Here are 100 books that Taj Mahal fans have personally recommended if you like
Taj Mahal.
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I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
It really is ‘complete’ as it claims: this is the most thorough and authoritative account of the design and construction of India’s most famous building. Underpinned by robust scholarship, the story is engagingly told and wonderfully illustrated with many photographs and diagrams. The author visually reconstructs the larger (now lost) series of riverside gardens in Agra, and explains how the Taj Mahal fitted into this unique built environment.
Leads the reader through the whole complex and gardens of the Taj Mahal, illustrated by hundreds of new photographs and drawings and with an in-depth explanation of each building. This encounter is framed by a complete account of the mausoleum's urban setting, its design and construction, its symbolic meaning, and its history up to the present day, with the result that the most familiar image in the world is suddenly endowed with new significance and added wonder.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This slim but well illustrated book gives an account of archaeological excavations that the author and others carried out in the mid-1990s. They unearthed the large but previously lost garden called the Mehtab Bagh on the far bank of the River Yamuna, facing the Taj Mahal. In so doing they debunked the long-standing myth about Shah Jahan’s plans to build a black replica Taj on that spot and showed instead what the real original garden scheme was like. Fascinatingly told, the story fully lives up to the claim to reveal ‘new discoveries’.
For 350 years, the Taj Mahal in Agra has reigned luminous and splendid as perhaps the most admired monument in the world. Visitors who gazed across the Yamuna River from the Taj pavilions have viewed what appears to be little more than farmers' fields and barren ground. But historical references as well as paintings from the time of Shahjahan (r. 1628-58) reveal that it was once densely covered by rectangular walled enclosures and lush vegetation. The Mughal emperor Babur built gardens here as a way of evoking the characteristic delights of the homeland he had abandoned when he moved from…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is a survey of all Mughal architecture, in which only a few pages are devoted to the Taj Mahal directly, but for anyone who wants to understand the Taj not as something unique and inexplicable, but as a logical part of a longer tradition of design, this book is essential reading. While there are other surveys of Mughal architecture on offer, a major strength of this one is the author’s inclusion of many minor and provincial buildings that provide a wider context for the famous stand-out masterpieces like the Taj.
In Architecture of Mughal India Catherine Asher presents the first comprehensive study of Mughal architectural achievements. The work is lavishly illustrated and will be widely read by students and specialists of South Asian history and architecture as well as by anyone interested in the magnificent buildings of the Mughal empire.
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
I love experiments in the novel form, and this book by the Czech Ourednik startled me from the first words of its opening, a deadpan sentence telling us that the Americans who died at Normandy in 1944 were unusually tall. What follows is an accounting of important and trivial happenings of a hundred years of war-riddled world history in roughly the same number of pages.
Throughout, we read random details, skipping from how often people bathed to psychologists’ recommendations about venting aggression through competitive sports to the changes in human lives occasioned by contraceptives and tear-off toilet paper. Every page is always the tongue-in-cheek narration of absurdities I couldn’t help reading aloud to whoever was nearby. No book is like this one, and maybe no other so profound.
Tracing the Great War through the Millennium Bug, 1999 through 1900, Dadaism through Scientology through Sierra Leonean bicycle riding and back, award-winning Czech author Patrik Ourednik explores the horror and absurdity of the twentieth century in an explosive deconstruction of historical memory.
Europeana: A Brief History of the Twentieth Century opens on the beaches of Normandy in 1944, comparing the heights of different forces' soldiers and considering how tall, long, or good at fertilizing fields the men's bodies will be. Probing the depths of humanity and inhumanity, this is an account of history as it has never been told: "engaging,…
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Yuri Slezkine’s classic book on the history of Russian Jewry is not a work of migration history strictly speaking. But there is no Jewish history without migration, and Slezkine shows us, among many other things, how Russian Jews ended up in the US, Israel, and the Soviet Union, representing three ideological choices—liberalism, nationalism, and communism.
I read this book back in university, and few works, if any, have had such a profound impact on my historical thinking.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I’m reading books that are centered on science and behavior and health. After decades of research on the interplay between genes and the environment, I had a strong foothold on the genetic part, but I needed to understand the environment part to make any sense of it all. This research has broadened my horizons exponentially. We know that genes are immutable, for the most part… but parts of the genome are mutable—and we can shape our lifestyle/behavior to improve our health.
Maté asks why chronic illness and general poor health are on the rise in Western countries that pride themselves on their healthcare systems.
Nearly 70 percent of Americans are on at least one prescription drug; more than half take two. In Canada, one person in five has high blood pressure, while in Europe, hypertension is diagnosed in more than 30 percent of the population. And adolescent mental illness is on the rise everywhere.
Despite medical knowledge and technological sophistication, Western medicine often fails to treat the whole person by not considering how contemporary culture stresses the body, burdens the immune system, and undermines our sense of emotional balance.
Maté dispels common myths about what makes us sick, connecting the dots between the maladies of individuals and the progressive malaise of society, and offers some suggestions for healing.
'It all starts with waking up... to what our bodies are expressing and our minds are suppressing'
Western countries invest billions in healthcare, yet mental illness and chronic diseases are on a seemingly unstoppable rise. Nearly 70% of Americans are now on prescription drugs. So what is 'normal' when it comes to health?
Over four decades of clinical experience, renowned physician and addiction expert Dr Gabor Mate has seen how health systems neglect the role that trauma exerts on our bodies and our minds. Medicine often fails to treat the whole person, ignoring how today's culture stresses our bodies, burdens…
I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
This is a collection of essays by Fisher that originally comprised his K-Punk blog and that I return to again and again.
Fisher has a unique voice, a kind of critical conscience for the times that navigates the complexities of what he called "capitalist realism" through the lens of popular culture. These essays are the reason I got into bands on the Ghost Box label, like Pye Corner Audio, The Advisory Circle, and Belbury Poly. They speak to a loss of promised futures in a political context that has increasingly emptied out hope.
I find Fisher’s diagnosis of the culture of late capitalism to be the most compelling out there. His critique of “retro” bands like The Arctic Monkeys is scathing, while his writings on “hauntological” culture are ground-breaking. I’m a big fan of Burial, and Fisher’s reflections on the post-rave come-down are spot on.
Edited by Darren Ambrose and with a foreword by Simon Reynolds, this comprehensive collection brings together the work of acclaimed blogger, writer, political activist and lecturer Mark Fisher (aka k-punk). Covering the period 2004 - 2016, the collection will include some of the best writings from his seminal blog k-punk; a selection of his brilliantly insightful film, television and music reviews; his key writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines; his final unfinished introduction to his planned work on "Acid Communism"; and a number of important interviews from the last decade.
I’m a historian who wants to understand the big picture as best I can. And while occasionally I can clear my schedule enough to read a 1,000pp book, realistically that won’t happen often so I am always on the alert for short books that aim to provide what I am looking for: a coherent vision of the whole of human history. That’s asking a lot of an author, but these five do it well.
This one is 359 pages and says almost nothing about the 20th century. It is quirky in terms of what it includes and what it leaves out, but reliable in its facts and judgments, and full of insights I haven’t encountered elsewhere. It does not bother with grand theories or overarching narrative, but focuses on what the author finds interesting. Cook is a specialist on the history of Islam, which gives the book an uncommon vantage point.
Why has human history been crowded into the last few thousand years? Why has it happened at all? Could it have happened in a radically different way? What should we make of the disproportionate role of the West in shaping the world we currently live in? This witty, intelligent hopscotch through human history addresses these questions and more. Michael Cook sifts the human career on earth for the most telling nuggets and then uses them to elucidate the whole. From the calendars of Mesoamerica and the temple courtesans of medieval India to the intricacies of marriage among an aboriginal Australian…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I have spent a great deal of time exploring how psychoanalytic theory might be the basis for a critique of capitalism. I had always heard the Marxist analysis of capitalist society, but what interested me was how psychoanalytic theory might offer a different line of thought about how capitalism works. The impulse that drives people to accumulate beyond what is enough for them always confused me since I was a small child. It seems to me that psychoanalytic theory gives us the tools to understand this strange phenomenon that somehow appears completely normal to us.
This is the one classic text on my list. Marcuse’s book was like a bible to protesting students in the 1960s, and its critique of the psychic levelling that occurs under capitalism remains just as germane today, if not more so. This is the most successful marriage of Freud and Marx that emerged from the famous Frankfurt School, which was a group of cultural Marxist invested in psychoanalysis. Marcuse grasps how capitalism employs technology to ensure its psychic dominance.
Originally published in 1964, One-Dimensional Man quickly became one of the most important texts in the ensuing decade of radical political change. This second edition, newly introduced by Marcuse scholar Douglas Kellner, presents Marcuse's best-selling work to another generation of readers in the context of contemporary events.