Books like Otter Country — picked by fans

This book is a classic natural history quest: Patrick Barkham tries to find all the butterfly species in Britain and Ireland in one summer. It explores our age-old relationship with these fantastic insects, the eccentricities of the butterfly watcher's world, and the author’s adventures along the way, all tied together by the challenge he’s set himself. This is a really entertaining book and brilliantly captures the butterfly obsession, offering an excellent portrayal of what makes butterfly watchers tick.

A photograph gives me the form of the bird, but it remains up to me to see the bird as a bird. And that can be difficult. What do we see when we see a bird? 

The Peregrine, J. A. Baker’s masterpiece of descriptive prose, provides an answer, an answer that is as much about how we see as it is about what we see when we see birds. Sometimes we pull ourselves into the sight of others and the world emerges as more than its light. We see by being seen.

Baker achieves this kind of seeing both in his efforts to see a pair of peregrines and in his description of this achievement. 

I was lucky enough to visit Isabella Tree’s farm, just after she and her husband had started their rewilding project. I have followed its progress over the next two decades as described here.

I am inspired by the hopeful conservation message it sends – as the trees and scrub have spread, so wildlife has thrived. Others have followed their example, and I see new ways of looking at what we want and can realistically achieve for conservation across the farmlands of Britain.

This is a book for people who like to come home to a steaming mug of tea after a long walk in the countryside – rain or shine. Kate Humble takes us with her on her walks through the year, both at home and abroad. Her descriptions of the Wye Valley make you want to put on your wellies and walk out the door, dogs in tow, ready to splash through puddles, hop styles, and walk beneath the trees and the clouds. It is a lovely reminder that it is so often the little things in life that can bring us the most happiness: muddy walks in the woods, chatting to friends over a pot of coffee, watching the sky change as the sun rises. I love this book so much: it’s a lesson in the benefits of learning to live in the moment and to not take the simple… show more.

Written by an author from the English West Country city of Bristol, this story accurately captures the inequality of life in the 1970s. Fifteen-year-old Carol lives in a council estate on the edge of town. She goes to school with a farmer’s son who will inherit rolling acres. One day, she meets handsome Frankie, who is staying with his aunt in a manor house nearby.

Every reader will know louche Frankie is bad news. Carol, of course, falls for him and finds herself pregnant. So far, so predictable. What is far less predictable is the way Carol herself is sucked into crime, secrets, and lies. Forty years later, how far will she go to evade exposure? Emotional, clever, and exquisitely written, this book is hard to put down. 

Can we even talk about tentacle horror without a mention of the master, Lovecraft? Some of his best work is included in this collection, and it is the base that all other tentacle horror is founded form. Heck, all horror for that matter. You have to start at the beginning in order to move forward. Right?

After reading this one, I wanted to go back to the “Old Country,” and nobody writes about the Old Country quite like Singer. I really enjoyed his stories about ordinary people in extraordinary situations—or maybe they were ordinary situations to them.

I was drawn to his portrayal of a world that no longer exists but was vibrant, joyous, and tragic at the time. His characters spoke to me directly and inspired me to write short stories of my own. I once met Singer and was able to share one of my own short stories with him. He eventually put it in his archive, which was an honor for me.

I was first introduced to this book early in my professional career as it described why so many houses were passed to the National Trust as families disassembled their collections of works of art and libraries of books until the house ceased to be viable in its own right. 

I also now appreciate better those stately homes that remain in private ownership and open to the public, with the unrelenting challenge families face to keep those homes going. I also recognized Hugh Massingberd as the then obituary editor at The Daily Telegraph, who took his role most seriously as often having the last word on an individual’s life.

Edna O’Brien’s 2012 autobiography Country Girl is a blunt, gripping, lyrical and non-self-pitying depiction of her early life in the west of Ireland. It exposes the stultifying conformity imposed by the Catholic Church, family and community which I experienced myself. She rebelled as she sought freedom and self-expression from a domineering mother and drunken father. Edna’s escape to Dublin, London and New York as well as her exile from Ireland reflects an individual addicted to drugs and alcohol who seeks acknowledgement, liberty and success through many failed relationships. Edna’s autobiography resonates with many of my own experiences of the 1960’s. Country Girl demonstrates how one Irish female writer broke the cultural silence so that others would not feel alone. Her writing was an inspiration to me for my own memoir.

It rings with awe-struck musings on Bartram’s explorations, begun just before the American revolution, of the lush and bountiful landscapes of the southern British colonies. Bartram’s effusive descriptions of the astonishingly profuse flora and fauna, replete with taxonomic names, provide a baseline for gauging the steep ecological declines that followed. The Penguin edition includes an appreciative introduction by American writer James Dickey, best known for his novel Deliverance.