Here are 100 books that Taj Mahal fans have personally recommended if you like
Taj Mahal.
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I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
It really is ‘complete’ as it claims: this is the most thorough and authoritative account of the design and construction of India’s most famous building. Underpinned by robust scholarship, the story is engagingly told and wonderfully illustrated with many photographs and diagrams. The author visually reconstructs the larger (now lost) series of riverside gardens in Agra, and explains how the Taj Mahal fitted into this unique built environment.
Leads the reader through the whole complex and gardens of the Taj Mahal, illustrated by hundreds of new photographs and drawings and with an in-depth explanation of each building. This encounter is framed by a complete account of the mausoleum's urban setting, its design and construction, its symbolic meaning, and its history up to the present day, with the result that the most familiar image in the world is suddenly endowed with new significance and added wonder.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This slim but well illustrated book gives an account of archaeological excavations that the author and others carried out in the mid-1990s. They unearthed the large but previously lost garden called the Mehtab Bagh on the far bank of the River Yamuna, facing the Taj Mahal. In so doing they debunked the long-standing myth about Shah Jahan’s plans to build a black replica Taj on that spot and showed instead what the real original garden scheme was like. Fascinatingly told, the story fully lives up to the claim to reveal ‘new discoveries’.
For 350 years, the Taj Mahal in Agra has reigned luminous and splendid as perhaps the most admired monument in the world. Visitors who gazed across the Yamuna River from the Taj pavilions have viewed what appears to be little more than farmers' fields and barren ground. But historical references as well as paintings from the time of Shahjahan (r. 1628-58) reveal that it was once densely covered by rectangular walled enclosures and lush vegetation. The Mughal emperor Babur built gardens here as a way of evoking the characteristic delights of the homeland he had abandoned when he moved from…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is a survey of all Mughal architecture, in which only a few pages are devoted to the Taj Mahal directly, but for anyone who wants to understand the Taj not as something unique and inexplicable, but as a logical part of a longer tradition of design, this book is essential reading. While there are other surveys of Mughal architecture on offer, a major strength of this one is the author’s inclusion of many minor and provincial buildings that provide a wider context for the famous stand-out masterpieces like the Taj.
In Architecture of Mughal India Catherine Asher presents the first comprehensive study of Mughal architectural achievements. The work is lavishly illustrated and will be widely read by students and specialists of South Asian history and architecture as well as by anyone interested in the magnificent buildings of the Mughal empire.
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
I love experiments in the novel form, and this book by the Czech Ourednik startled me from the first words of its opening, a deadpan sentence telling us that the Americans who died at Normandy in 1944 were unusually tall. What follows is an accounting of important and trivial happenings of a hundred years of war-riddled world history in roughly the same number of pages.
Throughout, we read random details, skipping from how often people bathed to psychologists’ recommendations about venting aggression through competitive sports to the changes in human lives occasioned by contraceptives and tear-off toilet paper. Every page is always the tongue-in-cheek narration of absurdities I couldn’t help reading aloud to whoever was nearby. No book is like this one, and maybe no other so profound.
Tracing the Great War through the Millennium Bug, 1999 through 1900, Dadaism through
Scientology through Sierra Leonean bicycle riding and back, award-winning Czech author Patrik
Ourednik explores the horror and absurdity of the twentieth century in an explosive
deconstruction of historical memory.
Europeana: A Brief History of the Twentieth Century opens on the beaches of Normandy in
1944, comparing the heights of different forces' soldiers and considering how tall, long, or good
at fertilizing fields the men's bodies will be. Probing the depths of humanity and inhumanity,
this is an account of history as it has never been told: "engaging,…
My passion for the topic of migration was kind of overdetermined, given that my grandparents were refugees, my father is an immigrant, and I have been on the move quite a bit myself. It might not have been a conscious choice to study something so close to home, but the more I think about it, the less likely it seems that this was all a coincidence. This personal dimension might also explain my choice of books, which all combine scholarly-analytics with deeply human perspectives on the topic of migration.
Yuri Slezkine’s classic book on the history of Russian Jewry is not a work of migration history strictly speaking. But there is no Jewish history without migration, and Slezkine shows us, among many other things, how Russian Jews ended up in the US, Israel, and the Soviet Union, representing three ideological choices—liberalism, nationalism, and communism.
I read this book back in university, and few works, if any, have had such a profound impact on my historical thinking.
This masterwork of interpretative history begins with a bold declaration: "The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century." The assertion is, of course, metaphorical. But it drives home Yuri Slezkine's provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including emigres and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity-nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’m a philosopher and author from Australia with a special interest in defending liberal rights and freedoms. For many years now, I’ve been worried about the erosion of liberalism in its fundamental sense that relates to individual liberty. Everywhere we look, unfortunately – and from all sides of politics – there are pressures to conform and attacks on free inquiry and speech. All too often, what’s worse, we cave in to those pressures and attacks. I value deep scholarship and intellectual rigor but also clear, vivid writing. I aim for those qualities in my own books and articles, and I’m sure you’ll find them in the five books on my list.
The famous British philosopher A.C. Grayling tells the story of a hard-fought struggle over the past five centuries for the rights and freedoms now enjoyed in Western democracies. He emphasizes that our rights and freedoms are both precious and precarious: they could easily be lost if governments and citizens don’t adequately appreciate them or don’t understand how difficult they are to win.
For Grayling, our rights and freedoms began to contract around the beginning of this century. He points, for example, to the rise of state surveillance, particularly in response to terrorism but often just for the convenience of policing.
In Towards the Light, A.C. Grayling tells the story of the long and difficult battle for freedom in the West, from the Reformation to the Universal Declaration of Human Rights, from the battle for the vote to the struggle for the right to freedom of conscience. As Grayling passionately affirms, it is a story - and a struggle - that continues to this day as those in power use the threat of terrorism in the 21st century to roll-back the liberties that so many have fought and died to win for us. Including an appendix of landmark documents, including the…
I'm a mathematician but an unusual one because I am interested in how mathematics is created and how it is learned. From an early age, I loved mathematics because of the beauty of its concepts and the precision of its organization and reasoning. When I started to do research I realized that things were not so simple. To create something new you had to suspend or go beyond your rational mind for a while. I realized that the learning and creating of math have non-logical features. This was my eureka moment. It turned the conventional wisdom (about what math is and how it is done) on its head.
It’s a little weird that this book should find a place on my list. It’s a book about how society has become resistant to anything that is difficult and painful and the kinds of people that we have become as a result. But mathematics is difficult! To understand mathematics you have to think hard, sometimes for a long time. Moreover understanding something hard is discontinuous, it requires a leap to a new way of thinking. You have to start with a problem and this problem might be an ambiguity or a contradiction. A is true and Bis true but A and B seem to contradict one another. When you sort out this problem you will have learned something.
The moral here is to embrace things that are difficult if you want to learn significant new things. “No pain, no gain.” You don’t have to worry about some super AI…
Our societies today are characterized by a universal algophobia: a generalized fear of pain. We strive to avoid all painful conditions - even the pain of love is treated as suspect. This algophobia extends into society: less and less space is given to conflicts and controversies that might prompt painful discussions. It takes hold of politics too: politics becomes a palliative politics that is incapable of implementing radical reforms that might be painful, so all we get is more of the same.
Faced with the coronavirus pandemic, the palliative society is transformed into a society of survival. The virus enters…
I am an art historian and was professor of art history at MIT, Tufts, Harvard, and elsewhere. As an undergraduate I studied Jewish history and philosophy and subsequently was assistant editor at Schocken Books focusing on art history and history of ideas. My graduate work was in art history, first in medieval manuscripts and then 19th century French art. I’ve written four books, edited four others, and made 30 documentaries, mostly on art. The French government knighted me “Chevalier dans l’ordre des arts et des lettres.”
I met Svetlana in the last two years of her life and was deeply impressed by her brilliance in literature and the history of ideas and cultures. She died, tragically, in her mid 50s cutting short her extraordinary career, from childhood and youth in Soviet Russia to her stellar career as a Harvard professor of comparative literature. Of her seven books, this highly original study of nostalgia has been particularly important.
A ground breaking study about longing in its positive and negative forms, focusing on post-communist cities such as St. Petersburg, Moscow and Berlin, and writers Nabokov, Brodsky, and Kabakov. Erudite, brilliant, and witty, this is a great cross-genre study of our modern condition.
Combining personal memoir, philosophical essay, and historical analysis, Svetlana Boym explores the spaces of collective nostalgia that connect national biography and personal self-fashioning in the twenty-first century. She guides us through the ruins and construction sites of post-communist cities-St. Petersburg, Moscow, Berlin, and Prague-and the imagined homelands of exiles-Benjamin, Nabokov, Mandelstahm, and Brodsky. From Jurassic Park to the Totalitarian Sculpture Garden, Boym unravels the threads of this global epidemic of longing and its antidotes.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I have always been concerned about the happiness and well-being of other people, whether they are friends or strangers, rich or poor, young or old. To me, they are all members of one human family. I became engaged in community actions at an early age, and in addition to my work as a teacher, teacher trainer, and international educational consultant, I have been involved in many efforts to reconcile conflicts, ensure justice, and foster collaboration. My interest in civil rights, as well as my concern for the environment, led me to dedicate much of my time to developing global education and education for sustainable development.
I have always doubted the claim that people are predominantly violent and egotistical and can never change. Jeremy Rifkin, in this well-researched book, shows that despite humanity’s history of conflicts and misery, human beings have the potential, and have already begun, to create an empathic, global society.
A book such as this is needed to help us understand history as a process of humanity’s gradual maturing.
In this sweeping new interpretation of the history of civilization, bestselling author Jeremy Rifkin looks at the evolution of empathy and the profound ways that it has shaped our development-and is likely to determine our fate as a species.
Today we face unparalleled challenges in an energy-intensive and interconnected world that will demand an unprecedented level of mutual understanding among diverse peoples and nations. Do we have the capacity and collective will to come together in a way that will enable us to cope with the great challenges of our time?
In this remarkable book Jeremy Rifkin tells the dramatic…
