95 Books Like The Accident Man

Tom Wood immediately swept to the top of my list of great thriller writers when I read this book. It’s the first in the Victor Assassin series and its adrenaline-fuelled excitement gripped me from the first sentence to the final full stop.

Victor is hired to kill a man in Paris and to take the memory stick he is carrying, but Victor’s paymasters aren’t all they seem, and Victor quickly finds himself at the wrong end of a gun barrel when a hit squad is sent to eliminate him.

But Victor won’t be taken out that easily. He shoots his way free of the ambush and fights to stay alive long enough to work out who’s behind what’s happening. The underlying plot is slowly revealed and leads to a great dramatic conclusion.

This is the spy thriller that started it all! I was a huge fan of the Matt Damon trilogy and had always been an avid reader, so naturally, I gravitated toward the original novel, which was far better than the film.

Popular action thrillers tend to suffer from one of two diseases: “soldier syndrome,”—meaning the author knows what he or she is writing about but isn’t a master of the language—or from “poser-itis,” which is when the writer is good with a pen but would be too scared to use it to gauge out an eye if he or she had to.

So it’s a rare wordsmith who can understand the deepest, most primal parts of the human psyche and then put it into a literary form that delights the eyes and ears. Ludlum is one such writer.

Although this is non-fiction, I’ve included this book in my list because it’s written in a thriller style. The true-life security service missions it describes are written like a first-person novel and are as page-turning as many thrillers.

The author was an officer in a secret group responsible for counter-terrorism, and these tales of his missions are delivered, not like a record of events, but as a story. I don’t frequently read non-fiction, but I recommend this because of the way in which the content is presented. You’re there – you feel the adrenalin, the fear, and the tension as the missions unfold on the pages.

This is another book of heart-pounding excitement from first page to last. Lex Harper is an assassin used by the British government’s shady department called The Pool, which has the remit to work in unconventional ways to achieve its goals.

The main storyline relates to a rogue soldier who persuades ISIS to support his desire to launch an attack on British soil. When The Pool learns what is happening, they hire Harper to neutralise him.

I wouldn’t rank it as highly as my other favourite picks because I found a few parts of the plot rather unrealistic, but the never-ending action and excitement dragged me through the book at high speed, so I definitely still enjoyed it overall and award it a place among the others.

London is basically built over layer upon layer of graves. I was thoroughly fascinated by the Bronze Age tumulus on Parliament Hill, which Arnold calls one of the oldest burial grounds in the city, predating Highgate Cemetery by over 4000 years.

The book really grabbed me when it explored the plague pits of the Middle Ages. I could have read much more about those centuries, although so little seems to be left above ground to mark them. The Tudor chapters were equally fascinating.

Once the book moves into the exquisite Victorian-era graveyards, Arnold hits her stride. If you are new to the study of all things dead in London, this is crucial material.

My father was Welsh, and so I’m drawn to Welsh stories and history. Feet in Chains is about Jane and Ifan Gruffydd’s struggle to keep body and soul together on their small holding near Caernarfon, and raise their children. Ifan is a quarryman, at the mercy of powerful employers who can lower wages or increase hours at will. Kate Roberts was herself the daughter of a quarryman and was brought up on her parents’ smallholding in Caernarfonshire. Like two of the Gruffydd children, she won a scholarship enabling her to attend school. She became a teacher, but had to give up her career when she married because of the marriage bar on women. Her personal experiences give the novel much of its power. 

I came across this book at a bring-and-buy sale in West Wales and it has become one of my firm favourites. It tells the story of Faye Ludlow whose husband is impatient for her to adapt to life in his family's ancient manor house. As the Second World War unfolds and nearby Dover comes under daily bombardment, Faye struggles to save not only her marriage but the family's finances threatened by her husband's increasingly grandiose schemes. Any sense of purpose she acquires from her war work as an ambulance driver is bolstered by an unlikely friendship with an enigmatic London banker. A story for any of us who have ever faced temptation.

While I was born in the United States, New Jersey to be exact, I have always had an affinity for England.  At the time of my birth, my mother was still a ‘subject of the Crown’ and a ‘British Citizen’. She did not become an American Citizen until I was nearly ten years old. So theoretically, I was born a dual citizen of both America and England.  Perhaps that is why I am such a big fan of Netflix's The Crown. As for the book Zombie Apocalypse!, it takes place in England and gives you a glimpse of how those across the pond would handle the apocalypse. Hopefully, this is not a spoiler, but one of the most memorable parts of the book features the Queen alongside a zombie Prince Charles and zombie Princess Diana, need I say more.

Neal Gabler is one of our most astute cultural critics.

I met him when I invited him to be my guest in a Princeton seminar called “Writing about Popular Culture.”

He talked compellingly about his books like Winchell: Gossip, Power and the Culture of Celebrity and An Empire of Their Own: How the Jews Invented Hollywood, which carefully examined the inner workings of entertainment and celebrity. 

In Life: The Movie, Gabler takes the argument even further, drawing on examples ranging from Elizabeth Taylor and Tom Cruise to Princess Diana and Oprah Winfrey to show how celebrity hagiography has turned everything from news to religion and politics into an inescapable public entertainment. 

This is a third book which appears to be a biographical account of Diana Spencer’s life in the royal family. It really focuses on the interaction between the monarchy and the press. The two are in a relationship that is sometimes acrimonious and sometimes symbiotic. It’s impossible to understand how the media establishment and the monarchy function without reading Brown’s book. She was herself the editor of major magazines on both continents. For a while, she ran Vanity Fair and later The Daily Beast. She was married to a prominent newspaperman who held prominent roles in London and New York. She knows what she’s talking about.