100 Books Like Take a Chance on Me

Hoang’s writing throws light on autism. Violinist Anna is an internet sensation who is experiencing burnout. When her serious boyfriend suggests an open relationship before they marry. Anna’s ASD diagnosis and her anger propel her to change her life. In steps Quan, a tattooed motorcyclist, the classic bad boy for a one-night stand. However, Quan is fighting his own demons, a cancer survivor who’s dating again. In Quan, Anna finds a man who understands her uniqueness and blossoms until a family tragedy thrusts Anna into life with no control. Quan and Anna’s relationship takes a back seat. Hoang’s book opens the world of Asian families and Anna’s loss of autonomy as her family coerces her to step up as a caregiver, as is often experienced in the migrant community.

Syal’s story centres on three childhood friends who grow up in East London. Tania is under pressure to create a cutting-edge documentary on Asian marriages for her employer and is reassessing her life, as a girlfriend to Martin, and a dutiful daughter to her ailing father. While Sunita faces an age-related crisis, her dismal job, her lifeless marriage, and self-harming. The only one who has her life in order is Chila, a naïve, dutiful wife and daughter. As the story unfolds, we find that living in a migrant community and keeping to traditional values is complicated. A poignant insight into the lives of the Punjabi community in the UK and first-generation children who struggle with cross-cultural clashes while keeping their toes in their heritage in different ways.

Kevin Kwan takes a well-educated, confident Chinese-American woman and shows us how different her partner’s culture in Singapore is when she goes home with him and his family doesn’t accept her. I love how she doesn’t give up without a fight. I also enjoyed the side story about Aster and her husband. Nick and Aster were two of my favorite characters because of the humbleness they exude.

Beyond the characters, the clothing, the homes, the cars, the parties—it all blew my mind. I felt like I was Rachel, and all of it was happening to me. As soon as I finished the first book, I devoured the other two in the series. Kevin Kwan gives details that easily pull his readers into the story, causing them to wonder what crazy thing will happen next.

Dev’s book is an escape into the exuberance of migrant families from India. Ria is a reclusive Bollywood actress, who betrays Vikram, her childhood sweetheart, to protect him from the same fate as her father. Ten years later, Ria returns to Chicago for her cousin Nik’s wedding, knowing she will meet Vik again. For Ria, the loving embrace of her family and found family provides the safety and love she needs to reassess her life in Bollywood. For Vik meeting Ria again brings back all the pain he thought he had recovered from after her betrayal. In the two weeks, Ria and Vik rekindle the love they have both denied. A beautifully written story of migrants who embrace their life in America but still hold on to their Indian heritage.

I absolutely adore stories where a seemingly innocuous vacation turns on its heels into a gripping, out-of-this-world adventure. And this book is exactly that! When Ash (Ashoka) Mistry, an Indian mythology geek who lives in England, visits his aunt and uncle in Varanasi, the holy city of the Ganges in India, strange occurrences begin to happen, and Ash discovers that heroes and monsters of Indian myths have come back to life. Top that up with one character wanting to bring back Ravana, the demon king with ten heads and the ultimate essence of evil, and you have an adventure that’s got you at the edge of your seat!

This book is a riveting exploration of the major goddess festival in India, Navaratri, and a follow-up volume of the popular Nine Nights of the Goddess.

I love this book because it dives into the regional diversity of the festival, taking me on a journey into the many ways that the goddess is celebrated throughout India and into the lives of her devotees. What I find so mesmerizing about Nine Nights of Power is the balance between breadth and depth that gives me a flavor of the diversity of the traditions with deep dives into the individual case studies. 

Although I contributed to this volume, I am recommending it not because of that but because it has a couple of excellent chapters on Gandhi. Best known is Shahid Amin’s, "Gandhi as Mahatma: Gorakhpur District, Eastern UP, 1921-2". In this, he examines Gandhi’s fleeting visit in February 1921 to Gorakhpur District, a largely rural area close to the border with Nepal – showing how this visit was understood by the local peasantry. Many tales circulated, many of which involved the idea that Gandhi had the power of rewarding those who accepted his message and punishing those who did not in supernatural ways. The chapter provides a superb analysis of the ways in which his message was filtered and changed in ways that Gandhi himself not only had no part in, but which he – when brought to his notice – repudiated. The chapter by Partha Chatterjee, "Gandhi and the Critique… show more.

Set in South India in the 1950s, this is a story of Meera, Manuel, and Shankar—three conflicted souls, each with secrets that can destroy the other. It is a beautiful novel showing how one can become a prisoner of one's secrets and live compromised lives. The descriptions are so hauntingly vivid that they will remain etched in my mind forever. I loved the narration and the poetic language, and the bittersweet ending was like icing on the cake.

This book served as my entry point to Indian goddess traditions. It examines a millennia-old tradition alongside the modern concept of feminism. What emerges is a nuanced and complicated set of essays that challenges my understanding of goddesses and their relation to women and men. At the end of the day, I walk away with a greater appreciation for both goddesses and feminism.

This book is not only a deep scholarly engagement with the world of art collection and Hindu goddesses, but it also reads like a mystery novel. Kaimal took me on a journey from India, the home of the images/works of art under discussion, through their disparate journeys in the shadowy world of international art collecting and sales. It made me understand how the modern museum is stocked with images taken from active sites of religious practice.