100 Books Like Terrorism

This is an accessible book for those who want to learn about some of the arguments in favor of a just war tradition and pacifist arguments against any use of political violence. Coady does justice to both traditions. He defends the sometimes neglected or misunderstood “doctrine of double effect” to offer a compelling argument against the deliberate use of terrorist violence by either nonstate or state actors against innocent non-combatants. While not popular nowadays, Coady makes a compelling case that unless we take the doctrine of double effect seriously, noncombatant immunity would be significantly reduced. Our ordinary intuition shows that if we remove the idea of intentionality from evaluating people’s behavior, especially in war, we are virtually giving a carte blanch for all parties involved to deliberately target the innocent. 

Louise Richardson’s book is an insightful investigation for people who want to understand the motivation of terrorists and their supporters, especially those who engage in suicide terrorism. She makes a persuasive argument that suicide terrorists are motivated by political objectives understood in the broad sense of this term. They have long and short-term political objectives among which are revenge, renown, and reaction. She refers to these motives as the three Rs. She contends that those who engage in suicide operations are disaffected individuals supported by a community that espouses a legitimizing ideology, be it political, religious, or both. As result, their deep-seated grievances can turn into deep-seated resentment against powerful nations which they blame for intervening in their own country. For example, they oftentimes blame the US government for maintaining a presence in Islamic countries, including supporting despotic and nepotic regimes, such as the present Kingdom of Saudi Arabia. 

O’Donovan offers us a short but elegantly written book on just war from antiquity to the present. He convincingly argues in favor of the foundational role that religious and theological ideas going back to St. Augustine and St. Thomas Aquinas play in the development of a Christian just war approach. He underscores that what we have come to understand as “just war theory” is a misnomer. There is no such thing as just war theory but rather a proposal of practical reason to develop good judgments in the light of armed conflict or war. The backbone of these good judgments is that the deliberate killing of innocent noncombatants is never morally justified. This prohibition remains constant whether we are dealing with counterinsurgency, the development and use of weapons of mass destruction, or terrorism. 

Fotion has written a short and accessible book for a general audience defending the relevance of just war theory to address issues of war. He distinguished between two different conceptions of just war: one that applies to interstate armed conflicts and one that applies between states and non-state actors. While the distinction between interstate armed conflicts and those between state and non-state actors might be useful at times, the principles of jus ad bellum (the right to wage war) based on the right of self-defense and jus in bello (the right way to wage war) based on respecting the immunity of innocent civilians remains constant in both types of armed conflict. Yet since he explores the nuances of both approaches, his book is a welcome development illustrating the relevance of the just war tradition nowadays.

Grigory Baklanov (born Grigory Friedman) belonged to the generation of soldiers that faced the full brunt of the German attack on the Soviet Union and of whom only 3% survived. Forever Nineteen (trans. Antonina Bouis) is a tribute to the men who remained forever young; as the author elucidates in the introduction to the novel’s American edition, “I wanted them to come alive when I wrote this book, I wanted people living now to care about them as friends, as family, as brothers.” Baklanov had attained international renown with his 1959 novel The Foothold [An Inch of Land], which appeared in 36 countries. His portrayal of the war is more personal than Grossman’s and has a different angle: rather than depicting famous battles, he is concerned with ordinary soldiers’ lives, which can be cut short at any moment. (Disclosure: Grigory Baklanov is my father.)

Andreas Huyssen is the author of many distinguished books, but this one is especially important because it expanded the study of public memory to South America, which has had its own share of traumatic pasts to memorialize. Huyssen argues that World War II and the Holocaust have provided  “templates” for memorialization that have been adapted by the Memory Park in Buenos Aires, among other examples. 

Generally speaking, I hate anything that hints at theory. But this slim volume, which investigates the relationship between states of war and how we understand time, is grounded solidly in reality and does not require mental gymnastics to understand.

Using the examples of World War II, the Cold War, and the Global War on Terror, Dudziak made me rethink how we define when it’s “wartime” vs. when it’s “peacetime” and why that matters. Her argument is about how war has not been a time out of time or aberration, so treating war as a period when different rules apply has real consequences.

The book pushed me to rethink how and when I silo ideas, time, and events and how dangerous silo’ing can be.

This book reports on a research project, this time undertaken by Christopher Alexander and his students.  It is one of a number of books that attempts to ask deep questions about how places grow, and in particular about how they can grow positively in a manner that we instinctively feel to be ‘good.' Like Cullen’s book, this deeply influenced my own studies, this time of planning, when I remember conducting an experiment focused on piecemeal growth with a fellow student. The project emulated Alexander’s method and taught me a key lesson that has informed my own work ever since, namely that urban design is primarily a process. Get the process right and you are much more likely to get the outcomes you desire.

Kermode is a literary critic and this book is a study of apocalyptic narrative throughout the ages. But as Lowith shows, all Western historical thought is apocalyptic. Kermode takes this point further by looking not just at the Bible, but also Roman philosophy, modern English poetry, and more. It might sound like a bit of a detour, only it doesn’t feel that way when he brings it all to a head in an early diagnosis of the postmodern condition. Because we now know the power of stories, he argues, they can only continue to do their work by ‘defying our sense of reality.' Talk about the ultimate cliffhanger!

This book was instrumental in introducing the English-speaking world to Modern Art. As criticism, it taught readers how to appreciate Neo-Impressionism. But it was also a seminal contribution to Anglo-American philosophy. By demanding an answer to the question “What is Art?” Bell set the agenda for subsequent philosophers who sought to develop a definition of art in response. Bell’s own answer is that something is art if and only if it possesses significant form which itself is the cause of aesthetic emotions. Bell’s emphasis on significant form earned him a reputation as one of the foremost Philosophical Formalists.