Here are 24 books that Home Place fans have personally recommended if you like
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I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
When one of the most consequential and erudite scientists of the era summarizes his learning from a life of keen observation and attempts to present all fields of knowledge in a coherent whole, I listen up.
I am especially attentive because E.O. Wilson, a champion of conservation I personally admire, is an exceptionally good writer. So good, in fact, that I found this deep dive into everything a delight to read and an invaluable source for my own writing.
In this groundbreaking new book, one of the world's greatest living scientists argues for the fundamental unity of all knowledge and the need to search for what he calls consilience, the composition of the principles governing every branch of learning. Edward O Wilson, the pioneer of sociobiology and biodiversity, once again breaks out of the conventions of current thinking. He shows how our explosive rise in intellectual mastery of the truths of our universe has its roots in the ancient Greek concept of an intrinsic orderliness that governs our cosmos. It is a vision that found its apogee in the…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
I’m a prairie boy, son of the pioneers and all that. But I, like other prairie settlers’ descendants, grew up blissfully ignorant of our history. Daschuk’s book shatters that ignorance. It should be required reading for every child and adult in Canada, and it wouldn’t hurt Americans to read it too, as the story of colonial disaster for the Indigenous people throughout the continent is all of a kind. It is so very sad.
But ”the truth shall set you free.” We need this book as a foundation for reconciliation for past and present wrongs, to inform a new society on the Great Plains that includes everyone, at long last.
In arresting, but harrowing, prose, James Daschuk examines the roles that Old World diseases, climate, and, most disturbingly, Canadian politics--the politics of ethnocide--played in the deaths and subjugation of thousands of aboriginal people in the realization of Sir John A. Macdonald's "National Dream." It was a dream that came at great expense: the present disparity in health and economic well-being between First Nations and non-Native populations, and the lingering racism and misunderstanding that permeates the national consciousness to this day. " Clearing the Plains is a tour de force that dismantles and destroys the view that Canada has a special…
I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
Six hundred and fifty pages and every one fascinating, in the true sense of the word, i.e. it cast a spell on me. I read this the one and only time I joined a book club led by a visual artist, which made perfect sense as the book is not only richly illustrated with extraordinary images of paintings, sculpture, and drawings, the author argues that our experience of nature is entirely mediated by art.
We can’t, for example, see a tree, except from an inner perspective shaped by mythic trees seen in some paintings, even a picture postcard or poem from our Grade 8 reader. Using the most extraordinary (have to use that word again) examples, Schama convinced me that every natural thing I see is a mythological artifact.
A Time Magazine Best Books of the Year. In Landscape and Memory, award-winning author Simon Schama ranges over continents and centuries to reveal the psychic claims that human beings have made on nature. He tells of the Nazi cult of the primeval German forest; the play of Christian and pagan myth in Bernini's Fountain of the Four Rivers; and the duel between a monumental sculptor and a feminist gadfly on the slopes of Mount Rushmore. The result is a triumphant work of history, naturalism, mythology, and art, as encyclopedic as The Golden Bough and as irresistibly readable as Schama's own…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
This book scared the hell out of me and, at the same time—because the author offers credible solutions—gave me hope. In all his books, Homer-Dixon does something I can’t get enough of: he presents unfamiliar, often surprising facts about reality in the context of stories, especially stories about the people that uncover them.
The accumulated information and stories reveal a truth, in this case, that human ingenuity, the force that built civilization, may no longer be sufficient to get us out of the mess of problems we have created through its application. Homer-Dixon transformed my writing style.
Despite all of society’s advances, our problems proliferate. Wars abound, environmental degradation accelerates, economies topple overnight, and pandemics such as AIDS and tuberculosis continue to spread. The Internet and other media help to disseminate knowledge, but they’ve also created an “info-glut” and left us too little time to process it. What’s more, advances in technology have made the world so bewilderingly fast-paced and complex that fewer people are able even to grasp the problems, let alone generate solutions. That space between the problems that arise and our ability to solve them is “the ingenuity gap,” and as we careen towards…
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
Susan Howe always asks her reader to participate, to really show up.
That This is comprised of three sections. The first is an essay about the death of her husband. I love the way you can witness her grieving mind at work as it seeks connection and meaning. Then, the narrative gives way to sections of the book which become more abstracted.
Her focus, form, and topic shift, but the book is solidly grounded in the introductory essay so that you must navigate these more complex waters through the lens of grieving she has given you. I find That Thisremarkably comforting in its honesty and patience.
"What treasures of knowledge we cluster around." That This is a collection in three pieces. "Disappearance Approach," an essay about Howe's husband's sudden death-"land of darkness or darkness itself you shadow mouth"-begins the book with paintings by Poussin, an autopsy, Sarah Edwards and her sister-in-law Hannah, phantoms, and elusive remnants. "Frolic Architecture," the second section-inspired by visits to the vast 18th-century Jonathan Edwards archives at the Beinecke and accompanied by six photograms by James Welling-presents hauntingly lovely, oblique type-collages of Hannah Edwards Wetmore's diary entries that Howe (with scissors, "invisible" Scotch Tape, and a Canon copier) has twisted, flattened, and…
I consider myself not only a student of satire, but also as a master practitioner with an innate and instinctive aptitude for it—like those born with perfect pitch or hand-eye coordination, kind of like an idiot savant, only hopefully without the idiot part. Satire is the perfect literary platform because it allows both the writer and the reader to explore the landscape of the human experience, the absurdity, the grandeur, the mystery, the horror—not with a sermon or a polemic or a sigh, but with a laugh and a nodding smile of recognition.
Because it was not only a thick* book, but it proved that you can think a book is crap one day, and absolutely love it the next**.
I was going to have an impacted wisdom tool chiseled out and wanted a book for my convalescence. It had a great cover, so I flipped open to the first page and read the opening line—something like, “Amoebas don’t have bones…”.
I bought it and had the wisdom tooth removed, which evidently actually removed the wisdom needed to appreciate the writing.
Time passed, and I gave the book another try—evidently the wisdom had returned because what had once been chaotic and confusing and stupid, was now delightfully random and effortlessly insightful, and really really fun. I loved this book.
* At least it seemed thick to me at that age.
** Actually, it wasn’t the next day, it was actually about a year…
Starring Sissy Hanshaw-flawlessly beautiful, almost. A small-town girl with big-time dreams and a quirk to match-hitchhiking her way into your heart, your hopes, and your sleeping bags...
Featuring Bonanza Jellybean and the smooth-riding cowgirls of Rubber Rose Ranch. Chink; a lascivious guru of yams and yang. Julian; a Mohawk by birth; asthmatic aesthete and husband by disposition. Dr. Robbins, preventive psychiatrist and reality instructor...
Follow Sissy's amazing odyssey from Virginia to chic Manhattan to the Dakota Badlands, where FBI agents, cowgirls, and ecstatic whooping cranes explode in a deliciously drawn-out climax...
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I may not be an expert ornithologist, but I am an avid “birdologist” to borrow a term from Sy Montgomery—one who is awed and fascinated by all things bird. Bird-watching is meditative—it helps me to be present and to feel joyful. I love reading, learning, and writing about birds too! I am the author of these bird books: Hawk Rising, illustrated by Brian Floca, Whoo-Ku Haiku, illustrated by Jonathan Voss, and the forthcoming You and the Bowerbird, illustrated by Maris Wicks. I love writing about the natural world and its inhabitants as well as dogs—another love of mine!
Both Jennifer Ward and Diana Sudyka are two of my favorite kid lit creators, and this brilliant collaboration begs to be read aloud. Ward’s lyrical text sings as an introductory guide for the littlest bird watchers, showing them where to look for birds: up to see them fly and roost—but not just up—down on the ground where birds nest, straight ahead where they blend with bark, on and under the water. And if you put out a birdfeeder, all you need is a window-view. But what’s the best way to find a bird? To listen—birdsong is all around us! Sudyka’s gorgeously intricate art paints the avian details of all the found birds. Don’t miss the back matter for bird-watching tips.
A joyful and informative guide to birdwatching for budding young birders from an award-winning author-illustrator duo.
How do you find a bird? There are so many ways! Begin by watching. And listening. And staying quiet, so quiet you can hear your own heartbeat. Soon you’ll see that there are birds everywhere—up in the sky, down on the ground, sometimes even right in front of you just waiting to be discovered!
Young bird lovers will adore this lushly illustrated introduction to how to spot and observe our feathered friends. It features more than fifty different species, from the giant whooping crane…
Much of what Deb knows about writing, nature, and life she learned in Alaska, where she also mastered the art of hauling water and cooking ptarmigan. She loves characters who tug at the heart and stories that grab you from the opening line and never let go. Deb is the co-founder of Alaska’s 49 Writers, and she has been invited to join the faculty at several writers’ conferences. After 36 years in Alaska, she now lives on Oregon’s north coast, where you’ll find her strolling the beaches and forests with her husband and boxer dog.
While researching my most recent bookI wanted to explore the various ways people have interacted with wildlife throughout history. Mooellam’s book proved exactly what I was looking for. Fun and readable, it was a pleasant counterbalance to some of the hefty tomes I consulted, and yet it left me with much to think about.
"Intelligent and highly nuanced... This book may bring tears to your eyes." -- San Francisco Chronicle
Journalist Jon Mooallem has watched his little daughter's world overflow with animals butterfly pajamas, appliqued owls-while the actual world she's inheriting slides into a great storm of extinction. Half of all species could disappear by the end of the century, and scientists now concede that most of America's endangered animals will survive only if conservationists keep rigging the world around them in their favor. So Mooallem ventures into the field, often taking his daughter with him, to move beyond childlike fascination and make those…
I write picture books about nature to inspire curiosity and care for our planet. I have been writing about wildlife conservation and particularly endangered species since studying ecology, campaigning with Greenpeace, and working with the Natural History Museum in London. Now as a full-time author, I have an extraordinary opportunity to learn through experience and in conversation with scientists, teachers, and children about how best to tell this ever more urgent, evolving story. The statement "Ecology? Look it up! You’re involved" writ large in 1969 by the first Greenpeace campaigners on billboards around Vancouver, still says it all for me.
Michelle Nijhuis tells the history of conservation over the last three hundred years with compelling narrative and fascinating detail. She shines a new light on the context and stories of familiar as well as lesser-known, pioneering conservationists. I loved it and learnt so much.
Beloved Beasts explores different perspectives of an increasingly desperate human story. Cutting to the underlying narrative… "people are still killing too many animals and destroying too much habitat" Nijui urges that as our societies become ever more connected, perhaps there is hope that we humans can sort ourselves (and our planet…) out. Let’s hope so.
In the late nineteenth century, humans came at long last to a devastating realisation: their rapidly industrialising and globalising societies were driving scores of animal species to extinction. In Beloved Beasts, acclaimed science journalist Michelle Nijhuis traces the history of the movement to protect and conserve other forms of life. From early battles to save charismatic species such as the American bison and bald eagle to today's global effort to defend life on a larger scale, Nijhuis's "spirited and engaging" account documents "the changes of heart that changed history" (Dan Cryer, Boston Globe).
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I've read mysteries of all types since I was young. Unfortunately for my publishers, I like to write in several different genres too. Everyone loves a mystery, a puzzle, sussing out the hidden. If you think you don’t like mysteries, then I think you just haven’t found your genre yet. Reading a mystery is like treasure hunting, we all want to find the gold. I love clever dialogue, characters you want to meet in real life, and accompany them while solving a mystery. All the books I have recommended have an overarching mystery element. I write like that too, also, one element links all my books regardless of genre. Happy treasure hunting!
In this cozy mystery Mable and Violet are fast friends and have odd adventures. I think everyone needs a partner in crime, so to speak. This is a series; each book has a different theme, which I like. This story is set in a theatre, a one-act play competition in small town Saskatchewan, Canada. From my experience in little theatre odd things do happen. Like in my writing, this story has humour, intrigue, and enduring friendship. The added bonus, a theatre critic who has it coming. I like figuring out who had the biggest axe to grind and what motives each character is hiding.
Murder is a hard act to follow. All the drama does not take place on the stage at the Glenhaven Drama Festival. A collection of amateur actors with big egos land in Mabel Havelock’s hometown. And Mabel’s acting debut is not the only thing on her mind. Mysterious accidents and sabotage are plaguing the festival.
Mabel and her best friend Violet Ficher are determined to ferret out the culprit. The problem is why? Who has anything to gain? And why did Sherman have to die?
