Here are 18 books that That This fans have personally recommended if you like
That This.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
This book is a classic for a reason. It’s a sobering (and deeply entertaining) look at the industry of death.
With so few universal truths, one would imagine that humanity’s shared capacity to understand our own mortality would be a source of connection. Instead, it feels like the mechanics of death and everything surrounding it, get shoved under the carpet in our desperation to avoid the topic.
As Mitford lifts the veil on the funeral industry, it becomes apparent how important it is to shine a light on the things we’re most afraid of.
Only the scathing wit and searching intelligence of Jessica Mitford could turn an exposé of the American funeral industry into a book that is at once deadly serious and side-splittingly funny. When first published in 1963, this landmark of investigative journalism became a runaway bestseller and resulted in legislation to protect grieving families from the unscrupulous sales practices of those in "the dismal trade."
Just before her death in 1996, Mitford thoroughly revised and updated her classic study. The American Way of Death Revisited confronts new trends, including the success of the profession's lobbyists in Washington, inflated cremation costs, the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am an artist, writer, and director of The Wellspring Studio, LLC. When my husband and creative partner, the singer/songwriter Garrison Doles, died unexpectedly just a few years after we were married, I found that I very much did not want to read about grief. I especially did not want to read about managing it or coping with it. Still, there were books that mysteriously found their way to me and drew me in, not with strategies for getting through the grief but with creative, poetic, artful, sometimes offbeat tellings of living with sorrow. These are some of my favorites among them.
I first met this book on the last visit Gary and I made to a beloved bookstore in Seattle. After he died, I remembered it and tracked it down. It is an accordion book, its folded pages nested in a sturdy box. It was made, Carson writes, as an epitaph for her brother.
Among the folds, we find ephemera evoking his memory, and hers: fragments of notes, torn photos, drawings, paintings, scribbles. Running through the pages—a portion appears on the left side of each spread—is Carson’s translation of a poem by the Latin poet Catullus, written after the death of his own brother. The result is an assemblage that testifies to the chaos of grief and the curious beauty it can hold.
Nox is an epitaph in the form of a book, a facsimile of a handmade book Anne Carson wrote and created after the death of her brother. The poem describes coming to terms with his loss through the lens of her translation of Poem 101 by Catullus "for his brother who died in the Troad." Nox is a work of poetry, but arrives as a fascinating and unique physical object. Carson pasted old letters, family photos, collages and sketches on pages. The poems, typed on a computer, were added to this illustrated "book" creating a visual and reading experience so…
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
Writing about crime is understandably fraught. Some true crime stories are told with genuine care and attention to impact, while others are definitely…not.
In Jane, Nelson finds a way to grapple with the death of her aunt and the impact it is had on her and her family. It was a guiding light for me when I thought about ways to tell an unwieldy story about murder.
Nelsonleans on honesty, compassion, and curiosity to stay safely away from the most common true crime traps, and the result is a wonderful, affecting book.
Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours.
Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
In I, Afterlife, Prevallet writes, “The text that is grieving has no thesis: only speculations.”
This short, sturdy book has been something of a roadmap for me when writing about grief. After her father commits suicide, Prevallet is left with many unanswerable questions, so she presents for her reader the questions, big and small, along with her speculations.
The subtitle, Essay in Mourning Time,points toward what I find so compelling about this work. The book is written from the place of grief—the way it shifts our relationship to time and truth and objects—and in the voice of mourning.
Poetry. Essays. Much admired by her contemporaries for her experiments in poetic form, Kristin Prevallet now turns those gifts to the most vulnerable moments of her own life, and in doing so, has produced a testament that is both disconsolate and powerful. Meditating on her father's unexplained suicide, Prevallet alternates between the clinical language of the crime report and the lyricism of the elegy. Throughout, she offers a defiant refusal of east consolations or redemptions. Driven by "the need to extend beyond the personal and out the toward the intolerable present," Prevallet brings herself and her readers to the chilling…
Even though I am a scientist who has written over 130 scientific articles, I have a longstanding passion for scientific books that are written for non-scientists. I love books about science, no matter how distant they are from my area of expertise. To me, the best science books convey the excitement of science and scientific thinking in an accessible manner, but without pandering or dumbing things down. My favorite books tackle big ideas and respect the reader’s intelligence. My choices here reflect my core interests in biology, evolution, and behavior—and the aesthetics of science, too. I hope you enjoy them as much as I have.
If you are interested in understanding the roots of human invention, this is your book. Too often we attribute inventions—and the creative spark underlying them — to a mysterious force or a special gift. In this book, Henry Petroski, an engineer, shows us the process by which inventions come about. That process is an evolutionary one that often relies on trial and error. Petroski illustrates his ideas and develops his themes using the most mundane of objects, such forks, paper clips, and zippers. If even such seemingly simple objects evolved, what must that say about computers, rockets, and even humans?
How did the table fork acquire a fourth tine? What advantage does the Phillips-head screw have over its single-grooved predecessor? Why does the paper clip look the way it does? What makes Scotch tape Scotch?
In this delightful book Henry, Petroski takes a microscopic look at artifacts that most of us count on but rarely contemplate, including such icons of the everyday as pins, Post-its, and fast-food "clamshell" containers. At the same time, he offers a convincing new theory of technological innovation as a response to the perceived failures of existing products—suggesting that irritation, and not necessity, is the mother…
I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
In 1990, Stan Rowe destroyed my narrow worldview. As a newspaper columnist in Saskatoon, on the Canadian prairie, I wrote about “the environment”. A cold, clinical term environment, wrote Rowe—a thing outside us, separate. Instead, call it what it is: our homeplace, embracing us, part of us.
Rowe’s love for the land transformed the prairie, typically thought to be dull, into the home I, too, loved. Every Winter day I had to walk the trembling aspen paths by the Saskatchewan River. In spring, I had to find that first shock of color, the purple prairie crocus. Now, in summer, I jumped in the cold river and went with the current. Now, in the fall, I searched out the elusive whooping crane. Stan woke me up, to my, to our homeplace.
First released in 1990, the essays in Home Place range from the personal—the search for a childhood vision of pristine grassland, the boy who goes from hunting to respecting wildlife and the living space around him—to theory on land use, environmental law, agriculture, education, and technology as it affects the relationships between humanity and the Ecosphere.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
When one of the most consequential and erudite scientists of the era summarizes his learning from a life of keen observation and attempts to present all fields of knowledge in a coherent whole, I listen up.
I am especially attentive because E.O. Wilson, a champion of conservation I personally admire, is an exceptionally good writer. So good, in fact, that I found this deep dive into everything a delight to read and an invaluable source for my own writing.
In this groundbreaking new book, one of the world's greatest living scientists argues for the fundamental unity of all knowledge and the need to search for what he calls consilience, the composition of the principles governing every branch of learning. Edward O Wilson, the pioneer of sociobiology and biodiversity, once again breaks out of the conventions of current thinking. He shows how our explosive rise in intellectual mastery of the truths of our universe has its roots in the ancient Greek concept of an intrinsic orderliness that governs our cosmos. It is a vision that found its apogee in the…
I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
Six hundred and fifty pages and every one fascinating, in the true sense of the word, i.e. it cast a spell on me. I read this the one and only time I joined a book club led by a visual artist, which made perfect sense as the book is not only richly illustrated with extraordinary images of paintings, sculpture, and drawings, the author argues that our experience of nature is entirely mediated by art.
We can’t, for example, see a tree, except from an inner perspective shaped by mythic trees seen in some paintings, even a picture postcard or poem from our Grade 8 reader. Using the most extraordinary (have to use that word again) examples, Schama convinced me that every natural thing I see is a mythological artifact.
A Time Magazine Best Books of the Year. In Landscape and Memory, award-winning author Simon Schama ranges over continents and centuries to reveal the psychic claims that human beings have made on nature. He tells of the Nazi cult of the primeval German forest; the play of Christian and pagan myth in Bernini's Fountain of the Four Rivers; and the duel between a monumental sculptor and a feminist gadfly on the slopes of Mount Rushmore. The result is a triumphant work of history, naturalism, mythology, and art, as encyclopedic as The Golden Bough and as irresistibly readable as Schama's own…
I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
This book scared the hell out of me and, at the same time—because the author offers credible solutions—gave me hope. In all his books, Homer-Dixon does something I can’t get enough of: he presents unfamiliar, often surprising facts about reality in the context of stories, especially stories about the people that uncover them.
The accumulated information and stories reveal a truth, in this case, that human ingenuity, the force that built civilization, may no longer be sufficient to get us out of the mess of problems we have created through its application. Homer-Dixon transformed my writing style.
Despite all of society’s advances, our problems proliferate. Wars abound, environmental degradation accelerates, economies topple overnight, and pandemics such as AIDS and tuberculosis continue to spread. The Internet and other media help to disseminate knowledge, but they’ve also created an “info-glut” and left us too little time to process it. What’s more, advances in technology have made the world so bewilderingly fast-paced and complex that fewer people are able even to grasp the problems, let alone generate solutions. That space between the problems that arise and our ability to solve them is “the ingenuity gap,” and as we careen towards…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Being an immigrant from India, a culture that places family values above all else, I am drawn to books that explore family conflicts, secrets, and the triumph of love against all odds. When an author incorporates these themes into a mystery, the book becomes more than a simple formulaic whodunnit story that educates me about the complexities of our lives.
This novel gave me an insight into the cloistered grounds of a convent where two nuns are found, one dead, one mortally wounded. The killings appear to be without motive, without an obvious suspect, and are further complicated by the murder and mutilation of a third woman. A medical examiner Maura Isles and a homicide detective Jane Rizzoli (both introduced in earlier Tess Gerritsen novels) uncover an ancient horror that connects these terrible slaughters. I love the camaraderie between Isles and Rizzoli despite their contrasting personalities, and the fact that the story takes us to a distant land where it all started.
***NOW WITH A SNEAK PREVIEW OF TESS GERRITSEN'S LATEST THRILLER, I KNOW A SECRET***
JUDGEMENT DAY IS COMING . . .
'Absolutely riveting - you won't be able to put this down' Mo Hayder
Two nuns are brutally attacked within the walls of their convent. There seems to be no shred of motive. But during the autopsy Forensic Pathologist Maura Isles discovers something entirely unexpected.
And when a second, heavily mutilated body is found and linked to the case, she and Detective Jane Rizzoli find themselves in the midst of a terrifying investigation that seems to implicate everyone.
