100 Books Like Sweet Caress

An interesting thing about reading this book is that I had read a novel about Dorothea Lange only months earlier. But when Darznik’s publicist reached out and asked me to read it, I couldn’t resist! Why? Because I love Dorothea and can’t get enough of her.

Dorothea is exactly the kind of woman I want to be BFFs with. But whose story would give me the intimate connection I was looking for? Jasmin Darznik, in her enchanting new novel, The Bohemians, that’s who.

On page one, I stepped into the relationship of two daring and talented women who seem different as night and day. Dorothea, a blond from New York and Caroline Lee, a black-haired Chinese American, raised in an orphanage.

I love to read about artists in Paris in the 1930s. And this book is about a woman who tries to leave the world of modeling to become a photographer, and then she morphs again into one of the only WW2 journalists.

Lee Miller was a real person and she fell in love with Surrealist Man Ray in Paris. 

My first choice (and my favourite of the selection) introduces us to two of the pioneers of photography. Not only did In the Blink of an Eye teach me about the link between Robert Adamson and William Henry Fox Talbot (inventor of the calotype process), but I realised that I had stayed at one of the novel’s key settings – Rock House, on the slopes of Edinburgh’s Carlton Hill. 

In 1843, the artist David Octavius Hill was tasked with painting the portraits of 400 ministers of Scotland’s Free Church, a commission so daunting it seemed almost impossible. It would take years to capture the likenesses of so many men. Only when Hill met Robert Adamson, a pioneering photographer, did a solution present itself. 

Bacon doesn’t only give us Hill and Adamson, but brings to life some of the women whose names have been forgotten by history to life: names that… show more.

What the author does brilliantly is to depict the random nature of artistic success. Twenty years ago, on the morning after a dinner party, struggling photographer, Rebecca Winter, acted on a whim. She photographed the scene that confronted her when she entered the kitchen. The Still Life with Bread Crumbs of the book’s title captured the public’s imagination and went on to win a major award, making Rebecca an unwitting women’s champion. 

Fast forward to the present day. We see Rebecca as a 60-year-old divorcee. Now that offers of work have dried up and seeing no other solution to her financial predicament, she exchanges her New York apartment for a cabin in the back of beyond.

Exploring the woods surrounding the cabin, Rebecca stumbles across a series of mysterious white crosses with accompanying pieces of memorabilia: a small trophy, the plaster cast of a handprint. Thinking of the objects only… show more.

Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.” 

By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.

The cover shows a woman peering into her camera. She holds the camera carefully, gently and with purpose. Inside, the attractive illustrations show Dorothea Lange who, as a child, was sick leaving her feeling invisible. But the world wasn’t invisible to her. She surprised everyone when she announced one day that she was going to be a photographer. Was it unladylike? What did that even mean? It didn’t matter to Dorothea, who refused to look away from the suffering of people. She used her photos to show that each person is special. Without Dorothea, the images she captured would remain invisible, when they all deserved to be visible. Actual photographs and timeline at the end of this book make it even more fascinating.

If I’d been a London teenager at the outbreak of WW2, Joan is who I’d choose to have as my best friend. Joan’s memoirs, taken from her actual diaries, which were written secretly during bombing raids, reveal a conflicted, hormonally charged, humorous woman. This snippet gives you an idea: “Well here I sit in the air-raid shelter with screaming bombs falling right and left…I can’t help feeling that each moment may be my last, and as the opposite of death is life, I think I shall get seduced by Rupert tomorrow.” Written with great wit, and full of joie de vivre, Love Lessons is a wonderful read.

Whenever I give a talk about Dickey Chapelle, I’m always asked why she did it. Why did she risk her life for so many years to cover conflict? I, too, wondered this same thing when I started writing about her, and in truth, I didn’t have a clue. 

I began to turn to accounts by other women photojournalists for insight, and I found a great deal in this book. Like Chapelle, Addario has an incredible capacity to connect with those she photographs. There is a palpable sense of empathy in her work—and one that is not easily come by. 

From Afghanistan to Iraq, Libya to Pakistan, Addario put herself in harm's way to capture the story—and she brought me as a reader right along with her. Through her lens, I was better able to see the geopolitical forces that shape individuals' lives, the stakes they face, and their bravery in… show more.

I have a soft spot for romance novels, where love wins in the end. Here’s a romance that involves a man with a somewhat unappealing nerdity: he studies insects. At first, he seems like a stereotypical nerd who doesn’t care about anything but his bugs.

But he’s soon revealed to be a whole human, with emotions, desires, and a full back story that rivals any of the “normal” characters in the story. Here’s an author who knows the truth about nerds: we are just people.

Lyon’s protagonist, Lu Rile, is a struggling, ambitious young photographer, living in a derelict Brooklyn warehouse that might soon be destroyed by real-estate developers. In order to somehow pay the rent while at the same time take care of her ill and aging father, she desperately juggles three jobs. When not at work, Lu is in the midst of creating a series of self-portraits of herself in the window of her loft, when she accidentally captures the image of a young boy, the son of her upstairs neighbors, falling to his death. (Shades of Antonioni’s famous film, Blow Up, which also features a key but inadvertent photograph.)

She recognizes at once that it is the best picture she has ever taken, but instantly understands that it poses a major moral dilemma. Should she pull every string she can to get it shown, in an effort to initiate and stamp… show more.