100 Books Like The Accidental Masterpiece

I first read this book as an angsty artist in college. It was as if the Universe sent me a gift that I needed precisely when I needed it. Rilke–an older/wiser poet, wrote the 10 letters in the book to a young Franz Kappus–a budding/insecure poet. All artists suffer from insecurity, and Kappus wants to know if his poems are good and what he should do.

We all want to do Important and Good work (with capital I’s and G’s). Rilke gently and masterfully steers Kappus to understand that true art is a process and involves every aspect of an artist’s life, that it is often a lonely endeavor but worth it for so many reasons. I felt as if Rilke was speaking to me–as a loving grandfather–with words of encouragement, but also in truth. Nothing was sugar-coated, but I so related and wanted to be the wise creator that… show more.

This is by far the most comprehensive practical guide to being a working artist. I have taught a professional practice course for undergraduate art majors for decades. When I first started teaching this course, I cobbled together chapters from books and articles from everywhere to give the students the information I thought they needed. In 2009, the first edition of this book came out, and it immediately became the textbook for my class.

It really walks you through what happens in the art world and how to navigate finding a gallery or writing for a grant. It also has quotes from people in the field that are helpful. I recommend this book whenever someone wants to know how to get their career started, needs guidance on a contract, or just wants to take their career seriously and to the next level. 

Bell Hooks is a force! I was introduced to her work through women’s studies classes and loved how she saw the world and presented cultural critiques. This book really helped me look outside the lens of male Eurocentric art history. A series of essays, each one covering an artist, topic, or theory.

It’s been a while since I’ve reread any of them, but I remember that this is the book that helped me dive deeper into Carrie Mae Weems's photography–which I admire greatly. It had me contemplating the point of surrounding ourselves with beauty–and how people who have been told to abandon cultural objects of beauty can seek to find objects that truly heal and sustain our lives.

Perhaps the most influential essay to me was the one that outlined how male creatives were given the luxury of time and space to find and develop their practices and that women… show more.

I love this book. It taught me where colors come from. I had always heard that, at one point, Ultramarine was the most expensive pigment. Reading this taught me why, as well as why other pigments were/are so expensive.

The fact that Indian Yellow may or may not come from the urine of cows that are fed only mango leaves (in the country of India) was also discussed in the book. Finlay did her homework–traveling around the world–and then magically wove all the knowledge into truly interesting stories. I share tidbits and stories from this book constantly–do you know you are drinking bugs if you drink Campari? Well, you are. You certainly are. 

I love this book because it not only explores the way in which art gets made, it delves into the reasons art often doesn’t get made, and the difficulties that cause so many artists to give up along the way.

All too often, the give-up factor is prevalent both in the art-making process and in the art-marketing process. I particularly liked the chapter “ Fears of Others,” which offers excellent insights into artists giving their power away. 

Initially, The Gift might seem an odd choice for this category. Hyde argues that art must be part of a gift economy, not simply commercially bought and sold, but also given and received. I had a chance encounter with Hyde’s father, who was appropriately proud of his son’s book, but he said that he thought the same analysis could be made about how science operates.

This idea changed my perspective on science and technology. When I began to look at science and technology this way, it made sense to me. Scientists will frequently trade what they have learned with each other, for example at conferences—they give their information away in exchange for prestige and for return gifts of information from other scientists. It is part of being a member of the science club.

Before there was money, people bartered one kind of stuff they had in abundance for another kind that they needed (or wanted). That may be true, but little appreciated in our market-oriented Western worldview, there was once an even older gift economy.

The Gift, among other related topics, explores the gift economy, which characterized the lifeways of many American Indian peoples. Hyde provides the key to understanding many of the stories in our book.

Hunters are portrayed as “visiting” the lodges of beavers, moose, and bear. They come bearing gifts that only humans can create through artifice or cultivation: knives and tobacco, for example—things much prized by the animal recipients.

In turn—but not necessarily in return—the animals give the humans their flesh and fur. The bones are their somatic souls, which should not be broken, but returned to the element from which they came—earth or water—to be reclothed in flesh… show more.

I have always been fascinated by the artists who created Disney’s shorts and animated features. I was also looking for a book showcasing pre-production artwork I had never seen before.

John Canemaker’s seminal book, which explores the lives and careers of Disney’s “concept artists,” made my dreams come true. It is a volume that is both an absolute delight to read (Canemaker is one of the very best writers alive) and a feast for the eyes. This is the book that inspired me to write my own art books.

This is one of only a few books I’ve found that looks directly at the way writers can use dream awareness in their creative practice. It’s a collection of interviews with twenty-six well-known authors compiled by dream researcher and radio-show host Naomi Epel, in which they talk about specific dreams that have inspired them and their thoughts about dreaming in general. I bought a copy to dip into on the train to London for a meeting but found it so fascinating, I abandoned my plan to do some sightseeing afterward, and made instead for the nearest bench and takeaway coffee, to spend the afternoon reading.

This book is perfect for anyone who likes to see research that supports what they believe. There’s science behind the study of creativity and Wired to Create does an excellent job explaining it. Based on psychologist Scott Barry Kaufman’s groundbreaking research, this book offers a glimpse inside the “messy minds” of highly creative people. Kaufman and Carolyn Gregoire study the latest findings of neuroscience and psychology, and the practices of well-known “creatives,” concluding that we are all, in some way, wired for creating, and everyday life presents endless opportunities to express that.