deliverance, Elizabeth Varon offers both a sweeping narrative of the Civil War and a bold new interpretation of Union and Confederate war aims. Lincoln's Union coalition sought to deliver the South from slaveholder tyranny and deliver to it the blessings of modern civilization. Over the course of the war, supporters of black freedom built the case that slavery was the obstacle to national reunion and that emancipation would secure military victory and benefit Northern and Southern whites alike. To sustain…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve always been fascinated by the 1930s. In Britain, the decade was haunted by troubling memories of the Great War and growing fears of a more terrible conflict to come. In other words, it was a decade dominated by geopolitics. After more than 30 years as a journalist for the Reuters news agency, I’ve learned that geopolitics will never leave us alone. My novel is the first in a series of stories examining what geopolitics does to ordinary people caught in its grip. This selection of fiction and nonfiction titles is a fascinating introduction to what the poet WH Auden called ‘a low dishonest decade’.
As the 1930s unfolded in Britain, news from Germany increasingly dominated the national conversation. Everyone was talking about Germany. And, as Julia Boyd’s absorbing book reveals, Britons from all walks of life were travelling there, too. I loved the sheer breadth of people featured, from holidaying teenagers and hard-bitten journalists to MPs, academics and curious adventurers.
Thomas Cook was offering holidays in Germany throughout the 1930s, despite proliferating accounts of injustice and downright persecution under Nazi rule. Some British visitors were clearly dazzled by National Socialism, others horrified. Most seemed aware that they were watching history unfold – and their accounts of everything from theatrical mass rallies to brutal street fights are all the more vivid as a result.
This fascinating and shocking history of the rise of the Nazis draws together a multitude of expatriate voices - even Charles Lindbergh and Samuel Beckett - into a powerful narrative charting this extraordinary phenomenon.
Travelers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, fascists, artists, tourists, and even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler—one so palpable that the reader will…
