Here are 100 books that The Anomaly fans have personally recommended if you like
The Anomaly.
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I’m the author of 26 twisty psychological thrillers, many of which are Amazon bestsellers. I’ve sold over three-quarters of a million books and particularly enjoy writing about dysfunctional families and unpleasant neighbours! I spend a lot of time in the Swiss Alps and love the mountains, so thrillers set in the snow are my absolute favourite. I set one of my own books, Forget Me Not, in the Swiss Alps in a location I know extremely well. I’m a full-time author and I’m also an avid reader of thrillers and enjoy nothing more than reading a book with an ending that makes me gasp!
This thriller is set in a remote former TB Sanatorium reached by a funicular, so I was immediately able to envisage it.
A locked-room mystery, the snowstorm added to the layers of fear and creepy vibes. Whilst the characters didn’t particularly grip me, the snowy setting gave me goosebumps.
REESE'S BOOK CLUB PICK | A New York Times bestseller!
"An eerie, atmospheric novel that had me completely on the edge of my seat." -Reese Witherspoon
"This spine-tingling, atmospheric thriller has it all... and twists you'll never see coming." -Richard Osman, New York Times bestselling author of The Thursday Murder Club
Sarah Pearse's next book, The Retreat, is forthcoming.
You won't want to leave. . . until you can't.
Half-hidden by forest and overshadowed by threatening peaks, Le Sommet has always been a sinister place. Long plagued by troubling rumors, the former abandoned sanatorium has since been renovated into a…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I was born in the world’s most isolated capital city – Perth, Western Australia. Ever since my family packed up and drove across the vast Nullarbor Plain to relocate to South Australia, I’ve been fascinated by our eerie, wide-open spaces. There’s no doubt that family folklore fed into this. My Finnish mother arrived as a ten-year-old, recalling that when she first felt the heat, she thought: “This is hell.” My father and his family arrived from the Netherlands. I love my country, but this continent presents dangers in its arid isolation – all captivating to a storyteller.
This book has a spellbinding setting and twisting plot that I adored. It’s set inside a luxury lodge in the Alps, cut off by snow. I love snow books and movies—being Australian, it’s so foreign to me, and it’s ideal for the locked room trope.
This novel is told via two POVs: one young woman who works at the ski lodge and one who’s on a tech company work retreat. I admired the way Ware crafts two sympathetic yet suspicious characters. There’s so many puzzles to work out and scrumptious red herrings.
This instant New York Times bestseller and “claustrophobic spine-tingler” (People) from Ruth Ware follows a group of employees trapped on a snow-covered mountain.
Getting snowed in at a luxurious, rustic ski chalet high in the French Alps doesn’t sound like the worst problem in the world. Especially when there’s a breathtaking vista, a full-service chef and housekeeper, a cozy fire to keep you warm, and others to keep you company. Unless that company happens to be eight coworkers…each with something to gain, something to lose, and something to hide.
When the cofounder of Snoop, a trendy London-based tech start-up, organizes…
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
"The world had teeth and it could bite you with them anytime it wanted."
It’s more than a creepy opening sentence; it’s a mission statement from the Master of the Macabre, the Poet of the Paranormal, the Chaucer of Chills. It encapsulates what Stephen King does so well – a plucky little girl gets lost in the woods, a shadowy presence stalking her, and something dark, magical, and miraculous emerging from the girl’s soul.
This short novel is so riveting, you will finish it in one sitting.
From the master of horror and suspence, Stephen King, comes a pop-up adaptation of one of his bestselling novels.; Trisha MacFarland had no idea what was in store for her when she wandered away from her mother and brother on a family hike! Readers will travel with Trisha on her journey of horror, where she has only her witts for navigation, her ingenuity as a defence against the elements, and her courage and faith to withstand her mounting fear. For solace, during this terrifying journey, Trisha tuned in her walkman to listen to the broadcasts about her hero, the Red…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I love thrillers. Mysteries, police procedurals, domestic noir, horror—no matter the sub-genre, I love books that grip me in a well-structured plot. But the books that I re-read, that leave me thinking about them long after, have more than just the pull of a page-turner. There’s a lushness to the language, a psychological complexity to the characters, and the landscapes are alive, vivid, and filled with menace. I call these books “chewy” because, like excellent food, there’s so much to savor. They satisfy my cravings and fill me up, but their flavors and textures add layers to the experience. I hope you’ll devour andsavor these books as much as I have.
This book is a meticulous and gut-wrenching story of the unraveling of a family. At its center, is a young woman who is abducted while running in the Rockies, but it is so much more than that (and that story in and of itself is riveting). I’ve always been drawn to stories that look at the ripples of an act of violence. There’s the shock of the act itself, but then there’s all of the days and years after. What Johnston does so beautifully in this story is show how this family unravels but also how each one of them fights like hell to survive within that unraveling and how that hope ultimately saves them all.
As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren't they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin's disappearance, all the more devastating for its mystery, is the beginning of the family's harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life? Written with a precision that captures…
I grew up during the civil rights movement in the US, and my ancestors—the lucky ones—escaped pogroms in eastern Europe at the turn of the 20th century and made it to North America. (The unlucky ones were slaughtered in the Holocaust.) So I suppose it is natural that I would be drawn to write stories about the struggle to overcome persecution, racism, and injustice. I love creating characters who, at the beginning of the story, don’t know that they have what it takes to fight for justice, but then slowly build the confidence and courage to make a difference. And writing about these triumphs is fun, too!
From our comfortable perch in North America, it’s almost impossible to imagine how children—girls, especially—survive in Afghanistan under Taliban rule. The Breadwinner made it real to me, with all the oppression that the main character, eleven-year-old Parvana, experiences and all the courage she demonstrates. This book showed me the common humanity we share with people whose lives are so different from our own. And it forced me to ask myself: Could I have been as brave and resourceful as Parvana?
Afghanistan: Parvana's father is arrested and taken away by Taliban soldiers. Under Taliban law, women and girls are not allowed to leave the house on their own.
Parvana, her mother, and sisters are prisoners in their own home. With no man to go out to buy food, they face starvation.
So Parvana must pretend to be a boy to save her family. It is a dangerous plan, but their only chance. In fear, she goes out - and witnesses the horror of landmines, the brutality of the Taliban, and the desperation of a country trying to survive. But even in…
While history tells a very pragmatic story about our human tendency to gather near water, literature tells more haunting stories of water. The literature of my youth was no different. In these books, water and watery habitats are both settings and characters. Sometimes protagonist, sometimes antagonist, always present. Perhaps my years of immersion in these books imprinted so deeply that I had no choice but to arrange my first poetry collection as a journey of water. After all, water is one of Earth’s clocks, and I prefer its version of time.
This was the first book I ever pulled from the big kids’ shelves at our library. I read it in the big chair in the den until Mother chased me outside with dire threats that I was ruining my eyes.
Then I read among straw bales and a heap of yard cats until nightfall lured the cats away. Then I read in bed until Mother threatened further direness if I didn’t turn off my light. Then I read by moonlight until I fell asleep and woke again the next day to read more.
A shipwreck, an island, and a horse. A little barn in the suburbs. These were the opposite of my world. During the hours I spent with this book, I became an escape reader.
First published in 1941, Walter Farley's best-selling novel for young readers is the triumphant tale of a boy and a wild horse. From Alec Ramsay and the Black's first meeting on an ill-fated ship to their adventures on a desert island and their eventual rescue, this beloved story will hold the rapt attention of readers new and old.
This book has been selected as a Common Core State Standards Text Exemplar (Grades 4-5, Stories) in Appendix B.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
I read this play first aged sixteen, and connected strongly with it, because of the young motherless shipwrecked heroine.
I spent significant periods of time with my grandfathers when I was growing up, and I read Prospero more as a grandfather figure than a father one.
When Freud and I were in the studio for days and weeks and months together, I felt like Miranda on Prospero’s island. The same created world. The same isolation.
With Lucian as the Prospero figure, summoning a few other characters that came and went to his studio.
No one can go to a fictional island of course, but yet Shakespeare takes us there.
Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.
Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both…
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love how this book elevates lying into an art form. Following the convention of the era, Defoe published the work as if it were written by its main character, Robinson Crusoe. Crusoe stands out from its peers for the subtlety of its mimicry. I envy how natural and easy Defoe makes writing look.
The book reveals the novel’s roots in other genres, such as satire, journalism, religious writing, and personal narrative. Defoe excelled at all of these, and I find the strange convergence mesmerizing. It’s possible to see the outlines of these earlier traditions even as something like a modern novel comes into view.
With apologies to Oprah and James Frey, this book helps me remember that the best writers have always been a bit loose with the truth.
'Robinson Crusoe has a universal appeal, a story that goes right to the core of existence' Simon Armitage
Daniel Defoe's Robinson Crusoe, regarded by many to be first novel in English, is also the original tale of a castaway struggling to survive on a remote desert island.
The sole survivor of a shipwreck, Robinson Crusoe is washed up on a desert island. In his journal he chronicles his daily battle to stay alive, as he conquers isolation, fashions shelter and clothes, enlists the help of a native islander who he names 'Friday', and fights off cannibals and mutineers. Written in…
I love studying the ins/outs of humanity and our interactions, but especially, EI (emotional intelligence). A lot of emphasis is put on being “smart” and analytical (think IQ), but EI is largely ignored.
Relationships thrive (and die) on EI! In the novels I write, I explore the emotional side of relationships and how, if we pay attention to this other side of intelligence, beautiful interactions happen.
Typically, I don’t find riveting EI in books—and so when I do, I gobble the book up once, then twice, and possibly a third time, then tell everyone I know to GO READ THAT BOOK!
The sole survivor of a train wreck, Autumn Manning lives crippled with guilt. When she meets the husband of one of the women who died in the wreck, sparks fly, and Autumn’s guilt only increases. And, while very likely the saddest book I’ve recommended thus far, Life After paints a beautiful, cathartic picture of grief that few authors have. Grief is part of life, but people don’t like to talk about what happens to our hearts/psyches when it descends. While Life After may elicit a few tears, it is a stunning, beautiful book that I highly recommend.
Snow whirls around an elevated train platform in Chicago. A distracted woman boards the train, takes her seat, and moments later a fiery explosion rips through the frigid air, tearing the car apart in a horrific attack on the city’s transit system. One life is spared. Twenty-two are lost.
A year later, Autumn Manning can’t remember the day of the bombing and she is tormented by grief—by guilt. Twelve months of the question constantly echoing. Why? Why? Why? Searching for answers, she haunts the lives of the victims, unable to rest.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve loved zombie movies since I was a kid and first saw Return of the Living Dead during a slumber party. Since then I’ve watched as many as I could, along with shows like The Walking Dead and Z Nation. The changes in the publishing industry over the past few years have given me something even better – hundreds of amazing books about romance and survival in the zombie apocalypse to read. The five books on my list are the very best of those that eventually inspired me to write my own books. I hope you like them!
Flesh has it all – zombies, characters who come alive on the page, romance that sizzles, and action to keep the suspense going. Ali, Daniel, and Fin have to discover how to deal with each other as their relationship develops, while at the same time battling zombies and other survivors to reach safety. They learn to fight for each other, make sacrifices they would never have imagined in their old lives, and love like they would never have believed possible. The key to it all is the trust they develop in each other which forms a team that nothing can break.
Ali has been hiding in an attic since civilization collapsed eight weeks ago. When the plague hit, her neighbors turned into mindless, hungry, homicidal maniacs.Daniel has been a loner his entire life. Then the world empties and he realizes that being alone isn’t all it’s cracked up to be.Finn is a former cop who is desperate for companionship, and willing to do anything it takes to protect the survivors around him.When the three cross paths they band together; sparks fly, romance blooms in the wasteland and Ali, Daniel and Finn bend to their very human needs in the ruins of…
