Here are 100 books that The Almost Sisters fans have personally recommended if you like
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My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.
It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.
Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a long-time ER nurse, aid worker, and writer, and I have long been fascinated by true crime/mysteries; much of that interest honed in the ER, where I was often stumped when patient injuries or recollections of witnesses didn’t quite add up. As amateur detectives, we ER nurses often hounded detectives with our own theories, and in one especially big murder case, we had figured out exactly what had happened and who the real killer was before the detectives did. I am also a voracious reader and love a good mystery/thriller to take me away from real life, except when I am solving real life crimes on Dateline.
I read this book when it first came out, and I loved it. The main character is an alcoholic and this is not even the first of her issues.
I love a flawed character and a story that has me glued to the pages. I loved the unexpected twists and an ending that felt, to me, like justice served.
The #1 New York Times bestseller, USA Today Book of the Year and now a major motion picture starring Emily Blunt.
Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes and stops at the signal that allows her to daily watch the same couple having breakfast on their deck. She's even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
I am a long-time ER nurse, aid worker, and writer, and I have long been fascinated by true crime/mysteries; much of that interest honed in the ER, where I was often stumped when patient injuries or recollections of witnesses didn’t quite add up. As amateur detectives, we ER nurses often hounded detectives with our own theories, and in one especially big murder case, we had figured out exactly what had happened and who the real killer was before the detectives did. I am also a voracious reader and love a good mystery/thriller to take me away from real life, except when I am solving real life crimes on Dateline.
I love a legal mystery/thriller and this one had me engrossed. While the courtroom drama was gripping, it was the backstory and the Assistant DA’s personal involvement in the trial that implicated his own son in a horrific murder that riveted me.
If your son was on trial for murder, what would you do?
Andy Barber's job is to put killers behind bars. And when a boy from his son Jacob's school is found stabbed to death, Andy is doubly determined to find and prosecute the perpetrator.
Until a crucial piece of evidence turns up linking Jacob to the murder. And suddenly Andy and his wife find their son accused of being a cold-blooded killer.
In the face of every parent's worst nightmare, they will do anything to defend their child. Because, deep down, they know him better than anyone.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a lifelong Southerner and former journalist who believes that the region holds a unique place in American literature. I have a passion for the ultra-twisty ending because I try to incorporate it into each of my own mysteries. I want a reader to stay up late reading one of my books, then finish it in astonishment, thinking, “Wow! I didn’t see that coming!” (And then mention it to her friend over coffee the next morning.) I have read mysteries since I was 12 years old and always appreciate an author who can fool me.
I don’t know if I’d feel as surprised if I read this book today for the first time. But when I encountered it decades ago, I was gobsmacked when the murderer was revealed. This is an unusual Agatha Christie mystery, set in ancient Egypt and inspired by her husband’s archeological digs. In my view, Christie can’t be topped. She’s also the one who introduced me to the unreliable narrator with her fabulous Murder of Roger Ackroyd.
A novel of anger, jealousy, betrayal and murder in 2000 BC
It is Egypt, 2000 BC, where death gives meaning to life. At the foot of a cliff lies the broken, twisted body of Nofret, concubine to a Ka-priest. Young, beautiful and venomous, most agree that she deserved to die like a snake. Yet Renisenb, the priest's daughter, believes that the woman's death was not fate, but murder. Increasingly, she becomes convinced that the source of evil lurks within her own father's household.
As the wife of an eminent archaeologist, Agatha Christie took part in several expeditions to the Middle…
Novels about humanity move me, as I love the messiness and complexities of imperfection. Because I’m passionate about reading these kinds of books, I’m also passionate about writing them. My first book, Paint Me Fearless, debuted at #1 on Amazon’s Hot New Release List in Christian Contemporary Fiction in 2021. It seemed readers found relevance in subjects like challenging family dynamics, weight issues, crippling insecurity, and the repercussions of abuse. My subsequent books continue in this vein. I aspire to write stories that reflect universal emotions like heartache and grief, but also joy and laughter. One reviewer described my books as a “rollicking good time,” which was a good day because I strive to entertain.
When I was a young, newly married woman, one of the more mature members in my book club presented this book to the group in 1992. To Dance with the White Dog is a story about the unfathomable bonds of marriage and the crushing grief of losing a spouse. Even better? It involves a dog 😊
Sam Peek’s adult children think he’s losing his mind or perhaps imagining the “white dog” to cope with the loss of his beloved wife, Cora. Even though I wept through most of this book, it remains one of my all-time favorites thirty years later. While the novel pushes us to consider serious matters such as death, aging, and grief, it also fills us with hope and gratitude.
Even though it breaks my heart, I reread it often. Because it is that beautiful, and because Terry Kay is that good.
Sam Peek's children are worried. Since that "saddest day" when Cora, his beloved wife of fifty-seven good years, died, no one knows how he will survive. How can this elderly man live alone on his farm? How can he keep driving his dilapidated truck down to the fields to care for his few rows of pecan trees? And when Sam begins telling his children about a dog as white as the pure driven snow -- that seems invisible to everyone but him -- his children think that grief and old age have finally taken their toll. But whether the dog…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
When it comes to “selling the voice” in the first-person narrative, so much depends on the language and the style by which the chosen character tells the story. How convinced is the reader of this voice that promises us everything?
Let us only pay attention to Jabari Asim and his slave narrative Yonder, to know how to do it well. From the first chapter we are thrown into William’s world, the harsh truth of living on a plantation in the American South.
Once he starts narrating in his believable and lyrical voice, we feel the danger, and the hopelessness: ”I had known death could come at any time. You could keel over in the fields. You could be crushed under a wagon wheel, kicked by a horse, or have your skull split open because a slice of ham…had gone missing.” The first-person magic takes over and we have no choice…
The Water Dancer meets The Prophets in this spare, gripping, and beautifully rendered novel exploring love and friendship among a group of enslaved Black strivers in the mid-19th century.
They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own.
In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
During college, I attended an inner-city black church during the years of the civil rights movement—and it changed the course of my life. My husband and I have lived in diverse neighborhoods and attended multicultural churches for most of our 56 years of marriage, realizing we have much to learn from our brothers and sisters of color. But the biggest influence that caused me to write theYada Yada Prayer Group novels was/is the prayer group of sisters of color that I’ve been part of for over 25 years. As we spent time together every week for years (!), these sisters helped turn my life and my faith upside down—or maybe “right side up.”
Two people who worked for Wendell Berry’s family when he was a child had a profound effect on his life—“Aunt Georgie” Ashby and Nick Watkins. With the simplicity of their lives birthing profound wisdom, Berry credits them for helping to expose the hidden wound of racism and putting his feet on a path to reject the deeply ingrained racism of his youth. The result is a deeply thoughtful book of reflections and wisdom on the cancer that infects our society and what we must do to lance and heal it—if we will. A “must read” on your bookshelf.
An impassioned, thoughtful, and fearless essay on the effects of racism on the American identity by one of our country’s most humane literary voices.
Acclaimed as “one of the most humane, honest, liberating works of our time” (The Village Voice), The Hidden Wound is a book-length essay about racism and the damage it has done to the identity of our country. Through Berry’s personal experience, he explains how remaining passive in the face of the struggle of racism further corrodes America’s great potential. In a quiet and observant manner, Berry opens up about how his attempt to discuss racism is…
I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
This autobiography of white Civil Rights activist Lillian Smith unpacks the society that shaped her as she struggled against her childhood lessons about how to interact with Whites and Blacks in the South. Smith deftly immerses you into her world with anecdotes, leading the reader through the interactions that shaped her and other white children across the South, including her experiences with racial violence and racism. Despite being written more than half a century ago, connections remain to our world. My recommendation is to read the 1994 version with an updated introduction placing the work into context.
Published to wide controversy, it became the source (acknowledged or unacknowledged) of much of our thinking about race relations and was for many a catalyst for the civil rights movement. It remains the most courageous, insightful, and eloquent critique of the pre-1960s South.
"I began to see racism and its rituals of segregation as a symptom of a grave illness," Smith wrote. "When people think more of their skin color than of their souls, something has happened to them." Today, readers are rediscovering in Smith's writings a forceful analysis of the dynamics of racism, as well as her prophetic understanding…
I am a professor of history and Director of the Lawton M. Chiles Jr. Center for Florida History at Florida Southern College in Lakeland, Florida. I am a specialist in Southern, social, criminal justice, and legal history. I am the author or co-author of seven books, including three that address criminal justice at the state and federal level. My articles and reviews on criminal justice history have appeared in the America Historical Review, American Journal of Legal History, Journal of Southern History, Florida Historical Quarterly, Florida Bar Journal, and Georgia Historical Quarterly.
This is a classic, pioneering study of the major elements of southern crime and punishment at a time that saw the formation of the fundamental patterns of class and race—and how they shaped the South’s criminal justice system. Ayers studies the inner workings of the police, prison, and judicial systems, and the nature of crime, while at the same time adeptly linking the antebellum with the post-bellum criminal justice system.
Exploring the major elements of southern crime and punishment at a time that saw the formation of the fundamental patterns of class and race, Ayers studies the inner workings of the police, prison, and judicial systems, and the nature of crime.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a long-time public radio documentary producer who now creates podcasts and conducts research for Smithsonian traveling exhibitions. After producing five documentaries on various sociological aspects of the space program, I was named the Smithsonian National Air and Space Museum’s Verville Fellow in Space History in 2014. My 2010 documentary Race and the Space Race (narrated by Mae Jemison) was the first full-length exploration of the nexus between civil rights and the space program, and the Fellowship allowed me to expand the story into a book.
Throughout the 1960s, NASA tried in vain to lure Black engineers to its Southern Centers.
The agency had its excuses, but as I began to talk to NASA’s Black pioneers, I began hearing vivid descriptions of the terror that kept their friends from going to work with them at NASA. This thought-provoking examination of one of the darkest chapters in American history helps lay out a source of their reticence.
The book delves deep into the socio-political, racial, and cultural factors that led to the widespread practice of lynching. Brundage skillfully portrays the complex web of prejudice, fear, and power dynamics that fueled this brutal form of violence. Through his detailed analysis, we gain a chilling picture and the backstory of what kept NASA so White.
From the assembled work of fifteen leading scholars emerges a complex and provocative portrait of lynching in the American South. With subjects ranging in time from the late antebellum period to the early twentieth century, and in place from the border states to the Deep South, this collection of essays provides a rich comparative context in which to study the troubling history of lynching. Covering a broad spectrum of methodologies, these essays further expand the study of lynching by exploring such topics as same-race lynchings, black resistance to white violence, and the political motivations for lynching. In addressing both the…
