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As a computational sociologist, I’m fascinated by the patterns people create, the signals they miss, and the stories they build when the world doesn’t make sense. That’s also why I’ve always been drawn to grounded horror: not monsters crashing through windows, but the quiet dread of a room, a street, a sound, or a thought that won’t behave. As a writer, I love books that make fear feel intimate and human, the kind that crawls under your skin because it’s real. These are the stories that stay with me: books where reality tilts, trust gets shaky, and everyday life becomes the scariest place imaginable.
I love this book because it proves fear does not have to shout to own the room.
Shirley Jackson makes dread feel elegant, patient, and almost polite, which somehow makes it worse. I admire how much she trusts atmosphere, silence, suggestion, and character discomfort.
That is the kind of horror I respect most: not just “what is happening?” but “why does everything suddenly feel wrong?”
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and…
Award-winning writer Laurence Klavan's newest collection of stories features twenty darkly comic and largely speculative tales.
People deal with aging parents, a world out of kilter, and their own arrested development today and in the near future, as Klavan weaves together threads of humanity and strangeness to dizzying and heartfelt…
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
I was first acquainted with the works of MR James through the BBC Christmas Eve dramas, though I did not note his name. In later life while reading from a collection of supernatural stories by various authors I recognised an odd familiarity with a tale that centered on what at first appeared to be an unremarkable etching.
As a child I recall being so terrified by an illustration, drawn in the manner of an etching, of the hideous witch in Hansel and Gretal in a book of fairy tales that I refused to sleep in my bedroom in its company, even though the book was firmly shut. Hardly surprising that the idea of a picture changing in the way recounted in the Mezzotint would resonate with me
M. R. James was born in Kent, England in 1862. James came to writing fiction relatively late, not publishing his first collection of short stories - Ghost Stories of an Antiquary (1904) - until the age of 42. Modern scholars now see James as having redefined the ghost story for the 20th century and he is seen as the founder of the 'antiquarian ghost story'. We are republishing these classic works in affordable, high quality, modern editions with a brand new introductory biography of the author.
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
This short story reminds me of a disused railway line that my siblings and I took to be a playground when we lived in a small village in North Wales. All that remained of the route was the track ballast. The route was some two miles long and at one point cut into the hillside before entering a long dark tunnel. It was easy to imagine a steam train from bygone years appearing in the mouth of the tunnel, much as the engine that brought the doom of the signalman in Dickens’s tale.
"This book is amazing." Halloween might seem like the spookiest time of year, but Charles Dickens felt otherwise. He was among the many authors who set their scariest stories during the dim and shivering days of--yes, Christmas. First published in 1866 for a special yuletide issue of All the Year Round, Dickens' "The Signalman" has since fallen into obscurity. An eerie story of isolation, dread, and supernatural visitation, this book is a small treasure, meant to be read aloud on a cold, dark winter night.
If you’re intrigued by the psychology of relationships this is the novel for you.
Described as a modern-day Rebecca, this is a story of a bereaved man’s obsession with his deceased married lover, Michelle. Determined to find out all he can about Michelle’s life when she wasn’t with him,…
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
The only book I've listed which claims to be a true story. My father owned several volumes written by Harry Price and by far the most interesting to me as a boy was the story of Borley Rectory. Though I now view Price’s narrative through more skeptical eyes, it still sends a chill down my spine when I read his claims of ghostly writing and sightings of the mysterious nun walking on the moonlit grounds. Alas that the building has long disappeared…I'm certain that I would have been drawn to it. Thinking about it, perhaps it is better that it has gone…I may be a cynical observer, but irrational fear of the unknown lives just as actively in the sceptic as it does in the convinced.
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.
Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.
Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.
Dickens was a Master. Even his humorous ghost stories have an edge of fear.
I’ve always been fascinated with the unseen hidden inside what is seen. In my life, I’ve tried to peer into dark corners and see reflections in lightless rooms. I’m captivated by ancient ways and alternate realities, and I love it when a new idea bends my mind and makes room for possibilities. I try to illuminate the subtle shadows many don’t notice or consider through my books, and I write Speculative and Literary Fiction to offer the potential of my imagination. I feel, in many ways, it’s the greatest contribution to humanity I can make.
This book is a fast read, but to tell the truth, I’ve never read it once without rereading it at least three times back to back. It’s moody and rhythmic, eerie enough to make the hairs on my neck stand up, and it rings of a desperate hope I know to be doomed.
Yet, it’s so beautiful and atmospheric that I want to be in the grand house anyway, with all the charming but creepy characters stitching away so the story can go on forever.
World-renowned cartoonist Seth returns with three new ghost stories for 2022.
Margaret visits the lavish home of her friend Carla Rhodes for the summer holidays. But when Carla's brother arrives with a mysterious friend, strange occurrences cause tensions to rise within the group, and secrets hidden within the house begin to emerge.
Winner of Indies Today’s 2021 Best Contemporary Novel
“A flawless literary gem."
Can anyone have both fame and love? Andrew O’Connell is Hollywood’s next big leading man, and the rakish Irishman is basking in his newfound celebrity while thirsting for both greater fame and for someone to love.
I don’t believe in ghosts, but fascination with the supernatural has been with me since childhood, my inquiring mind constantly seeking answers. Research through books and documentaries and talking to people on the subject leads me to conclude there has to be a scientific and rational explanation for every paranormal happening. Theories abound, none are conclusive, but one accepted theory stands out, and this is explored and expanded upon in my novel White Stones. The books chosen here are excellent examples in the world of the supernatural and paranormal and are worth reading whether you believe in ghosts or not. Some just might make you change your mind.
This book by real-life ghost hunter Peter Underwood is an amazing attempt to demystify some of the most famous haunted sites across the globe, seeking out evidence, personal and witness experiences in an attempt to explain the inexplicable. In many cases he comes up with possible answers, often using the excuse of mental instability in those witnesses to prove his argument. For me, many of his conclusions were not convincing enough, this paucity of believable truth inspiring my own research and desire to debunk the whole concept of ghosts and hauntings. From it, I have learned that though most occurrences can be explained away, there is still much in this world that defies rational logic.
In this fascinating account of the best-attested cases of haunting - Hampton Court, the demon drummer of Bedworth, the Wesley ghost, Glamis, Borley Rectory and many others - Britain's foremost ghost-hunter has brought to light a wealth of valuable new evidence. Using the results of his many years of research and personal investigation into ghosts and hauntings, and providing detailed plans and original photographs, Peter Underwood puts forward some exciting and startling theories which will radically change our ideas about these hauntings.
Many hauntings can be explained without resorting to the supernatural or the paranormal. The author shows indisputable evidence…
I love jewelry that calls to me. When I make jewelry, I believe some of my spirit is infused in it. Later, the buyer’s spirit takes over the piece. I believe in life after death, and I interviewed a medium who performed spirit releases, which helped me build my ghost framework. A cold case of a missing teen I knew gave me a scene I still cry about. The best mysteries have revelations of the heart. My book, even after revising many times, still makes me laugh and cry too. In my opinion, there is no clock or calendar dictating forgiveness for the living or dead. There is only hope.
This book had a very dramatic “reveal” that would make HGTV jealous.
I liked not immediately guessing the doer of bad things and blaming others only to learn I was wrong and also when Mother Nature threw obstacles. I could identify with the husband and wife who are building a new future and a new house for themselves after teaching. I also liked the interplay between the locals and the land and the use of research to get to the heart of the problem.
Most of all, I loved the ending with a twist, and I vowed to read more books by McMahon.
A chilling ghost story with a twist: the New York Times bestselling author of The Winter People returns to the woods of Vermont to tell the story of a husband and wife who don't simply move into a haunted house--they build one....
In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history…
The things that I am most interested in are books that are deliciously fun to read and books that pick you up out of your comfortable chair and drag you across a fantastic landscape. What does that require? Three Ws for starters. Wit: both on the part of the characters and the author—I like smart characters, biting banter, and clever turns of phrase and story. Weird: in the sense of the unusual and mysterious—good world-building coupled with mysteries meant to be unraveled by the reader as much as by the characters. Wild: fast-paced action filled with sudden turns and unexpected drops and conversations that are three parts well-written words and two parts fencing without a blade.
Nina is an absolute master of making things weird in ways that feel utterly natural to the world she’s writing. This starts on page one with ghosts hassling a school janitor about the impending death of two more students, and it never gets one bit less strange.
This is a book about living as an outcast, toxic family, homecoming, found family, and how sudden and unexpected love can be. On the wild side, it’s also about shapechangers, spellcasters of several varieties, ghosts, spirits, the Walking Dead, flying cars, and so much more. Every page is packed with magic, meaning, and the gentle wit that marks all of Nina’s work. If you haven’t read anything of hers, you’re missing out on one of the subtler masters of the genre, and I would recommend this as a great place to start.
Tom Renfield, a drifter possessed of extraordinary powers, and Laura Bolte, the equally gifted daughter of an ancient family, are wed amid a supernatural tumult that threatens the thread that binds the bones. Original.
Former police detective Michael McLaren is looking forward to spending Christmas at his grandfather's ancient Hall with his grandfather, uncle, and his lady love, Melanie. But McLaren’s holiday plan gets snowed under when a dead man is discovered outside his grandfather’s house--in circumstances similar to an older murder. And it’s…
My Swedish grandmother first introduced me to the horror genre when I was a small boy. Her folktales of trolls and witches really fueled my imagination! Then, when I was in junior high, my father encouraged me to read Edgar Allan Poe and H.P. Lovecraft. I didn’t get hooked on things Gothic, however, until I heard the lyrics of Jim Morrison and the Doors in high school. After college, I became a freelance writer. I quickly learned that 80% of my spooky stuff got accepted by magazines while only 10% of my general interest work was published. That said, it’s no wonder I became a horror writer!
The Best Ghost Stories of Algernon Blackwood features the author’s scariest tales, including “The Willows” and “The Wendigo”. Blackwood piles detail after detail atop one another until the reader nearly suffocates from the gloom and terror they create! He also squeezes much fear from isolated places like Canada and the Danube River.
A woman of snow . . . a midnight caller keeping his promise . . . forests where Nature is deliberate and malefic . . . enchanted houses . . . these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether thirteen stories, gathered from the entire corpus of Blackwood's work, are included: stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century. Blackwood's ability to create an atmosphere of unrelieved horror and sustain it…