Here are 100 books that The Adventures of Alexander Von Humboldt fans have personally recommended if you like
The Adventures of Alexander Von Humboldt.
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I am an early medieval European historian who, in the last decades, branched out into environmental history. Having grown up in semi-rustic conditions, I have always been curious about rural things and past agricultural practices. I watch carefully as plows slice through fields, mind how birds and bees weave together their ecosystems, and pay attention to the phases by which trees put on and take off their leaves. Now a professional historian, my job involves reading a lot of rural and environmental history, so I have developed a good sense of books that mix academic rigor and approachability.
âThe face that launched a thousand ships,â as Homer would say. Pollanâs witty and well-written treatment of how plants think and act to modulate their environments inspired 21st-century âcritical plant studiesâ in the Anglophone world, including mine.
The book starts you thinking about the thousands of ways plants elbow into your world and how much they matter to your existence on earth, in economic but also spiritual senses. You end up agape in wonder.
A farmer cultivates genetically modified potatoes so that a customer at McDonald's half a world away can enjoy a long, golden french fry. A gardener plants tulip bulbs in the autumn and in the spring has a riotous patch of colour to admire. Two simple examples of how humans act on nature to get what we want. Or are they? What if those potatoes and tulips have evolved to gratify certain human desires so that humans will help them multiply? What if, in other words, these plants are using us just as we use them? In blending history, memoir andâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
Iâve loved the countryside ever since I was a child. Every year we used to stay for a week or two on a beautiful farm hidden away in a hollow of the Leicestershire wolds. I was fascinated by the wildlife and history â the old cottages and churches, local traditions and place names. Itâs no accident I became a rural historian! Iâm captivated by the strange power of landscape to affect us, subtly weaving itself into our sense of being, and have devoted much of my adult life to trying to understand this. I hope you find the books on the list as rewarding as I have!
Oliver Rackham is to historical landscape ecology what W.G. Hoskins is to landscape history.
More than anyone else, Rackham had the vision to understand that the pattern of woods, fields, hedges, moors, and marshes that defines the English countryside, although seemingly natural, was in fact created by a delicate and constantly shifting balance between human intervention and geological, climatological and ecological influences.Â
The Chiltern beechwoods Iâve enjoyed walking in since childhood, for example, exist partly because the timber was valuable for the chair-making industry that once flourished there, while the species-rich hay meadows of Swaledale that entranced me on a recent cycle tour were part and parcel of the local dairy-farming tradition, and have been put at risk by its decline.
From its earliest origins to the present day, this award-winning, beautifully written book describes the endlessly changing character of Britain's countryside.
'A classic' Richard Mabey
Exploring the natural and man-made features of the land - fields, highways, hedgerows, fens, marshes, rivers, heaths, coasts, woods and wood pastures - he shows conclusively and unforgettably how they have developed over the centuries. In doing so, he covers a wealth of related subjects to provide a fascinating account of the sometimes subtle and sometimes radical ways in which people, fauna, flora, climate, soils and other physical conditions have played their part in theâŠ
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
When I became interested in the relationship between Plateau tribal peoples and their cultural plants, everyone I spoke with directed me to a series of remarkable papers by British Columbia ethnobotanist Nancy Turner. One look at the photographs of elders who grace the introduction to each volume reinforces their individual knowledge and respect for the place where they have lived for untold generations. Turnerâs work in southeastern B.C. eastern Washington, north Idaho, and western Montana have been distilled here into a handy field guide filled with both beautiful photographs and timeless information.Â
Nancy Turner describes more than 150 plants traditionally harvested and eaten by First Peoples east of the Coast Mountains in British Columbia and northern Washington. Each description includes information on where to find the plant and a discussion on traditional methods of harvesting and preparation.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
I have studied the intersection of human and natural history as an enthusiast, newspaper columnist, teacher, museum curator, and author. I strongly believe in the value of local knowledge, which has led me to work with and learn from several Plateau tribal communities. I use primary documents, including field journals, maps, artwork, oral histories, and the landscape itself as my building blocks. If I can arrive at a confluence of rivers on the same day of the year as some early white visitors and search for the living things that they wrote about during their stay, then I have something that I can compare directly with tribal oral histories.
Just before the onset of the American Revolution, Philadelphia gardener William Bartram made plant collecting trips through the Carolinas, Georgia, and north Florida. Relying on the hospitality of strangers, his account of those journeys includes personal encounters with settlers, slaves, immigrants on the run, and native Americans under intense pressure, as well as landmark details of Southeastern flora and fauna. Combined with watercolors that present dreamy visions of lost landscapes, there is nothing quite like Bartramâs Travelsin American literature.
More than two centuries have passed since the publication of William Bartram's Travels in 1791. His work was visionary, fostered the development of a truly American strain of natural history, and transcended scientific boundaries to deeply influence Coleridge, Wordsworth, and other Romantic poets. His text continues to ignite the imaginations of those who love nature. Being on the road with Bartram involves cliffhanger encounters with dreadful weather, charismatic predators, and even deadlier humans. And throughout the book, he reveals a deep spiritual connection to nature. Bartram's holism lays the foundation for major themes of modern nature writing as well asâŠ
I lived in Peru for five years, working as a writer, filmmaker, and anthropologist and have travelled extensively in South America, voyaging 4,500 miles from the northern tip of the Andes down to the southern tip of Patagonia, lived with a recently-contacted tribe in the Upper Amazon, visited Maoist Shining Path âliberated zonesâ in Peru and later made a number of documentaries on the Amazon as well as have written a number of books. Historically, culturally and biologically, South America remains one of the most interesting places on Earth.
If you want to understand how both South America and the New World were âdiscoveredâ by Europeans, which had nearly the same effect on Native Americans that a meteor did on the dinosaurs, thereâs no better way to understand it than to journey along on Columbusâ four voyages and be there when he and his crew set ashore. Columbus set foot on the northern part of South America on his third voyage, visiting the coast of what is now Venezuela. Bergreenâs book does an admirable job of introducing you to the man whose voyages would ultimately affect millions of people. This is the closest anyone will ever get to being on board as an entirely New World first hove into sight.
He knew nothing of celestial navigation or of the existence of the Pacific Ocean. He was a self-promoting and ambitious entrepreneur. His maps were a hybrid of fantasy and delusion. When he did make land, he enslaved the populace he found, encouraged genocide, and polluted relations between peoples. He ended his career in near lunacy.
But Columbus had one asset that made all the difference, an inborn sense of the sea, of wind and weather, and of selecting the optimal course to get from A to B. Laurence Bergreen's energetic and bracing book gives the whole Columbus and most importantly,âŠ
Historians write about dead people and historical fiction authors breathe new life into those people. Reading and writing historical fiction is my passion. I crave well-researched, authentic stories that introduce me to a different time, place, culture, or perspective. I want to witness extraordinary times and events in history through the eyes of ordinary people. This is what I look for in the books I read and what I strive for in the books I write.
This is really three novels in oneâthree distinct stories of three generations of strong women spanning the 20th century in South Americaâand I loved them all. While each woman lived in different times and found strength through different means, they shared the common bonds of womanhood and motherhood and of stories about small miracles passed down for generations.Â
De Robertis weaves an engaging saga with captivating, poetic prose that immerses the reader in a different time and place. I could taste the bitter mate tea, feel the humid air along the La Rambla river, and see the haze of cigarette smoke in a backroom bar. I return to it often, just to read a page or two, like returning for another sip from a fine wine.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŠ
Hello! My name is Flavia Z. Drago and I'm a Mexican picturebook maker currently living with my partner and my cat in the UK. As a child, most of the books that I read came from foreign countries, particularly Europe and the US, and these have had a huge influence on my work as an author and illustrator. However, now that I'm in charge of making the books that I would have liked as a child, I enjoy adding details of my Mexican culture whenever possible. To some extent, the books that I've shared with you collect some of the stories, experiences, and emotions that as a Mexican have impacted my life.
I would have loved to have had this book in my childhood! As a child, I grew up reading myths and folk tales that came mostly from Europe, however, this book gives a glimpse of myths in America long before the colonization. Thanks to this book I discovered many myths from Alaska to Tierra del Fuegoâor the Sea-Ringed World, as the Aztecs called itâwhich sparked my curiosity in order to know more. Also, I was pleasantly surprised to learn that some of the stories were intertwined.
Even if this is not a picture book, I decided to include it because the stylish and sophisticated illustrations (of the multi-awarded) Mexican illustrator Amanda Mijangos, fill the spaces that the text is missing and add another level of reading to each one of the tales.
Fifteen thousand years before Europeans stepped foot in the Americas,
people had already spread from tip to tip and coast to coast. Like all
humans, these Native Americans sought to understand their place in the
universe, the nature of their relationship with the divine, and the
origin of the world into which their ancestors had emerged.
The answers lay in their sacred stories.
Author Maria Garcia Esperon, illustrator Amanda Mijangos, and
translator David Bowles have gifted us a treasure. Their talents have
woven this collection of stories from nations and cultures across our
two continents-the Sea-Ringed World, as the AztecsâŠ
I grew up living above our family funeral home. My parents were exceptionally compassionate people. I learned through their kind upbringing that heaven was and is, here and now. Death was not only an inevitable part of life but a daily part.As an adult, I became a Yoga Teacher. Yoga means union. It's an exploration into the intimate balance between body and mind. One particular yoga pose essential to every single class â Savasana or Corpse Pose. A coincidence a young girl raised in a funeral home would end up teaching daily classes of corpse pose? I think not. And through it all bloomed Floretta. The story of life and death coming together into a magnificent circular experience. Bilingual yet parallel worlds amidst beautiful chakra colors.
It sure takes a village to turn an award-winning Disney Pixar movie, Up into a Read-Aloud Storybook, and this cast of creative characters does it well! A terrific story about those significant changes in life and about not closing doors to the inevitable new adventures to come. Heart-warming and brilliantly crafted. See the movie! And do certainly read this lovely book version too.
1
author picked
Up
as one of their favorite books, and they share
why you should read it.
This book is for kids age
3,
4,
5, and
6.
What is this book about?
A Little Golden Book retelling of Disney/Pixar Up! Meet Car and Russell. Carl is old and lonely. Russell is young and looking for a friend. When theyâre thrown together on the adventure of a lifetime, they discover that friendships are great at any age! This Little Golden Book retelling of Disney/Pixar Up will appeal to adventurers of all ages.
In elementary school, I was told I had an overactive imagination, an insatiable curiosity, and an adventurous spirit. Fortunate to live across the street from the school, the schoolâs tiny, nondescript library became a sacred place, a sanctuary, a peaceful and magical space where I could escape into worlds far beyond the limits of a small southern town in the 1950s. I incorporate all of these characteristics, plus my love of travel, into my books. My goal is to write thrilling multicultural fiction novels that depict the blended relationships and experiences of African Americans and people within the communities that make up the global African diaspora.
When I lounge on the beach at an exclusive Caribbean resort, I typically lift my Pina Colada in a toast to my ancestors before taking my first sip. Vanessa Rileyâs book increased my respect for the exploited and enslaved black women who lived in the Caribbean during the late 18th and early 19th centuries.
My heart broke with the emotional and psychological trauma and physical dangers that Doll endured to save herself and her children. The intrigue and suspense kept me riveted, constantly wondering how Doll would overcome her challenges. Riley tells a beautiful story of the least likely underdog, Dorothy "Doll" Kirwan Thomas, who survived despite the injustices and became one of the Caribbean's wealthiest and most influential entrepreneurs.
"Riveting and transformative, evocative and immersive...by turns vibrant and bold and wise, discovering Dorothy's story is a singular pleasure."--The New York Times
A remarkable, sweeping historical novel based on the incredible true life story of Dorothy Kirwan Thomas, a free Black woman who rose from slavery to become one of the wealthiest and most powerful landowners in the colonial West Indies.
Born into slavery on the tiny Caribbean island of Montserrat, Doll bought her freedom-and that of her sister and her mother-from her Irish planter father and built a legacy of wealth and power as an entrepreneur, merchant, hotelier, andâŠ
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŠ
As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
Many archaeological site reports from South America are published in non -English languages and are often hard to locate. Where the South Wind Blows is an English language collected edition with chapters authored by South American archaeologists. Chapters included numerous discussions of archaeological sites throughout South America that pre-date Clovis sites.
The early prehistory of South America is poorly known by the English speaking world. This edited volume, translated from Spanish, contains twenty-one short papers documenting some of the most important recently investigated early archaeological sites from South America. These papers report Paleoamerican complexes and excavations of sites older than eleven thousand radiocarbon years before present, as well as cover issues in geoarchaeology, geochronology, Pleistocene extinction, and paleoecology. Numerous graphics are used to Illustrate site locations, excavations, and artifacts.
